Akhil Pillai

Merry Christmas: A Tale of Yadhoom, Love, and Mystery

Merry Christmas, directed by Sriram Raghavan, is a beautiful film, especially if you like slow-paced yet engaging movies like the Before trilogy. Merry Christmas uniquely blends the romantic drama of Wong Kar Wai with the suspenseful elements of Hitchcockian noir thrillers.

In essence, it’s reminiscent of Thiyagarajan Kumararaja’s Ninaivo Oru Paravai, which seamlessly fuses these two elements. It’s not surprising that the director, Sriram Raghavan, mentioned Thiyagarajan Kumararaja as an inspiration.

Retro Charm & A Mood For Love, Sprinkled with Witty Black Humour

Merry Christmas begins with a note saying, ‘When Mumbai was known as Bombay.‘ The film takes place in Bombay during the 1970s and makes you feel nostalgic.

The colours, music, and songs in the film are sync with the era and make the experience even better. The story revolves around Albert (Vijay Sethupathi) and Maria (Katrina Kaif). Two souls wandering in the neon-lit lanes of Bombay, whose lives intersect in a serendipitous Christmas encounter.

It’s more of like a O.Henry short story; whatever you are reading and imagining in the first half will get a 180 degree shift in the later half.

The movie’s pacing is deliberate, slowly building up to a climax. If you are expecting a thriller like Andhadhun, you may get disappointed. Merry Christmas is a cute black comedy.

Perfect Blend of On Screen & Off Screen Efforts

Vijay Sethupathi is outstanding in his role. Watching him dance with Katrina Kaif, who is famous for dance numbers like ‘Chikni Chameli,’ is a treat for the fans of both. You can’t help but be drawn in by Vijay’s cute dance performance.

The film’s homage to the bygone era of Bollywood, Vivaldi’s ‘Four Seasons’, background score by Daniel B George, all these adds layers to its storytelling, makes ‘Merry Christmas’ more than just a movie set in the 70s. It feels like it truly belongs to that time.

Cinematographer Madhu Neelakandan deserves a special applause for meticulously capturing the essence of the setting, focusing on even the smallest details. The vibrant red-blue-green colour palette that fills each frame is so catchy and sync with the moments. However, the close-up shots of Katrina Kaif are a bit of a letdown. Personally, I felt that these moments were jarring, as Katrina seemed to struggle with conveying the subtlety of emotions required for these shots.

Sriram Raghavan’s Yadhoom: A Merry Christmas with Self-Discovery

Sriram Raghavan’s Merry Christmas not only shines with performances but also with its intriguing scripting.The movie looks at ‘Yadhoom’ moments – those instances of clarity and realisation of one’s true purpose in life.

Tamil veteran actor Rajesh plays a kind man who took care of Albert’s mother, Celine, before she passed away. He also looks after her apartment. He gives Albert a bottle of homemade wine called Yadhoom.

But what does Yadhoom mean?

Rajesh explains it like this:

‘We spend our lives working, raising families, and doing other things. But we’re all waiting for a special moment. When that moment comes, it’s like you suddenly know what you’re supposed to do. That’s what Yadhoom is about.‘
Merry Christmas (2024)

Sriram Raghavan carefully places his characters right before the Yadhoom moments in their lives. He shows us how they find out who they are and what they want.

Before he starts his night adventure Albert reads a quote “Night is Darkest Before The Dawn”, this blend with the eastern version of Yadhoom philosophy where challenges and sufferings lead to self-realisation. Hope you have watched Lion King which beautifully portrayed this philosophy.

Albert’s return to Bombay is more than just a trip. It’s a journey through his past and into his own heart. The idea of Yadhoom is key in the movie.

The characters of Albert and Maria are skillfully crafted to evolve towards this Yadhoom realisation. Their interactions, laden with yearning and a sense of lost time, gradually lead them to their respective Yadhoom moments.

Complementary Yadhoom Arcs

The characters, Albert and Maria, are created in a way that Maria is skeptical, fragile and is more sure of her motivations than her decisions, while Albert is almost too careful, yet easy going.

Katrina Kaif & Vijay from Merry Christmas

There is a dialogue from Albert: “I’ve left a lot of things unfinished in life, but never a bottle of chilled beer,”. These complementary arcs in their behaviour is what makes them complete in the end while talking about the agony of remorse and awaiting.

Sriram Raghavan’s storytelling is subtle, he cleverly uses the festive atmosphere of Christmas to create a striking contrast with the deep self-reflection experienced by his characters. This contrast serves to highlight their personal growth. Initially burdened by their pasts and uncertainties, Albert and Maria evolve throughout the film. They move from being individuals weighed down by life’s complexities to people who gradually come to embrace the concept of Yadhoom.

Yadhoom, Albert and Maria: Philosophical Layers in Merry Christmas

Merry Christmas is more than just a black comedy on screen. It introduces us to the deep ideas of some philosophies.

Katrina Kaif & Vijay Sethupathi playing Flying Wish Paper Swan

Existentialism

For example, the film reflects existentialism. This is the belief that people must create their own meaning in a world that doesn’t have a clear purpose. Albert and Maria are characters struggling to escape their past and the truth, and in the end, they use what happens in their lives to make their own meaning and purpose for their present.

Stoicism

The film also shows ideas from Stoicism. Stoicism consists of wisdom, justice, courage, and moderation.

This ancient philosophy teaches that people should accept what happens in their lives and use these experiences to grow and become better people. We see this in how Albert and Maria deal with their past and how they change to find their purpose. In the climax there is a shot where Maria burns a Teddy and keeps two fish in the flush tanks. The way that night ends was narrated beautifully by Sriram and captured elegantly. by Madhu Neelakantan.

Even there is an instance were, Albert talks about Violence, he says: “Violence is better than the sufferings from non-violence”. This reminds me of Dharma philosophy.

In summary, ‘Merry Christmas’ is not just a black comedy thriller but a philosophical journey that resonates with the heart and mind. Echoing the essence of trendy Ikigai, Existentialism, Dharma,and all other such philosophies, Merry Christmas inspires us to explore our own paths, encouraging us to find our unique place in the world.

Why Only One Pandava Reached Heaven

The saga of the Pandava brothers and Draupadi, their final journey to heaven, unfolds the curtain of sin, love, compassion, and unwavering adherence to Dharma.Here we are looking at why the righteous Pandavas suffered.

The Pandavas anointed Parikshit as the crown prince of Hastinapura. They appointed Yuyutsu as the guardian of the young prince. Yuyutsu, born to Dhritarashtra and a Shudra woman, was a beloved figure among the Pandava brothers. He had shown courage to stand with them on the path of Dharma and was considered a son-like to them.

From Hastinapura, Pandava brothers and Draupadi set out walking in the northern direction. In one word, ‘Vanaprastham’

Draupadi: The First Loss

On their journey, the first to surrender to mortality was Draupadi. Bhima saw this first, and he couldn’t bear that. His love for Draupadi was profound; he was the one who loved her most.

He fiercely avenged her dishonour in the Kaurava court with blood. During their exile in the forest, Bhima diligently ensures Draupadi’s safety and comfort. How could we forget the Kichaka chapter from Mahabharatha? Even when Arjuna was hesitant, Bhima prioritised Draupadi. Even Bhima encountered Hanuman to fulfil Draupadi’s desire for a flower.

Bhima washing Draupadi's hair with blood (Image credit: insta/saptasarka) — Bhim washing Draupadi’s hair with blood (Image credit: insta/saptasarka)

Bhima collapsed, seeing Draupadi lying motionless on the earth. But the Pandava brothers knew they had to keep going. When others were walking, Bhima asked Yudhishthira, the wisest among all, ‘Why did Draupadi die? She did nothing wrong.’

Yudhishthira said, ‘Our journey is about more than just living and dying. We shouldn’t think too much about it. Draupadi was good, but she was only meant to come with us until here.’ Bhima said, ‘But she was our wife! She should always be with us!’ Yudhishthira calmly said, ‘It’s not up to us. What happened to Draupadi was because of what she did in her life.

