Tamil Movie reviews Archives

Merry Christmas: A Tale of Yadhoom, Love, and Mystery

Merry Christmas, directed by Sriram Raghavan, is a beautiful film, especially if you like slow-paced yet engaging movies like the Before trilogy. Merry Christmas uniquely blends the romantic drama of Wong Kar Wai with the suspenseful elements of Hitchcockian noir thrillers.

In essence, it’s reminiscent of Thiyagarajan Kumararaja’s Ninaivo Oru Paravai, which seamlessly fuses these two elements. It’s not surprising that the director, Sriram Raghavan, mentioned Thiyagarajan Kumararaja as an inspiration.

Retro Charm & A Mood For Love, Sprinkled with Witty Black Humour

Merry Christmas begins with a note saying, ‘When Mumbai was known as Bombay.‘ The film takes place in Bombay during the 1970s and makes you feel nostalgic.

The colours, music, and songs in the film are sync with the era and make the experience even better. The story revolves around Albert (Vijay Sethupathi) and Maria (Katrina Kaif). Two souls wandering in the neon-lit lanes of Bombay, whose lives intersect in a serendipitous Christmas encounter.

It’s more of like a O.Henry short story; whatever you are reading and imagining in the first half will get a 180 degree shift in the later half.

The movie’s pacing is deliberate, slowly building up to a climax. If you are expecting a thriller like Andhadhun, you may get disappointed. Merry Christmas is a cute black comedy.

Perfect Blend of On Screen & Off Screen Efforts

Vijay Sethupathi is outstanding in his role. Watching him dance with Katrina Kaif, who is famous for dance numbers like ‘Chikni Chameli,’ is a treat for the fans of both. You can’t help but be drawn in by Vijay’s cute dance performance.

The film’s homage to the bygone era of Bollywood, Vivaldi’s ‘Four Seasons’, background score by Daniel B George, all these adds layers to its storytelling, makes ‘Merry Christmas’ more than just a movie set in the 70s. It feels like it truly belongs to that time.

Cinematographer Madhu Neelakandan deserves a special applause for meticulously capturing the essence of the setting, focusing on even the smallest details. The vibrant red-blue-green colour palette that fills each frame is so catchy and sync with the moments. However, the close-up shots of Katrina Kaif are a bit of a letdown. Personally, I felt that these moments were jarring, as Katrina seemed to struggle with conveying the subtlety of emotions required for these shots.

Sriram Raghavan’s Yadhoom: A Merry Christmas with Self-Discovery

Sriram Raghavan’s Merry Christmas not only shines with performances but also with its intriguing scripting.The movie looks at ‘Yadhoom’ moments – those instances of clarity and realisation of one’s true purpose in life.

Tamil veteran actor Rajesh plays a kind man who took care of Albert’s mother, Celine, before she passed away. He also looks after her apartment. He gives Albert a bottle of homemade wine called Yadhoom.

But what does Yadhoom mean?

Rajesh explains it like this:

‘We spend our lives working, raising families, and doing other things. But we’re all waiting for a special moment. When that moment comes, it’s like you suddenly know what you’re supposed to do. That’s what Yadhoom is about.‘
Merry Christmas (2024)

Sriram Raghavan carefully places his characters right before the Yadhoom moments in their lives. He shows us how they find out who they are and what they want.

Before he starts his night adventure Albert reads a quote “Night is Darkest Before The Dawn”, this blend with the eastern version of Yadhoom philosophy where challenges and sufferings lead to self-realisation. Hope you have watched Lion King which beautifully portrayed this philosophy.

Albert’s return to Bombay is more than just a trip. It’s a journey through his past and into his own heart. The idea of Yadhoom is key in the movie.

The characters of Albert and Maria are skillfully crafted to evolve towards this Yadhoom realisation. Their interactions, laden with yearning and a sense of lost time, gradually lead them to their respective Yadhoom moments.

