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Why Only One Pandava Reached Heaven

The saga of the Pandava brothers and Draupadi, their final journey to heaven, unfolds the curtain of sin, love, compassion, and unwavering adherence to Dharma.Here we are looking at why the righteous Pandavas suffered.

The Pandavas anointed Parikshit as the crown prince of Hastinapura. They appointed Yuyutsu as the guardian of the young prince. Yuyutsu, born to Dhritarashtra and a Shudra woman, was a beloved figure among the Pandava brothers. He had shown courage to stand with them on the path of Dharma and was considered a son-like to them.

From Hastinapura, Pandava brothers and Draupadi set out walking in the northern direction. In one word, ‘Vanaprastham’

Draupadi: The First Loss

On their journey, the first to surrender to mortality was Draupadi. Bhima saw this first, and he couldn’t bear that. His love for Draupadi was profound; he was the one who loved her most.

He fiercely avenged her dishonour in the Kaurava court with blood. During their exile in the forest, Bhima diligently ensures Draupadi’s safety and comfort. How could we forget the Kichaka chapter from Mahabharatha? Even when Arjuna was hesitant, Bhima prioritised Draupadi. Even Bhima encountered Hanuman to fulfil Draupadi’s desire for a flower.

Bhima washing Draupadi's hair with blood (Image credit: insta/saptasarka) — Bhim washing Draupadi’s hair with blood (Image credit: insta/saptasarka)

Bhima collapsed, seeing Draupadi lying motionless on the earth. But the Pandava brothers knew they had to keep going. When others were walking, Bhima asked Yudhishthira, the wisest among all, ‘Why did Draupadi die? She did nothing wrong.’

Yudhishthira said, ‘Our journey is about more than just living and dying. We shouldn’t think too much about it. Draupadi was good, but she was only meant to come with us until here.’ Bhima said, ‘But she was our wife! She should always be with us!’ Yudhishthira calmly said, ‘It’s not up to us. What happened to Draupadi was because of what she did in her life.

Draupadi: Where Love meets Sin

Draupadi loved all five of us, but deep in her heart, she had a special place for Arjuna, the first one to win her heart. This natural inclination of her heart highlights the nuanced psychology of love and attachment in women. A woman, even if she is with many men, can deeply love only one. Maybe he was her first love, or maybe he was the one who made her wet for the first time or who offered her a shoulder in her darkest hours.
Yudishitra, Wisest among the Pandava Brothers

Draupadi with Pandava brothers (Image credit: Hotstar)

Bhima, Draupad’s sin was her lust towards Arjuna, but remember, she was noble and righteous, and that’s why she could travel with us this far. I understand your deep feelings for her. You have always protected her. Only Arjuna could truly win her heart, beyond her physical being. And for the four of us who came after, she never denied us fairness and love. She never showed dislike or boredom for our sake. Draupadi was like a goddess! let’s move on, Bhima.’

The Downfall of Sahadeva, Nakula, and Arjuna

During their ongoing journey, Sahadeva was the next to die, followed by Nakula. Yudhishthira explained to Bhima that Sahadeva’s pride in his wisdom and Nakula’s pride in his beauty were their downfalls.

Then, it was Arjuna’s turn. He also surrendered to Yama, the god of death. Bhima again asked Yudhishthira why. Yudhishthira said, ‘Arjuna once vowed to defeat all enemies by himself. This boastfulness and wrath, along with his envy, were his sins. That’s why he couldn’t continue the journey.‘ Then they continued walking

Losses Along the Way: Fall of a Gentle Giant

When Bhima was about to fall, he asked Yudhishthira, ‘Elder brother, I am about to fall. What’s my fault?’ Yudhishthira replied, ‘Bhima, you are dear to me. But your pride in your strength and your love for food (gluttony) were your downfalls.‘ Yudhishthira continued his journey alone, as his brothers’ deaths did not stop him.

At Heaven’s Gate: Righteous Among Pandavas

From the day they left Hastinapura, a dog had been following the Pandavas. Even as others fell during the long journey, the dog stayed with Yudhishthira. When Yudhishthira reached his destination, the gates of heaven were ready to welcome him. Indra arrived in his chariot and said to Yudhishthira, ‘Climb into the chariot! There is no one in heaven more worthy than you to join us. Don’t hesitate, Yudhishthira, come with me!