Draupadi: Where Love meets Sin

Draupadi loved all five of us, but deep in her heart, she had a special place for Arjuna, the first one to win her heart. This natural inclination of her heart highlights the nuanced psychology of love and attachment in women. A woman, even if she is with many men, can deeply love only one. Maybe he was her first love, or maybe he was the one who made her wet for the first time or who offered her a shoulder in her darkest hours.
Yudishitra, Wisest among the Pandava Brothers

Draupadi with Pandava brothers (Image credit: Hotstar)

Bhima, Draupad’s sin was her lust towards Arjuna, but remember, she was noble and righteous, and that’s why she could travel with us this far. I understand your deep feelings for her. You have always protected her. Only Arjuna could truly win her heart, beyond her physical being. And for the four of us who came after, she never denied us fairness and love. She never showed dislike or boredom for our sake. Draupadi was like a goddess! let’s move on, Bhima.’

The Downfall of Sahadeva, Nakula, and Arjuna

During their ongoing journey, Sahadeva was the next to die, followed by Nakula. Yudhishthira explained to Bhima that Sahadeva’s pride in his wisdom and Nakula’s pride in his beauty were their downfalls.

Then, it was Arjuna’s turn. He also surrendered to Yama, the god of death. Bhima again asked Yudhishthira why. Yudhishthira said, ‘Arjuna once vowed to defeat all enemies by himself. This boastfulness and wrath, along with his envy, were his sins. That’s why he couldn’t continue the journey.‘ Then they continued walking

Losses Along the Way: Fall of a Gentle Giant

When Bhima was about to fall, he asked Yudhishthira, ‘Elder brother, I am about to fall. What’s my fault?’ Yudhishthira replied, ‘Bhima, you are dear to me. But your pride in your strength and your love for food (gluttony) were your downfalls.‘ Yudhishthira continued his journey alone, as his brothers’ deaths did not stop him.

At Heaven’s Gate: Righteous Among Pandavas

From the day they left Hastinapura, a dog had been following the Pandavas. Even as others fell during the long journey, the dog stayed with Yudhishthira. When Yudhishthira reached his destination, the gates of heaven were ready to welcome him. Indra arrived in his chariot and said to Yudhishthira, ‘Climb into the chariot! There is no one in heaven more worthy than you to join us. Don’t hesitate, Yudhishthira, come with me!

Yudhishthira told Indra, ‘I’m not completely happy with this blessing you’ve given me.’ ‘What? You don’t want to go to heaven?’ asked Indra. Yudhishthira replied, ‘No, Lord! The Pandavas and Draupadi started this journey together. They all died on the way, and I don’t even know what happened to them. Going to heaven alone will bring me more pain than joy. My brothers are my life, and Draupadi is part of our soul. Please tell me where they are now.’Indra smiled and said, ‘Yudhishthira, the world has never seen a brother as loving as you. You often seemed weak because of your love for your family. Is this really commendable? Is it that hard to let go?‘ Yudhishthira, with a lifeless smile, replied, ‘A person without love for his dependents doesn’t deserve to live on earth. My love for my brothers and Draupadi is beyond my senses. Please help me!

Indra told Yudhishthira, ‘Your brothers and Draupadi were good people. They have already reached heaven after leaving their bodies behind. But they did not have the greatness you have, so you are allowed to enter heaven while still alive. Climb into the chariot. You can trust my words.’ Yudhishthira responded, ‘I have one more request.’ Indra looked at Yudhishthira sceptically.

Yudhishthira’s Conflict of Heart and Duty

Yudhishthira said, ‘I cannot abandon this dog that has been with me until the end of my journey. Please let it come with me on the chariot.’ Indra laughed a little and said, ‘You know that dogs cannot enter heaven. Yet, you insist on this worthless animal.’

‘No! Lord Indra, go ahead without me. This dog will always be with me. If I leave this dog behind, all my good deeds for heaven will be worthless. I will never abandon those who depend on me!’

Indra said, ‘You left your brothers and Draupadi on the way. Do you care more for this insignificant dog?’ Yudhishthira replied, ‘My brothers and Draupadi died along the way, and I couldn’t bring them back to life. But this poor animal is still alive and has been with me through this long journey. I cannot abandon it.’ As Indra looked at Yudhishthira with compassion, the dog transformed. It was Dharma Deva, the god of death, who had followed him in the form of a dog. He said, ‘Son, your compassion has filled me with pride. You have passed a test beyond ordinary trials. The world will praise you as Yudhishthira, a name synonymous with dharma. Your words and actions have always been rooted in righteousness, and you have never strayed from this path. Go with Indra.’

Yudhishthira boarded Indra’s chariot, and they soared through the sky, eventually reaching heaven.

The Celestial Reunion of Pandavas

He entered heaven and saw Krishna sitting on a majestic throne, with Arjuna beside him. They stood up and joyfully welcomed Yudhishthira. He found Karna among the twelve Adityas and bowed to him. Karna smiled and welcomed his brother. Bhima was among the Maruts, Nakula and Sahadeva were near the Ashwini Kumaras, and they all greeted Yudhishthira with respect. Draupadi, shining like a bright star, was there with their five sons. They all bowed to Yudhishthira. He saw Drona blessed by Brihaspati and Bhishma seated among the Vasus, to whom he bowed. Duryodhana, smiling on a special throne, stood up to honour Yudhishthira. In heaven, there is no enmity. Duryodhana, having died a heroic death and fulfilled his duties well, had earned a special place in heaven. (Even Yudishtira did a minor sin and he faced some challenges at Heaven, but we skipped that part since it’s too long for this)

Bhavachakra describing the cycle of saṃsāra — Bhavachakra describing the cycle of *saṃsāra*

Beyond Myths: Love, Loss, and Life’s Eternal Lessons

The reunion with his brothers, Draupadi and Duryodhana, each radiant in their own right, symbolised the eternal cycle of life, death, and redemption. So, this story might be more than just a myth because it reveals a timeless truth: Draupadi’s quiet love for Arjuna, even as Bhima loves her deeply, shows us how complex our hearts can be. It tells us that even wise and strong people like Yudhishthira struggle with letting go of those they love. Finally, it tells us that, in the heart of forgiveness and empathy, lies the true path to liberation, the Moksha.

The Secret Of Happiness: Mitchell Marsh & World Cup

What’s the secret of happiness? Let’s learn from Mitchell Marsh and his super cool World Cup celebration.

If I were to choose a single image that encapsulates the essence of this World Cup, my finger would point unhesitatingly to this particular scene. It’s the picture of the young Mitchell Marsh, his foot triumphantly planted atop the World Cup trophy. The fact that it was Pat Cummins who shared this moment with the world is far from coincidental 😉

Mitchell Marsh with the world cup trophy — Mitchell Marsh with the World Cup trophy

For many, it might be arrogance or direspect, but in my perspective, Mitchell brought a philosophy echoing the very thoughts and actions of Buddha himself. This philosophy, known in English as ‘Detachment’, embodies ideas of dispassion, disillusionment, and liberation from entanglements. The epitome of this concept, in its most tangible form, was achieved by Buddha in the name of Nirvana & Hindu saints and Jaina aints in the name of ‘Moksha‘.

The Zen of Victory: Mitchell Marsh’s World Cup Philosophy

Osho Rajneesh, Ramana Maharshi, and various Jain saints have extensively spoken about this philosophy. However, Mitchell Marsh, through a single act, illuminated this principle in its most tangible form. Every achievement, whether it’s winning the World Cup or an election victory, is transient.

The essence here is the concept of detachment and the transient nature of events and achievements. Mitchell Marsh’s act is a powerful embodiment of this, showcasing that even significant victories like the World Cup are just fleeting moments in the grand scheme of life. I remember a Zen Buddhist story that may connect this better.

The Tale of Two Monks: A Lesson in Non-Attachment

Two monks, one older and one younger, are travelling together. At one point, they come to a river with a strong current. As they prepare to cross, they meet a young woman who is unable to cross by herself. The older monk offers to carry her across on his back, and she gratefully accepts. After he safely delivers her to the other side, they part ways.