Complementary Yadhoom Arcs

The characters, Albert and Maria, are created in a way that Maria is skeptical, fragile and is more sure of her motivations than her decisions, while Albert is almost too careful, yet easy going.

Katrina Kaif & Vijay from Merry Christmas

There is a dialogue from Albert: “I’ve left a lot of things unfinished in life, but never a bottle of chilled beer,”. These complementary arcs in their behaviour is what makes them complete in the end while talking about the agony of remorse and awaiting.

Sriram Raghavan’s storytelling is subtle, he cleverly uses the festive atmosphere of Christmas to create a striking contrast with the deep self-reflection experienced by his characters. This contrast serves to highlight their personal growth. Initially burdened by their pasts and uncertainties, Albert and Maria evolve throughout the film. They move from being individuals weighed down by life’s complexities to people who gradually come to embrace the concept of Yadhoom.

Yadhoom, Albert and Maria: Philosophical Layers in Merry Christmas

Merry Christmas is more than just a black comedy on screen. It introduces us to the deep ideas of some philosophies.

Katrina Kaif & Vijay Sethupathi playing Flying Wish Paper Swan

Existentialism

For example, the film reflects existentialism. This is the belief that people must create their own meaning in a world that doesn’t have a clear purpose. Albert and Maria are characters struggling to escape their past and the truth, and in the end, they use what happens in their lives to make their own meaning and purpose for their present.

Stoicism

The film also shows ideas from Stoicism. Stoicism consists of wisdom, justice, courage, and moderation.

This ancient philosophy teaches that people should accept what happens in their lives and use these experiences to grow and become better people. We see this in how Albert and Maria deal with their past and how they change to find their purpose. In the climax there is a shot where Maria burns a Teddy and keeps two fish in the flush tanks. The way that night ends was narrated beautifully by Sriram and captured elegantly. by Madhu Neelakantan.

Even there is an instance were, Albert talks about Violence, he says: “Violence is better than the sufferings from non-violence”. This reminds me of Dharma philosophy.

In summary, ‘Merry Christmas’ is not just a black comedy thriller but a philosophical journey that resonates with the heart and mind. Echoing the essence of trendy Ikigai, Existentialism, Dharma,and all other such philosophies, Merry Christmas inspires us to explore our own paths, encouraging us to find our unique place in the world.

Por Thozhil: A Whodunit That Ticks All Boxes

What’s the big advantage of making a thriller film like Por Thozhil as a debutant, especially a homicide thriller? You might think it’s the heart-pounding suspense or the dark and mysterious aesthetics.

But from a scriptwriter’s perspective, the real charm lies in its easiness. If you have a solid “whodunit” hook and a twist in the end, you need only to ensure a smooth investigation filled with a few impressive moments. For debutant directors, it’s a surefire strategy. and there you have it. A recipe for minimum an above average status.

And that’s where Por Thozhil fits in. It’s a murder mystery that plays safe, sticking to the tried-and-tested formula.

It’s thrilling, engaging and, above all, familiar. But is that necessarily a bad thing? Not at all!

Familiar Grounds, Engaging Watch

Pick any classic homicide thriller and you’ll start seeing a pattern.

The detective often wrestles with personal loss, chronic illness, or a haunting past. He then stumbles upon an extraordinary case, perhaps involving a serial killer or a brutal murder. The movie ends with a twist; the detective overcomes his struggles; sometimes, the audience sympathises with the killer. While most cases end happily, occasionally the detective loses his life or his partner. There are outstanding exceptions like Chinatown or Memories of Murder. (Read why ‘Memories Of Muder is different here.)

Por Thozhil doesn’t deviate from this blueprint. And although this might sound repetitive, the real magic happens in the journey from the start to the finish. That’s where the storyteller can truly make a mark.

From the classic ‘Silence of the Lambs’ to the recent Malayalam thriller ‘Kooman,’ the difference lies in the journey – the route it takes from the departure point to the destination.