After some time, the younger monk questions the elder: ‘Was it right for you to carry that young woman on your shoulders?‘ To this, The older monk replies, “I put her down on the other side of the river. Why are you still carrying her?”.

Cultural Misinterpretations: Respect vs. Detachment

On Sunday, Mitchell Marsh was in the role of this older monk. By declaring the World Cup trophy merely a cup after the victory, he precisely and subtly communicated to us the impermanence of both triumph and defeat. It’s a profound lesson in how fleeting both success and failure are.

Image of Mitchell Marsh shared by cybersanskaris

There are those who criticise this scene. They see placing a foot on the World Cup as disrespectful. These are the same people who do not hesitate to remain silent in the face of blatant injustices. They forget that respect is a feudal value, heavily overshadowed by hierarchy. In their view, certain actions, even symbolic, are unacceptable breaches of decorum, ignoring the deeper symbolic messages such actions might convey.

Practising Detachment: Insights from Mitchell Marsh

You might be thinking that this sounds like actor Vijay fans decoding the brilliance behind the popular Tamil movie Leo. Let me tell you, the base of this interpretation is an interview from Mitchell Marsh.

Mitchell Marsh Interview

In it, Mitchell mentions that he has been training with a psychologist to navigate life, focusing on how to become detached from outcomes. ‘Detachment’ is the key concept Mitchell emphasises. This concept echoes Lord Krishna’s teachings in the Bhagavad Gita about acting without attachment to the results. I cannot recall another recent instance where the profound teachings of Buddha or lord Krsihna have been so effectively put into practise.

Feudal Mindset & The Philosophy of Detachment

Our leaders, superstars, and celebrities should all take a leaf out of Mitchell’s book. His approach is a guiding finger to those who revel in the shadows of egoism. Let’s take a closer look at Kerala.

Here, politicians act like royalty, with only the VIPs having access to the Chief Minister and ministers. Bureaucrats often wield their power for personal ego and vendetta, rooted in their attachment to power.

Kerala Chief Minister in a public outreach programme

Look at our hon.PM Narendra Modi, If he goes to great lengths to maintain his power, it’s not surprising. He has been in power since 2000, and detachment from such a long-held position is no easy feat.

Reflecting on ourselves, can we detach from our past, from our achievements? If it were a yes, we wouldn’t have celebrated Arjun Reddy or Kabir Singh, and we wouldn’t have played so many Lofi songs. Letting Go is a skill that we all should gain.

Most of us bask in the glory of our past successes or failures, but true happiness and growth lie in moving on. Growth happens when you let go. This is especially relevant in a society where maintaining status and power often becomes an end in itself. If we can learn to detach, to let go of these attachments, we can find not just individual contentment but also create a more balanced and equitable society.

Live Love learn liberate — Live Love Learn Liberate

Detachment: Here lies the secret of happiness.
As I always say: Live to Love, Love to Learn, Learn to Liberate. This mission makes your life content.

Rohit Sharma: An Emotional Chapter of Indian Cricket

What makes someone a great leader? That’s the story of Rohit Sharma. How did he ace against the odds? Rohit’s journey is more than just about playing cricket.

It’s about never giving up and leading a team with heart. He was not a part of a winning team in 2011, from there to becoming a captain everyone looks up to, his story is full of feelings and hope.

Rohit Sharma: (Quote: Dead Poet Society)

The Legacy

In the legacy of Indian cricket, two names have been etched in golden letters for their remarkable leadership in clinching the World Cup – Kapil Dev and Mahendra Singh Dhoni.

Kapil Dev, leading the charge in 1983, heralded the rise of the Indian cricket team on the world stage, marking a historic victory that was nothing short of a fairy tale.

Then, the long wait for glory ended in 2011 under the cool captaincy of MS Dhoni, a man from Ranchi who redefined leadership and brought a new era of dominance in Indian cricket. It was a moment that completed the journey of a legend, the God of cricket- Sachin Tendulkar, fulfilling his lifelong dream of winning the World Cup.

Sachin Tendulkar from 2011 World Cup Final

Setbacks to Stepping Stones

In 2011, Rohit had a burning desire to be part of the World Cup team, but fate had other plans. Despite his eagerness and potential, he was left out of India’s squad for the World Cup. How he endured that night as a 23-year-old, filled with dreams yet faced with rejection, is something only he knows.

At the peak of his disappointment, Rohit might have penned down his feelings, possibly as a way to process and overcome the deep sense of letdown.

“Forward, Always Forward, Forward with More Strength”

Rohit Sharma didn’t just stop there. His experience was not merely about deep sorrow from loss. It was also a declaration that he refused to accept himself as a loser. His comeback was as stunning as his performances on the cricket field. It was as if he had donned the armour of a warrior when he stepped back onto the field. His approach to the game changed entirely.

Beyond Boundaries: Rohit Sharma’s Hitman Saga

Once he was set on the crease, there was no one as dangerous as him.
Rohit Sharma’s playing style always brings back memories of Virender Sehwag, especially his fearless approach. Like Sehwag, who would boldly go for a six even on 99, Rohit doesn’t seem to play it safe.

In today’s ICC World Cup Final 2023, Rohit’s innings of 47 runs echoed the same daring spirit as Sehwag’s. He plays like a selfless captain, focused on setting a strong foundation for the team rather than just chasing personal milestones. It’s this quality that sets him apart and reminds us of the fearless cricket that Viru played in the past.

But this doesn’t mean that he doesn’t have any milestones in his career, he rained records, including three double centuries, reshaping not just his career but also the history of cricket.

These years were not just significant for India but brought a change to the entire cricket world. Even in this World Cup, he set a record of sixes. He became the batter to hit the most sixes in ODI World Cups (54).

Leadership in Action: Rohit Sharma’s Defining Moments

In the 2019 World Cup, Rohit Sharma led the team with unparalleled valour, notching up five centuries. His leadership extended beyond the national team to the Mumbai Indians in the IPL, where he lifted the trophy multiple times. Rohit Sharma continued to rewrite history with each of these achievements.

Finally, his journey led him to captain the Indian team in all three formats of the game, a remarkable feat that speaks volumes of his leadership and skill. This story of determination and success found its latest chapter in the 2023 World Cup, showcasing Rohit Sharma as a figure of inspiration and resilience in the world of cricket.

Leading by Example: Rohit Sharma’s Captaincy Masterclass

In the 2023 World Cup, Rohit Sharma led from the front. From the very first ball, his strategy was clear: play aggressively. He ensured that the team got off to a strong start in the powerplay, setting up a good score early on.

Rohit’s leadership was evident in many matches, where his powerful beginnings energised the Indian team. What Rohit started, players like Kohli, Iyer, and Rahul completed, creating a spectacle of teamwork and skill.

But Rohit’s contribution was not limited to his batting prowess. As a captain, he demonstrated remarkable decision-making skills. He skillfully rotated the bowlers, giving the team crucial breakthroughs.

His tactical fielding changes at critical moments were instrumental in swinging the momentum of the game. The 2023 World Cup was a testament to Rohit‘s deep understanding and effective leadership as the captain of the Indian cricket team.

Captaincy Beyond Batting: Inspirational Roots from Dhoni

The last time India reached the final before this was in 2011, a team Rohit Sharma couldn’t be a part of. That team, led by Mahendra Singh Dhoni, created history. Dhoni’s leadership fulfilled the hopes and dreams of a nation waiting for 28 years. Under Dhoni, India won its second World Cup. The final match against Sri Lanka is unforgettable for Indian fans.

The Winning Moment from 2011 World Cup Final

The iconic moment was in the 49th over, bowled by Nuwan Kulasekara. Dhoni’s six over the bowler’s head sealed the victory, a moment celebrated like no other in Indian sports history.

At one point, the team faced a tough situation, but it was Gambhir and Dhoni who rescued India. Dhoni was not only the captain but also the star of the match. His leadership and performance under pressure were instrumental in bringing the World Cup home, creating an unforgettable chapter in Indian cricket history.

Gautam Gambhir Innings

Even though Dhoni wasn’t in top form throughout the tournament, he made crucial decisions in the final and other key matches that saved the team. It’s always been like that with him. His reputation as one of India’s greatest captains isn’t unwarranted. Dhoni’s achievements are not limited to leading India to victory in the 2007 T20 World Cup and the 2011 ODI World Cup. He also led the team to win the 2013 Champions Trophy.

DaDa’s Legacy & The Unforgotten Dream

Before Dhoni, it was DaDa who paved a new path for Indian cricket. In 2000, when Indian cricket was shaken by betting scandals, Ganguly took up the challenge of leading the team. It was a time when even God of Cricket- Sachin Tendulkar, hesitated to take on the captaincy. The Prince of Kolkata stepped up to revive the Indian team, leading fearlessly and bringing back the lost faith of Indian cricket fans. For Ganguly, the team was always more important than individual achievements. He trained his players to fight for a common goal, giving them the necessary support and confidence.

Under his leadership, the team he built reached the final of the 2003 World Cup. However, fate had it that they would lose to Australia. But the journey to that final and the spirit Ganguly instilled in the team remain unforgettable. His legacy is marked by his ability to unite and inspire a group of players towards a collective dream.

Beyond the Trophy: Rohit Sharma, Beloved Captain

The latest hero of this destiny is Rohit Sharma. After the semi-final match against New Zealand, which witnessed Virat Kohli’s fiftieth century and Shami’s seven-wicket haul, former England cricketer Nasser Hussain commented on the game.

Rohit Sharma after 2023 ICC World Cup Finale

‘Tomorrow’s headlines will probably be about Kohli, Shreyas Iyer, and Shami. But the real hero of this Indian lineup, the man who has transformed the Indian style, is Rohit Sharma.‘’ –
Nasser Hussain (Former England Captain)

At this moment, watching Rohit Sharma, a line from the ‘Dead Poets Society’ resonates deeply within me: ‘O Captain! My Captain!’

Hostar’s Masterpeace: Symmetry and Satire

Sreejith N’s Malayalam web series ‘Masterpeace’ on Hotstar looks like a homage to Wes Anderson.

In the cinematic world, few directors have mastered the art of visual storytelling quite like Wes Anderson. With every frame crafted like a painted canvas and a color palette that capture your eyes.

Anderson’s films are a feast for the eyes and the heart. Don’t you remember ‘Amen’ by LJP filled with quirks, emotions, and political undertones. That’s another example of Wes Anderson style for those who are not aware of this brilliant maker.

This rich element of Wes Anderson’s visuals and narrative brilliance is the highlight in director Sreejith’s latest Malayalam web series, Masterpeace. Compared to Sreejith’s previous flick, ‘Oru Thekkan Thallu Case’ Masterpeace is a different experiment inspired by Wes Anderson style of storytelling.

Brief About the ‘Materpiece’

‘Masterpeace’ is a story about a young married couple, Riya and Binoy. They live in Kochi and have problems in their marriage. When they fight, their parents come to their home to help. But, the parents have their own ideas and want to be in charge. The show is satirical sprinkled with some serious moments. Most of the story happens in one day, inside Riya and Binoy’s flat.

Masterpeace Trailer

Religion, feminism, Liberalism, Dowry, Gender Neutrality, Male chauvanism, Intolerance, LGBTQ+, stereotyping of people & even Nityananda swami 😉 . The list is long and never ending, I believe, you will find at least one one-liner from all these topics in a satirical way.

Why You Should Watch This:

A Masterpeace ‘Visual Treat’

As I said in the beginning, that Wes Anderson style is the biggest plus here. Masterpeace is beautiful to watch. The homes, the colours, and the objects in the series are chosen carefully. They make every scene look like a painting, and every artist on the screen looks like a caricature in that canvas.

The series has a special style, you can find a symmetry in every frame just like the way writer Praveen crafted ultra-dramatic characters and Understated or muted characters in every events.

A Unique Story

The series gives a close look at Indian families and how they deal with problems. It’s not just about a couple’s fight, but about how older family members try to solve things their way. This drama gave you some high hopes and entertainment value in the first three episodes.

Humour and Drama

There are many funny moments in the series. These moments feel like they are taken from real-life situations in many typical Mallu families. It will remind you of some family gatherings and personally I felt like it’s laughing riot especially for those who have some ultra orthodox family members.

Director Sreejith made a great comeback with this quirky satirical experiment.

What Could Have Been Better?

Length: While the series starts off exciting, it becomes long. There are five episodes, and each episode is more than 30 minutes. Some parts of the story feel repeated and could have been shorter or edited.

Repetitive Themes: The series with some frsh approaches on how older people behave and how their orthodox views contradict with the neo-liberals. But, after some time, it feels like the same things are shown again and again.

Narration Gaps: Sometimes the voice-over in the series was confusing and slow down the narration. I wondered why it was even there.

A Masterpeace Performance From Ashokan

The series centering around six characters and my biggest entertainment was Ashokan, he will makes you laugh a lot. He hasn’t acted in big roles for some time, but he made a comeback similar to what lalu Alex did in Bro Daddy.

Maala Parvathi also acts very well as a mother who likes to be in control. These two artists make sure that you won’t abandon this show in midway.

Shanthi Krihna’s & Renji Panicker’s muted characters were overshadowed by the other ultra-dramataic characters in the movie.

The music and camera work in the series are also very good. The director, Sreejith, has made the series look beautiful and quriky. But, it would have been better if the episodes were shorter.

Human Interactions: Understanding the Lonely Wolf and the Social Butterfly

Today, I want to share a conversation I had with my good friend Venkat. He looked confused and asked me, “Akhil, how do you manage both networking and productivity together?” He made a good point: the most productive people—I call them “Lonely Wolves”—among us often work alone, while people who like to socialise a lot, “the social butterflies,” often focus more on taking breaks. Let’s understand the nuances behind human interactions here.

The Evolutionary Tale of the ‘Lonely Wolf’

Imagine the ‘Lonely Wolf’ as someone who’s skilled at their tasks, but deep down, there’s a fear that holds them back from social interactions. Think of it like being hesitant to jump into a pool. Most people want to try that, but they are scared of the consequences. Maybe they are scared of an accident.

Similarly, here the reason for this social distancing isn’t just that they’re shy or prefer being alone; it’s rooted in our ancient history.
In the old days, if you were excluded or rejected by your tribe or group, it was like being left out in the cold without a jacket. You were vulnerable to the elements and wild animals, making survival really tough.

So, being pushed out or ostracised was, in many ways, a death sentence. Our brains are always trying to protect us. Hence, our brain developed a mechanism that made social rejection hurt, almost as if it were physical pain.

Neurologically, when they think about initiating a conversation, their brain’s anterior cingulate cortex (responsible for detecting physical pain) activates, making the mere idea of a possible rejection daunting. This isn’t mere shyness; it’s a protective mechanism that’s years old.
Yet, once they establish a connection, their brain’s reward system gets activated intensely. The hormone oxytocin, responsible for bonding, is released in higher doses. It’s nature’s way of ensuring that once a connection is made, it’s deeply valued. Hence, they often form deeper attachments, valuing quality over quantity.

Historical Roots of the Social Butterflies

Throughout history, individuals who could quickly build rapport, create alliances, and foster relationships had advantages. They were the diplomats, the traders, and the village storytellers. Their strength wasn’t just in the number of their interactions but in the richness of the tales they carried and shared.

Neurologically, every interaction stimulates the release of oxytocin, promoting bonding, and serotonin, enhancing mood and self-esteem. But it’s not just about these chemicals. Their brains are wired to seek variety. Just as our tongue craves different flavours, their neural pathways relish diverse interactions.

Genes of: Social butterflies vs Lonely Wolves

For social butterflies, their brains have likely evolved to prioritise social feedback. The release of oxytocin and dopamine in response to social interactions is more pronounced, reinforcing their social behaviours. Just as some people have a sweet tooth and relish desserts due to evolutionary reasons (sweet usually meant nutritious and calorie-rich), the Social Butterflies have, metaphorically speaking, a ‘social tooth’. Their ancestors were likely those who thrived and survived due to their social adeptness, passing down these traits.