However, Por Thozhil doesn’t break new ground. It embraces the cliched template, with several elements reminiscent of countless other detective thrillers. Nikhila Vimal’s character, buddy cop frustrations, mentor cop arrogance, serial killer, and the ending twist are all elements borrowed from a hundred other detective thrillers.

Falling Short of Convincing: The Local Flavour is Missing

One downside of Por Thozhil is that it misses out on the local flavour. The serial killer’s backstory would make more sense in countries with lower population densities( 32/sq.km), like Canada or Australia but in Tamil Nadu with 555 people in a square kilometer, it’s not that convincing.

Why are our filmmakers fixated on these Western-style plotlines?
Why not develop detective thrillers that resonate with our culture, demographics, and geography?

The last time I felt like I was watching an authentic Indian detective thriller was ‘Joseph’, not a mere adaptation of a foreign thriller. Even Ila Veezha Poonchira and Kooman were succesful in adding the local flavour and serving it as a genuine Indian Thriller.

Thrills and Chills: It’s All About the Unravelling

Another bone I have to pick with Por Thozhil is how the narrative unfolds.

It seems as if the clues chase the detective, rather than the other way around. This takes away from the excitement or “got omething new” moment that should naturally come with a thriller.

For example, when you watch the Malayalam thriller ‘Memories’, you will find many occasions where the detective brilliantly did some outside-the-box thinking without his super-computer brain, which can remember and recall everything (like in Por Thozhil).

There’s a scene towards the end where Prakash (Asok Selvan) decodes a ‘who’ in a coffee shop. For me, this was one of the most superficial decodings I’ve ever seen.

The lack of an intensive, painstaking investigative process can make the narrative feel a bit superficial and detracts from the immersive viewing experience.

Por Thozhil Cast: The Saving Grace

Despite the movie’s shortcomings, the performances shine. Sarath Kumar is spectacular as the senior cop. Ashok Selvan’s portrayal of Prakash, the rookie officer, also deserves applause.

Sarath Kumar as Loganathan in por thozhil — Sarath Kumar as Loganathan

Prakash (Ashok Selvan) is a newbie, and initially, Sarath Kumar has little hope or trust in him. There’s a scene where Prakash determines the time of death by measuring the brain temperature of the dead body (If you watch thrillers, nothing new in the method). Sarath Kumar’s subtle reaction beautifully conveys a sense of pride, a kind of “Paravayilley” reaction.

ASok Selvan as Prakash — Asok Selvan as Prakash

Sharath Kumar mesmerised me with his effortless acting and the subtle reactions throughout the movie.

The casting of late actor Sarath Babu is another highlight. His portrayal of the vulnerable and guilt-ridden antagonist brings a sense of realism to his character.

Nikhila Vimal, however, has room for improvement.I didn’t see the character Veena in the film; instead, I saw Nikhila Vimal playing a supporting role to Sarath Kumar.

Nikhila Vimal as Veena in por Thozhil — Nikhila Vimal as Veena

There’s another character I want to mention, but that might be a spoiler. The casting could have been better there as well. It wasn’t convincing considering body language, reaction, or emotional appeal.

My Suggestion

For debutant director Vignesh Raja, Por Thozhil seems like a safe bet. His clever blend of elements works for a mainstream audience, making the movie a passable watch for fans of the genre. Despite some missteps, the film is a testament to his potential as a promising filmmaker.

It’s not groundbreaking, but it still manages to be an entertaining watch. The actors, especially Sarath Kumar and Ashok Selvan, do a fine job. If you’re in the mood for a decent detective thriller, Por Thozhil might be just the ticket.

For thrillier suggestions click here.

Kudimahaan Review: Comedy-Drama Worth a Watch

Kudimahaan, now streaming on Amazon Prime, is a unique comedy-drama directed by Prakash N, who won the runner- up title for his short film Kutti Dhadha at the Naalaiya Iyakkunar Season -6 reality show. Prakash adapted his Kutty Dhadha into a fulllength feature film, and that is Kudimahaan (2023).