For Lonely Wolves: Their brain prioritises deep work and introspection. This might be due to a heightened activation of regions associated with focus and task-oriented behaviours. Their ancestors were likely the ones whose survival was ensured not by vast social networks but by their individual skills, deep thinking, or problem-solving prowess.

Nature vs. Nurture

While evolutionary and neurological factors play a significant role, one’s upbringing, personal experiences, and the environment can’t be ignored. A naturally sociable child, if repeatedly exposed to negative social feedback, might withdraw and exhibit ‘Lonely Wolf’ tendencies. Conversely, a naturally introverted child, when encouraged and provided positive social experiences, might develop more extroverted tendencies.

In essence, the disparity between ‘Social Butterflies’ and ‘Lonely Wolves’ can be viewed as nature’s way of ensuring that a tribe had both: individuals who could form quick social bonds and those who could delve deep into problem-solving. Both these traits had their unique evolutionary advantages, ensuring the survival and thriving of the group.

How do we bridge the gap?

For the Social Butterfly

The Art of Deep Conversations: Social Butterflies often flit from one topic to another. To add depth, they can practice active listening. It involves not just hearing words but understanding and interpreting them. Instead of preparing the next thing to say, truly listen. This leads to meaningful conversations that leave a lasting impact.
Scheduling ‘Me’ Time: A day, or even a few hours, reserved for self-reflection can work wonders. During this time, indulge in activities that promote inner growth – reading, journaling, or even a solitary walk. Embracing moments of silence and solitude can offer profound insights and a renewed sense of purpose.
Read: Books can be wonderful companions. They can offer the ‘Social Butterfly’ a world of knowledge while also teaching them the joy of solitude.

For the Lonely Wolf

Baby Steps: Social interactions don’t need to be grand gestures. Start small. Maybe a hello to a colleague, a smile to a stranger, or a compliment to a friend. Remember, every long journey begins with a single step.
Find Your Tribe: The ‘Lonely Wolf’ doesn’t need to fit in everywhere. They need to find their tribe – a group of like-minded individuals who share their passions, hobbies, or beliefs. When you share a common interest, initiating conversations becomes easier.
Seek Mentorship: One way to learn about the nuances of social interactions is to learn from someone who excels at it. A mentor can guide, providing insights into the art of communication and relationship-building.

In conclusion, the digital age, though complex, offers myriad opportunities for both the ‘Lonely Wolf’ and the ‘Social Butterfly’ to grow, learn, and bridge the chasm between them. While their innate natures are different, they can certainly borrow pages from each other’s books, creating a balanced narrative for their lives.

For more perspectives and thoughts, click here.

Why ‘The Lunchbox’ More Than Just a Love Story

Whenever someone inquires about my favourite romantic films, my mind categorises them into ‘pre-The Lunchbox’ and ‘post-The Lunchbox’ eras. Before experiencing The Lunchbox, it was ‘10 Things I Hate About You’ and ‘Kandu Kondein Kandu Kondein,’ but not any more.

‘In the Mood for Love’ and ‘As Good As It Gets’ are my favourites from the post-Lunchbox era. This transformative journey commenced with a simple, unassuming film from 2013 directed by Ritesh Batra—‘The Lunchbox.’

The Lunchbox: A Lens into Realism

This movie is not just for a weekend entertainment; it offered me a fresh lens through which I could explore the nuanced, unspoken dialect of human connections.

The movie is set in the bustling life of Mumbai, home to the renowned dabbawalas and their near-perfect lunch delivery system. However, an unusual mix-up one day led a dabbawala to exchange lunchboxes, it became the link for an unexpected companionship between Saajan Fernandez and Ila.

As an accountant on the brink of retirement, Saajan’s character reflects every scene with an air of melancholy that resonates with anyone who has ever gone through loneliness once.

Saajan’s routine commute to work begins with a Mumbai urban bus ride, accompanied by a stop at his late wife’s grave before heading to his mundane accountant job.

On the other hand, we have Ila. Movie begins with Ila, a housewife who tries to get her husband’s attention by making tasty lunches for him. She thinks the way to a man’s heart is through his stomach. Her neighbor, Deshpande aunty, helps her out with recipes, joking that her husband will build her a Taj Mahal after tasting the food. Ila sends a lunchbox to her husband’s office using a dabbawala.

From Salty to Sweet: The Beginning

When fate humorously redirects Ila’s delicious lunchbox to Saajan, Saajan’s response to the first meal is precisely what you’d expect from a lonely accountant uncle – “Dear Ila, the food was very salty today.”

That’s all he has to say about the meal Ila put her heart into. However, this complaint marks the beginning of a unique bond between two lonely souls. Here begins the beautiful tale of ‘The Lunchbox’.

What follows is a series of letters exchanged between Saajan and Ila.

Saajan’s letters give a glimpse into his life and the changing world around him, like when he mentions,

“Life is very busy these days. There are too many people and everyone wants what the other has. Years ago you could find a place to sit on the train every now and then but these days it is difficult…When my wife died she got a horizontal burial plot. I tried to buy a burial plot for myself the other day and what they offered me was a vertical one. I spent my whole life standing in trains and buses and now I will have to stand even when I am dead.”

This newfound mode of communication allows them to open up in ways they hadn’t with anyone else before.

This is where I want to tell you, ‘The Lunchbox’ isn’t merely a story of romantic inklings; it’s just one layer of it.

Why The Lunchbox is More Than a Romantic Film

The Lunchbox is a film that explores a wide range of human emotions and relationships through its simple but powerful storytelling. It’s not just a love story between Ila and Saajan. It’s also a story about several characters who are searching for comfort and connection in their mundane loneliness.

Every character in ‘The Lunchbox’ has a touch of loneliness. Ila is trying hard to bring back the missing spark in her marriage; Saajan, a sad widower stuck in the same office job for over thirty-five years without even a friendly chat with his office neighbor; Aslam, the orphan seeking familial bonds; and the Deshpande couple, each lost in their own realm of silence. Even young Yashvi, Ila’s daughter, seems quiet and serious throughout the movie. Something not common for a child of her age.

Maybe this is the same reason, why I am obsessed with the characters of ‘Lootera’ and there Pakhi resonates with the same echo of solitude.

What Lies Beyond Romance in The Lunchbox?

Lens 1

There are multiple instances where The Lunchbox proves that it’s talking about human connections, a deep bond that’s formed between people when they feel seen and valued—not a curious attraction or mere romance.

One line from Saajan beautifully captures the underlying theme of his and Ila’s shared bonding: “I think we forget things if we have no one to tell them to.” This simple line tells us about the deep need we humans have for connection. It also shows how good it feels to find someone to share our everyday moments with, whether they’re boring or happy. Aslam, Deshpande Aunty, Saajan, and Ila are all looking for this kind of connection.

Just like Ila is searching for a new spice to rekindle her husband’s affection, each character is searching for something missing in their lives, and that missing piece is a bond to share!

In addition, look at the vegetable Ila chosen for her delicious dishes. Bitter Guard, Baby pumpkin aka Tinde & even Brinjal —could be a metaphor for their unconventional life choices, or maybe it seems like a gentle reflection of narrative’s core, where bitter experiences pave the path to the sweet essence of companionship, understanding, and perhaps a subtle hint of romance as well.

Lens 2

The Lunchbox is a film that celebrates the unity and diversity of the human connections. The characters in the film come from different shades of life though they are connected beautifully like a string of pearls.

Saajan’s poetic observation is a beautiful example of this. In a scene, Saajan explains his reflections on a painter’s works, “I felt like stopping to look at a painter’s works. All his paintings are exactly the same but when you look close, real close, you can see that they are different, each slightly different from the other…”

After that letter, Ila is sharing her memories with her daughter.

He sees himself in one of those paintings; he compares people to paintings, noting that they may all seem similar at first glance, but when you look closely, you can see the unique differences that make each individual special.

This is exactly what you are seeing in the film. In one angle, they all are same. But if you look close, you will see the differences.

Aslam is a Muslim, Saajan is a Christian, and Ila is a Hindu. Saajan writes in Queen’s English, I never heard someone referring to a ‘Brinjal’ as an ‘Aubergine’ and Ila replies in Hindi.

Deshpande Aunty and Ila share a deep emotional bond, even though they do not have a visual connection. This is because they are both able to sense and understand each other’s feelings.

Here communication goes beyond language, diversities, and limitations; it’s tapping into the essence of human connection.

The Lunchbox and its Painful Romance

In the romantic parts, Saajan’s sadness really hits you when he opens up to Ila, saying that he can only dream through her young hopes. He mentions, “No one buys yesterday’s lottery ticket.” This is a honest way to say that his own dreams are fading away.

But Saajan’s thank you to Ila is really heartwarming. He tells her, “You are young, you can dream. And for some time you let me into your dreams and I want to thank you for that.” You can really feel that he means it.

As the story moves on, Saajan sees that life still has more for him to experience. This part leaves you smiling with hope.

The movie gently encourages us to find the sweetness in the bitter, to look beyond the ordinary, and to appreciate the simple joys that life places in our everyday lives.

In doing so, The Lunchbox is not just a movie; it is a gentle nudge to appreciate the unspoken, the unexpressed, and the unnoticed nuances of human connections around us. In the beginning of the movie, we see Saajan’s neighbour, a young girl, closing the window on him, but by the end, that same little girl is waving at Saajan, and Saajan smiles back.

Reheating The Lunchbox: A Cliched Angle on the Ending

The ending of The Lunchbox really a debatable topic. The internet is full of explanations on climax interpretations. At first, I liked open endings but not recently, since, it confuses us.

Here are my two cents on The Lunchbox ending.

A part of me, maybe the pessimist Akhil, thinks that Ila might have given up and ended her life. When she took off her jewellery, it reminded me of the lady who jumped from the terrace to find peace (news in the movie).

Positive Akhil looks into Deshpande Aunty tells Ila that she was able to clean a running fan. Could this news have given Ila the courage to clear up her own life’s messes? Will the train bring Fernandez to Ila before she leaves? I hope so, deeply.

The Lunchbox tells the stories of people tied together by thin strings of chance: a dabbawala’s mistake, voices across the old walls of a worn building, a basket dropped from one window to another. A lonely man and his letters, a housewife and her delicacies… Through life’s unsure moments, they all found relief in a unexpected bonds, and in the midst of loneliness, sparks of connection showed up, warming the hearts stuck in life’s endless give and take.

The Lunchbox is an experience about the simple everyday interactions between people that make a difference. Experience it!

Psychology of Baby (2023): What You’re Not Seeing

Since its OTT release, the Telugu movie Baby (2023) directed by Sai rajesh Neelam, has been the talk of the town. Viral reels and memes are flooding social media with taglines such as “it’s a message to the new generation” and “it’s the reality of our present generation.” But is this film really a mirror to contemporary relationships, or is it propagating outdated social norms and stereotypes? Let’s try a detailed analysis.

Baby telugu movie poster — Baby Telugu movie poster

If you haven’t seen the movie yet, please watch it here, or read the story here.

Is It Really a Love Story?

On the surface, Baby (2023) appears to be a love story, but is it really? It seems to perpetuate outdated notions from the 80s and 90s, where a woman’s character is judged based on her attire or lifestyle choices.

Remember how Neelambari was portrayed in the movie Padayappa? Or consider the characters of Vani Vishwanath in Malayalam cinema, and similar examples in the Telugu industry with second heroines in movies.

Just like them, Vaishnavi is subjected to a set of unfair expectations and judgements.

Questionable Messages

One of the alarming messages that Baby seems to deliver is that stalking is acceptable behaviour. Vaishnavi finds herself in a situation where she accidentally kisses Viraj. Though she realises her mistake and apologises, Viraj continues to stalk her, disregarding her repeated refusals.

Vaishnavi Chaithanya & Viraj in Baby(2023)

Anand, on the other hand, is portrayed as a possessive lover. While he does make sacrifices for Vaishnavi, such as gifting her a phone, these actions are often more about him than about her. His possessiveness often overshadows other critical aspects of his life, like his relationship with his mother.

The film appears to be whitewashing the male characters while darkening Vaishnavi’s character to an extreme extent. But why?

The Psychology Behind Audience Reactions

The mass audience seems to empathise more with Viraj and Anand, while vilifying Vaishnavi. This bias might be rooted in traditional gender roles and social norms that unconsciously influence our judgement. Vaishnavi’s character challenges these norms or mindsets that our typical audience has, thereby eliciting a stronger negative reaction from the audience.

The film’s commercial success and viral scenes beg the question: why are people resonating with it? It’s not necessarily because the film portrays reality, but perhaps because it confirms existing biases and beliefs. This is where I believe directors and script writers should be more responsible and try to make some differences instead of following the masses.

The film taps into the general scepticism around modern relationships & choices, packaging it as the real story of this generation, when, in fact, it might be perpetuating harmful stereotypes and norms.

Why Do Mass Audiences Hate Vaishnavi, not Viraj?

In my opinion, Viraj is the real antagonist of the movie, and he is the real villain. Still, people hate Vaishnavi. Why?

Traditional Gender Roles and Expectations

In our culture, traditional gender roles often portray women as the moral compass in romantic relationships. They want every woman to be like Sita, but men can be Krishna or Rama, depending on the hero. If Pawan Kalyan does the same thing in Badri or Jr. NTR does the same thing in Brindavanam, it is considered to be mass or cute. But when Vaishnavi does it in Baby, it is considered to be cheating.

Narrative Focus

The story primarily revolves around Vaishnavi’s choices and their consequences, making her actions the driving force behind the emotional turmoil. This focus naturally makes her more of a target for audience scrutiny compared to Viraj, who appears more as a reaction to her choices than as an instigator. This is where I felt, the script writer could have done a better job instead of spreading more toxicity.

Moral Ambiguity

Viraj isn’t portrayed as a clear-cut villain. He’s attracted to Vaishnavi and pursues her, but it’s Vaishnavi who hides her relationship status, thereby enabling Viraj’s advances. He does make a problematic move by threatening to release their kissing video, but this comes after he feels deceived.

Social Norms and Masculine Privilege

Viraj’s actions may be viewed less critically due to societal norms that often excuse or overlook male indiscretions in romantic pursuits. As I said before, many superstars have already done this multiple times on reel & real, but people are ready to accept it.

Why is Baby a Blockbuster and Going Viral, irrespective of its theme and toxicity?

The Pull of Confirmation Bias

One reason for the film’s massive success could be attributed to confirmation bias, a psychological tendency to seek, interpret, and remember information that confirms our pre-existing beliefs. Baby (2023) seems to validate certain societal norms and judgements, making it appealing to a large audience that finds their beliefs reinforced. This is alarming, even in 2023, the majority believe in it.

Emotional Highs and Lows

From a cinematic standpoint, the film employs effective storytelling techniques that take the audience on an emotional rollercoaster. High arousal emotions, whether positive or negative, are more likely to be shared; this is known as the emotional contagion theory. Scenes that evoke strong emotions—like anger towards Vaishnavi or sympathy for Anand and Viraj—are more likely to go viral.

The Impact of Social Media Algorithms

Let’s not underestimate the power of algorithms in shaping public opinion. Content that triggers strong emotional responses gets shared and commented on more, which gives it higher visibility on social media platforms. This creates a feedback loop in which the more a scene or character is discussed, the more visibility it gains, leading to a self-perpetuating cycle of virality.

The Bystander Effect in Digital Spaces

The ease with which people can share their opinions online paradoxically creates a digital bystander effect. Many might disagree with the portrayals and messages in the film but assume that someone else will voice these concerns. Meanwhile, those who agree with the film’s messages are more likely to share and propagate its content, thus contributing to its blockbuster status.