Based on real incidents: Kudimahaan title

Who is Kudimahaan & What’s his Story?

Kudimahaan is the story of a teetotaller middle-class family man. Whose life gets turned on its head due to an unexpected twist of fate. Mathi, our hero, works with an ATM replenishment agency. With a salary of 15,000 INR, he is leading a family of 4. He leads a simple and responsible life, fulfilling the needs of his family, including his father, who has a history of alcoholism.

But what if I told you that his life goes on a roller coaster ride, not because of any external pressure, but due to an odd medical condition?

This condition is so peculiar that it creates a role reversal, with Mathi, who has never tasted alcohol in his life, turning into a drunk, while his alcoholic father turns sober (because of a love affair 😉).
Can you imagine the chaos that ensues in his life due to this?

How will Mathi manage his job while dealing with this strange disorder? How will his family react to this sudden and bizarre change in his behaviour? And importantly, how does this affect his struggle to fulfill his responsibilities towards his family? These questions form the crux of the storyline of Kudimahaan.

What happens next in Mathi’s life is something that will leave you entertained, perplexed, and curious, all at the same time. It’s this compelling thread of curiosity that weaves the story of Kudimahaan.

Why you Should Watch This Movie?

What makes Kudimahaan special is not only the story but also the freshness in casting. This movie is filled with some new faces. Their performances will definitely make you laugh. But remember that this movie is not a laughing riot; rather, it’s mostly filled with dark humour. This is my simple reason why you should give it a try.

Chandini Tamilarasan, Suresh Chakravarthy and Vijay Sivan in Kudimahaan

Vijay Sivan, who plays the lead role, does a great job showing us the life of an ordinary guy facing some crazy problems. He switches from a guy who never drinks to someone who can’t help it, and he does it really well.
He keeps his acting simple and real, just like Biju Menon, using his eyes more than anything else to show us what he’s feeling.

Chandini Tamilarasan, as the dutiful wife Pavithra, stands out even in the limited scenes she’s in. She keeps her acting honest and matches up well with Vijay.

Suresh Chakravarthy gets to have all the fun playing Mathi’s dad. He’s a guy who doesn’t care what anyone thinks and just lives life his way. He keeps us laughing throughout the movie.

Namo Narayanan comes in later in the movie and adds more comedy. He’s good at making funny situations even funnier.

Last But Not Least

The director, Prakash N, has done a commendable job of keeping us invested in the movie. He told an unusual story from a new angle, using dark humour to address the serious parts. He is truly talented in getting genuine performances from his actors.

The movie is technically sound as well. Meyyandiran’s cinematography captured the subtle emotions and the everyday yet special moments of life. Shibu Neel’s editing kept the film’s pace engaging and prevented it from becoming monotonous. Tanuj Menon’s music could have been a little more impactful, but it does not detract much from the overall film.

All in all, the cast and crew of Kudimahaan have come together to create a memorable cinematic experience.

They turned an ordinary story into an extraordinary one with their combined skills and dedicated performances.

It’s actually a perfect example of collaboration, and I recommend this movie to all film aspirants.

Click here to read more reviews.

Veeran Movie Review: A Desi Superhero with a Rural Twist

Who is Veeran? What is the Story?

(No Spoilers)

Veeran is about a man named Kumaran, played by Hiphop Adhi, who gains superpowers due to a childhood incident. He has the ability to control minds for a short period and can discharge electric arcs. The movie is set in a village where a corporate body, led by a character named Sharath, plans to implement a dangerous project.

Veeran Movie Scene — Scene from Veeran Movie

Kumaran decides to use his powers to protect his village and its people. He disguises himself as the long-forgotten guardian deity of the village, Veeran. The film’s narrative revolves around Kumaran’s journey in stopping the corporate project and how Sharath (Vinay Rai) plans to remove Veeran from their path.

The movie directed by ARK Saravan, explores themes of Myth, Massy-Superpower and village absurd comedy. Despite being a superhero movie, it tried to keep its touch with reality and village life, and these aspects make it interesting. The humor, action, and music add to the charm of the film.