Baby (2023) is entertaining for youngsters, but it also reinforces harmful stereotypes about women and men. Its popularity shows that filmmakers need to be responsible rather than merely echoing societal biases.

For more movie analysis and suggestions, click here.

OTT Releases This Week: August 18

Are you waiting for the latest OTT releases this week? Are you confused about what to skip & what to stream? From thrilling crime genres to animated superhero movies, the list is long.

Taali: An Ambitious Stride in Trans Representation

OTT Platform: JioCinema
Directed by: Ravi Jadhav
Cast: Sushmita Sen, Ankur Bhatia, Aishwarya Narkar, Hemangi Kavi, Krutika Deo, Suvrat Joshi

Plot Synopsis:

Taali portrays the life of Gauri (formerly known as Ganesh), a transgender activist inspired by Shreegauri Sawant. As a teenager, Ganesh struggles to express his gender identity in a traditionally rooted Indian family. His father, opting for understanding over aggression, introduces him to a sex counsellor. This reflects the internal conflicts of many Indian parents.

As Gauri matures, her battles intensify. She takes to the streets of Mumbai and eventually becomes a matriarchal figure in her community, fighting for equal rights.

Highlights:

❤ Taali bravely addresses the transgender identity struggle within the Indian context.
❤ Sushmita Sen’s portrayal of Gauri is compelling, echoing deeper due to real-life parallels.
❌ However, Gauri’s activist journey and challenges are insufficiently explored.

Chathrapathi: A Missed Opportunity for Re-imagination

OTT Platform: Zee5
Directed by: V.V. Vinayak
Cast: Sai Sreenivas Bellamkonda, Nushrratt Bharuccha, Bhagyashree, Sharad Kelkar, Karan Singh Chhabra

Plot Synopsis:
A remake of the Telugu hit originally starring Prabhas, Chathrapathi re-explores the cinematic world of Mother-Son bonding and the challenges of migrants. As Shiva rises against adversity, the narrative unfolds with predictable loops of action, dialogue, and song sequences.

Highlights:
❤ Chathrapathi feels like a nostalgic trip, echoing the masala films of yesteryear.
❌ However, with no fresh take, the film ends up feeling more like a dubbed version than an authentic remake.
❌ Bellamkonda Sai Sreenivas’s portrayal of Shiva pales in comparison to the charismatic Prabhas from the original.

Amala: A Slow-Burn Psychological Thriller with Potential for a Sequel

OTT Platform: Amazon Prime
Directed by: Nishad Ebrahim
Cast: Anarkali Marikar, Srikanth, Appani Sharath, Rajisha Vijayan

Plot Synopsis:
Amala revolves around a series of serial killings in High Range and Kochi. Top police officer Akbar (Srikanth) is on the trail of the psychopath. The narrative dives deep into the backstory of the killer, Basil (Appani Sharath), revealing his tormented childhood and his obsession with a tragic childhood love, Amala.

Highlights:
❤ Different from typical thrillers as the killer’s identity is revealed early.
❤ Nishad Ebrahim’s direction impressively crafts the intense tale.
❌ Although gripping, pacing issues mar the film’s initial sequences.
❌ Some early scenes felt lacking due to inauthentic dialogues and casting choices.

Kolai: A Visual Delight With Hollow Depth

OTT Platform: Tentkottai
Directed by: Balaji K Kumar
Cast: Vijay Antony, Ritika Singh, Meenakshi Chaudhary, Murli Sharma, Siddhartha Shankar

Plot Synopsis:
Kolai is a murder mystery set in a fictional yet familiar Madras. The victim is singer-model Leila, who is found dead in a locked room. Detectives Vinayak and Sandhya must untangle the mystery, sifting through multiple suspects, each with a possible motive but a watertight alibi.

Highlights:
❤ Director’s fast-paced entry into the narrative can be both, refreshing and abrupt.
❤ Stunning visual transitions and surreal metaphors leave a lasting impression but lack emotional depth.
❌ The world of Kolai feels artificially constructed, making it hard to resonate with its characters.
❌ Performances don’t quite sell the emotions, leading to a lack of connection with the audience.

Other Exclusive OTT Releases This Week

Mathagam: A webseries on a a true-life event

OTT Platform: Disney Plus Hot Star
Director: Prasad Murugesan
Cast: Atharva, Nikhila Vimal, Jaypeem Manikandan, Moonar Ramesh, Dilnash Irani, Gautham Menon

Plot Synopsis:
Mathagam is a crime thriller that gets into the thrilling underworld of Chennai. The story revolves around the enigmatic Patalam Shekhar, a respected figure in the world of crime who is believed to be dead.

Parallelly, the story follows the determined police officer Aswat, who sets out on a dangerous journey to eliminate the Dadas (gangsters) following Patalam’s lead.

Guns & Gulaabs: Hit Makers are Back with Dark Comedy

OTT Platform: Netflix
Directed by: Raj and D.K.
Cast: Rajkummar Rao, Dulquer Salmaan, Adarsh Gourav, Gulshan Devaiah, TJ Bhanu

Plot Synopsis:
Set against the backdrop of the tumultuous 1990s, Guns & Gulaabs marries themes of love and purity amidst a world of crime. Seamlessly weaving humour, fantasy, and dramatic tension, the series spotlights the Misfits of the World. As the story unravels, expect an unforgettable journey through love, laughter, and maybe a few tears. This film is eagerly anticipated and is pegged to be a standout in this week’s OTT line-up.

The Chosen One: Based on the graphic novel American Jesus

OTT Platform: Netflix
Directed by: Everardo Gout
Cast: Bobby Luhnow, Dianna Agron, Lilith Amelie Siordia Mejia, Juan Fernando González Anguamea

Plot Synopsis:
In the heart of Baja California, 12-year-old Jodie discovers he possesses extraordinary abilities reminiscent of Jesus. Quickly, he becomes a focal point for both Evangelical and Yaquí leaders who see him as a beacon for mankind’s salvation.

Amidst this intense scrutiny and pressure, Jodie’s priorities lie in winning over the girl he cherishes and facing down his bullies. As he tries to reconcile with his extraordinary fate, viewers are taken on an emotional roller coaster.

The Monkey King: The Chinese Legend is Back

OTT Platform: Netflix
Directed by: Anthony Stacchi
Cast: Jimmy O. Yang

Plot Synopsis:
Born from a rock and profoundly narcissistic, Monkey, voiced by Jimmy O Yang, embarks on a quest to gain immortality. Along his journey, he steals the Dragon King’s potent multi-use Stick, which leads him to a series of adventures, some reminiscent of past adaptations like the 1970s Japanese series.

Instead of the traditional cohorts, Monk Tripitaka, Sandy, and Pigsy, the story introduces Lin, voiced by Jolie Hoang-Rappaport. She, while appearing as an ally, is secretly serving the Dragon King in hopes of saving her village from drought.

For more movie suggestions, click here.

OTT Releases This Week: August 11

Are you keen on catching the latest OTT releases this week? From thrilling spy genres to unconventional superhero movies, the list is exciting.

Por Thozhil: An Intelligent Twist to Investigative Thrillers

OTT Platform: SonyLiv
Directed by: Vignesh Raja
Cast: Sarath Kumar, Ashok Selvan, Nikhila Vimal

Plot Synopsis:
Por Thozhil follows seasoned police officer Lokanathan and young recruit Prakash as they join forces to nab a serial killer. A tale of intelligence and cooperation, the film transcends the typical buddy cop formula to delve into a more sophisticated story of action and intrigue.

Highlights:
Smart writing sets Por Thozhil apart from other investigative thrillers. The unlikely pairing of Sarath Kumar’s veteran wisdom and Ashok Selvan’s youthful ingenuity brings freshness to the genre.

Though the film draws inspiration from classics like Stray Dog and Lethal Weapon, it finds a unique spot with its combination of suspense, action, and intelligence.

Read a detailed review here.

The Jengaburu Curse: Noble Intentions Overshadowed by Overwhelming Drama

OTT Platform: Sonyliv
Directed by: Nila Madhab Panda
Cast: Faria Abdullah, Nasser, Makarand Deshpande, Sudev Nair, Deipak Sampat, and Hitesh Dave

Plot Synopsis:
Far removed from her Adivasi origins in London, Priya Das (Faria Abdullah) is thrust into the mysteries of her past when her activist father, Swatantra, disappears. The backdrop is Jengaburu, an ancestral village now under the iron grip of a mining company led by the unscrupulous Srinivas.

Local legends warn of a dragon king sleeping beneath the village, a creature that mustn’t be stirred. Yet, with each explosion and machine rumble, an ancient curse seems poised to awaken.

Highlights:
The Jengaburu Curse commendable foregrounds the Adivasi narrative and the contentious realm of Indian mining, an effort far more nuanced than similar takes like Aar Ya Paar (2022).

The series boasts an ensemble cast that shines in their roles, with Faria Abdullah’s portrayal of Priya being particularly spirited.

While the series is based on a compelling premise, it often finds itself ensnared by the trappings of its thriller genre.

Over-dramatization, convenient plot developments, and drawn-out scenes at times detract from the core message.

Made in Heaven: Season 2 – A Rich Tapestry of Indian Weddings and Social Realities

OTT Platform: Amazon Prime
Directed by: Zoya Akhtar, Reema Kagti, Neeraj Ghaywan, Alankrita Shrivastava, and Nitya Mehra
Cast: Sobhita Dhulipala, Arjun Mathur, Jim Sarbh, Kalki Koechlin, Vijay Raaz, among others.

Plot Synopsis:

Season 2 of Made in Heaven witnesses the return of Tara Khanna and Karan Mehra, our favourite wedding planners from Delhi. Diving deep into the opulent world of Indian weddings, the season unravels not just the grandeur of these ceremonies, but the undercurrents of societal norms, personal aspirations, and familial expectations. Picking up from where it left off, Tara’s personal life is in turmoil while Karan grapples with his sexuality.

Highlights:
This season magnifies its focus on complex issues, with episodes like Neeraj Ghaywan’s Dalit wedding narrative, featuring a formidable Radhika Apte, standing out.

Secondary characters add depth, notably Trinetra Haldar Gummaraju’s resonating storyline. However, amidst the multitude of narratives, Sobhita Dhulipala’s Tara feels slightly subdued.

Overall, Made in Heaven: Season 2 offers a layered exploration of contemporary Indian society, intertwining the allure of weddings with hard-hitting social commentaries.

Neymar: A Lighthearted Bond with Man’s Best Friend

OTT Platform: Hotstar
Directed by: Sudhi Maddison
Cast: Mathew Thomas, Naslen K Gafoor, Shammi Thilakan, Yog Japee

Plot Synopsis:
In Neymar, the directorial debut of Sudhi Maddison, the bond of friendship intertwines with the love for a dog, leading to a series of unforeseen adventures. Centered around Aakamsh and Shinto, staunch supporters of the Brazil football team and admirers of its star player Neymar, the story takes a twist when an indie dog, named Neymar, enters their lives. From dreaming about aviation careers to a whirlwind quest in Pondicherry to retrieve Neymar from a formidable new owner, the film serves an intriguing cocktail of comedy and chaos.

Highlights:
While the narrative takes a relaxed pace in its Kothamangalam setting, the momentum magnifies when the backdrop shifts to Pondicherry.

The camaraderie between Mathew and Naslen is palpable, though their established chemistry sometimes feels repetitive. Yet, it’s the veterans like Vijayaraghavan, manifesting as the vibrant Chackola, who leave an indelible mark.

Despite its predictability, the film scores with its heartwarming moments, especially those involving the titular dog.
For those seeking light-hearted entertainment, Neymar is a delightful pick.

Maaveeran: The Voice Within – An Audacious Superhero Story

OTT Platform: Amazon Prime
Directed by: Madonne Ashwin
Cast: Sivakarthikeyan, Yogi Babu, Mysskin, Sunil, Saritha, Adithi Shankar

Plot Synopsis:
In the bustling streets of Tamil Nadu, Sathya, a humble comic-book artist, sketches tales of valor. His life, shadowed by poverty and the need to protect his family, takes a radical shift when a mysterious voice (akin to the ‘Maveeran’ from his comics) begins forecasting imminent events. This auditory guide, coupled with socio-political upheavals, thrusts him into an extraordinary journey. As structures crumble and systems fail, Sathya grapples with his newfound ‘precognition’ power, while also confronting his own inhibitions.

Highlights:
Maaveeran brilliantly juxtaposes a superhero narrative with underlying political tones.

Sivakarthikeyan‘s rapport with comedic genius Yogi Babu enlivens the film, adding layers of humour amidst intense sequences.

Noteworthy is the film’s audacity to challenge and subvert traditional superhero tropes while still catering to the commercial palette.

The dynamics between supporting characters, notably Sunil and Mysskin, are intricately woven, ensuring every subplot gets its deserving closure.

Padmini: A Humorous Dive into Societal Scrutiny

OTT Platform: Netflix
Directed by: Senna Hegde
Cast: Kunchacko Boban, Aparna Balamurali, Madonna Sebastian, Vincy Aloshious.

Plot Synopsis:
Amidst the buzzing chatter and societal judgements, Rameshan’s life takes an unexpected turn when his wife, Smrithi, elopes on their wedding day. Left to face the brunt of the village’s ridicule, Rameshan, a poet and lecturer, embarks on a comedic journey to find love once again. Amidst the chaos, parallel narratives unfold, touching upon modern relationships, societal norms, and the quirks that bind us all together.

Highlights:
Hegde’s signature style of highlighting societal intricacies remains intact.

Kunchacko Boban excels as the heartbroken Rameshan, whose endeavours in love, interspersed with comedic interactions with his brother-in-law (portrayed by Anand Manmadhan), form the essence of the film.

A standout subplot showcases advocate Sreedevi’s (Aparna Balamurali) turbulent relationship with her over-protective fiance Jayan (Sajin Cherukayil). The inclusion of fictional brand advertisements, reminiscent of Tarantino-esque style, adds a quirky flavour.

Other Exclusive OTT Releases This Week

Vaan Moondru

OTT: Aha
Director: Amr Murugesh
Writer: Amr Murugesh
Stars: Ammu Abhirami, Aditya Badekar, Delhi Ganesh

Plot Synopsis:
A timeless romantic narrative that intricately binds six individuals, Vaan Moondru beautifully transcends societal norms surrounding age and relationships. This poignant tale of love paints a vivid picture of evolving relationships and emotions.

Hidimbha

OTT: Aha
Director: Aneel Kanneganti
Stars: Ashwin Babu, Nandita Swetha

Plot Synopsis:
Set in the heart of Hyderabad, “Hidimbha” unravels a chilling medical mystery. As two diligent police officers embark on an inquiry into a peculiar case, the city witnesses a series of disappearances. Strikingly, all victims are young girls, bound by one intriguing similarity. As the plot thickens, truths emerge, and a sinister game begins.

The Killing Vote

OTT: Amazon Prime
Director: Park Shin-Woo
Writer: Eom Se-Yoon
Stars: Park Hae Jin, Park Sung Woong, Lim Ji Yeon

Plot Synopsis:
In an unsettling world where justice is questionable, “The Killing Vote” dives deep into the unsettling game of death penalty voting. Every adult citizen is polled. If majority votes favor the death sentence, the mysterious Gae Tal (Dog’s Tail) exacts lethal justice on offenders who exploit the system’s flaws. As the narrative unfolds, moral dilemmas arise, questioning societal norms and individual agency.

Heart Of Stone

OTT: Netflix
Stars: Alia Bhatt, Gal Gadot

Plot Synopsis:
Join the espionage world with “Heart of Stone.” Gal Gadot, celebrated globally for her iconic role as Wonder Woman, takes center stage in this thrilling spy drama. Taking cues from franchises like “Mission: Impossible” and “James Bond,” Netflix ventures into the realm of spy thrillers, positioning Gadot in a pioneering role. As intrigue, action, and suspense merge, “Heart of Stone” is poised to establish its niche in the spy genre.

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