It’s Not Minnal Murali, It’s a Mix-Bag

Veeran” does share some similarities with other films like Vijay’s Velayudham, Nikhil’s Karthikeya, Ram Kumar’s Mundasupatti, and Basil Joseph’s Minnal Murali. However, in the end it maintains its own identity, thanks to Da Vinci Code (Maybe an inspiration 🙂 ).

Veeran reminds us of “Velayudham” because of the dialogues, costumes, and the climax, where the protagonist assumes a guardian deity’s identity to protect his people.

The character sketch of Veeran bears a resemblance to “Karthikeya”.

The narration around the temple in “Veeran” is quite similar to “Mundasupatti”, and there is even a dialogue referencing it.

Temple Scene from Veeran Movie — Scene from Veeran Movie

Minnal Murali seems to have inspired Veeran in its plot and acts. Even the character of Kaali Venkat in Veeran appears to be similar to Aju Varghese’s role in Minnal Murali. Both characters provide comic relief and being a detective behind the main super-heroes.

The major difference between Veeran and Minnal Murali is in the writing. Minnal Murali has a steady, well-paced character development and transformation into a superhero, whereas Veeran tends to be more sudden in these aspects because of its poor writing.

What Could Have Been Better: Writing

Firstly, the pacing in the first half of the movie could have been better. The story’s development and character introductions felt sudden and could have been more gradual to allow the audience to connect better with the characters and their transformations.

Secondly, the narrative suffers from various logical loopholes. This indicates that the script could have used a little more time and thought. A more tightly woven plot would have significantly enhanced the movie’s overall impact.

Thirdly, the utilization of the superhero aspect of Veeran could have been done more creatively. The film does not fully explore the potential of Adhi’s superpowers, especially in the confrontations.

Finally, the villain characters, played by Vinay Rai & R Badree, could have been more compelling. A stronger antagonist would have added more tension to the plot, making the story more engaging for the viewers.That’s what worked best for Minnal Murali.

Why You Should Try Veeran

Unique Setting

Veeran is set in a rural backdrop, offering a fresh and inter

esting take on the usual urban-centric superhero movies. The depiction of village life and its nuances add to the film’s charm.

This week, there are two super-heroes Spiderman and Veeran, I believe children should try this different superhero. Let them get a different perspective.

Superhero Theme

For fans of superhero movies, Veeran presents a novel, desi superhero, which isn’t very common in Indian cinema, especially Tamil cinema. The unique powers of mind control and discharging electric arcs set our hero apart.Thanks to Minnal Murali for this initiative.

Performance of Hiphop Adhi, R Badree & others.

Hiphop Adhi, as the lead character, delivers a solid performance. His portrayal of the superhero character, with all its complexities, is commendable and a major reason to watch the movie. R Badree nailed his role as a villain.

Good use of Comedy & Myth

The film manages to weave in subtle-humor throughout the plot, making it entertaining. Especially, the situational comedy sequences involving R Badree is a special treat. There is a surprise comedy for you from Munshikanth and Kaali Venkat in the climax.

Kaali Venkat, Munishkanth in Veeran Movie

The way Veeran(Kumaran) uses Myth, is intriguing, it clearily shows how religious systems works, this is where I felt like Veeran is a mediocre Mundassupatti. But still it’s worth considering there are no creepy romantic track.

My Suggestion

Veeran doesn’t quite reach the heights of films like “Minnal Murali”, it still manages to entertain and engage the audience to a certain extent.People were laughing and clapping at theatre, especially children enjoyed the most, I guess.

Remember the first half is slow-paced & poorly written, but in the second half Veeran team did a better job. You may find some thrilling moments.

If you’re a fan of superhero movies and are interested in seeing a different take on the genre, Veeran could be worth a watch. But go in without high expectations, and you might find yourself enjoying the film.

If you are looking for OTT Releases this week, here are my suggestions.