Yudhishthira told Indra, ‘I’m not completely happy with this blessing you’ve given me.’ ‘What? You don’t want to go to heaven?’ asked Indra. Yudhishthira replied, ‘No, Lord! The Pandavas and Draupadi started this journey together. They all died on the way, and I don’t even know what happened to them. Going to heaven alone will bring me more pain than joy. My brothers are my life, and Draupadi is part of our soul. Please tell me where they are now.’Indra smiled and said, ‘Yudhishthira, the world has never seen a brother as loving as you. You often seemed weak because of your love for your family. Is this really commendable? Is it that hard to let go?‘ Yudhishthira, with a lifeless smile, replied, ‘A person without love for his dependents doesn’t deserve to live on earth. My love for my brothers and Draupadi is beyond my senses. Please help me!

Indra told Yudhishthira, ‘Your brothers and Draupadi were good people. They have already reached heaven after leaving their bodies behind. But they did not have the greatness you have, so you are allowed to enter heaven while still alive. Climb into the chariot. You can trust my words.’ Yudhishthira responded, ‘I have one more request.’ Indra looked at Yudhishthira sceptically.

Yudhishthira’s Conflict of Heart and Duty

Yudhishthira said, ‘I cannot abandon this dog that has been with me until the end of my journey. Please let it come with me on the chariot.’ Indra laughed a little and said, ‘You know that dogs cannot enter heaven. Yet, you insist on this worthless animal.’

‘No! Lord Indra, go ahead without me. This dog will always be with me. If I leave this dog behind, all my good deeds for heaven will be worthless. I will never abandon those who depend on me!’

Indra said, ‘You left your brothers and Draupadi on the way. Do you care more for this insignificant dog?’ Yudhishthira replied, ‘My brothers and Draupadi died along the way, and I couldn’t bring them back to life. But this poor animal is still alive and has been with me through this long journey. I cannot abandon it.’ As Indra looked at Yudhishthira with compassion, the dog transformed. It was Dharma Deva, the god of death, who had followed him in the form of a dog. He said, ‘Son, your compassion has filled me with pride. You have passed a test beyond ordinary trials. The world will praise you as Yudhishthira, a name synonymous with dharma. Your words and actions have always been rooted in righteousness, and you have never strayed from this path. Go with Indra.’

Yudhishthira boarded Indra’s chariot, and they soared through the sky, eventually reaching heaven.

The Celestial Reunion of Pandavas

He entered heaven and saw Krishna sitting on a majestic throne, with Arjuna beside him. They stood up and joyfully welcomed Yudhishthira. He found Karna among the twelve Adityas and bowed to him. Karna smiled and welcomed his brother. Bhima was among the Maruts, Nakula and Sahadeva were near the Ashwini Kumaras, and they all greeted Yudhishthira with respect. Draupadi, shining like a bright star, was there with their five sons. They all bowed to Yudhishthira. He saw Drona blessed by Brihaspati and Bhishma seated among the Vasus, to whom he bowed. Duryodhana, smiling on a special throne, stood up to honour Yudhishthira. In heaven, there is no enmity. Duryodhana, having died a heroic death and fulfilled his duties well, had earned a special place in heaven. (Even Yudishtira did a minor sin and he faced some challenges at Heaven, but we skipped that part since it’s too long for this)

Bhavachakra describing the cycle of saṃsāra — Bhavachakra describing the cycle of *saṃsāra*

Beyond Myths: Love, Loss, and Life’s Eternal Lessons

The reunion with his brothers, Draupadi and Duryodhana, each radiant in their own right, symbolised the eternal cycle of life, death, and redemption. So, this story might be more than just a myth because it reveals a timeless truth: Draupadi’s quiet love for Arjuna, even as Bhima loves her deeply, shows us how complex our hearts can be. It tells us that even wise and strong people like Yudhishthira struggle with letting go of those they love. Finally, it tells us that, in the heart of forgiveness and empathy, lies the true path to liberation, the Moksha.

The Secret Of Happiness: Mitchell Marsh & World Cup

What’s the secret of happiness? Let’s learn from Mitchell Marsh and his super cool World Cup celebration.

If I were to choose a single image that encapsulates the essence of this World Cup, my finger would point unhesitatingly to this particular scene. It’s the picture of the young Mitchell Marsh, his foot triumphantly planted atop the World Cup trophy. The fact that it was Pat Cummins who shared this moment with the world is far from coincidental 😉

Mitchell Marsh with the world cup trophy — Mitchell Marsh with the World Cup trophy

For many, it might be arrogance or direspect, but in my perspective, Mitchell brought a philosophy echoing the very thoughts and actions of Buddha himself. This philosophy, known in English as ‘Detachment’, embodies ideas of dispassion, disillusionment, and liberation from entanglements. The epitome of this concept, in its most tangible form, was achieved by Buddha in the name of Nirvana & Hindu saints and Jaina aints in the name of ‘Moksha‘.

The Zen of Victory: Mitchell Marsh’s World Cup Philosophy

Osho Rajneesh, Ramana Maharshi, and various Jain saints have extensively spoken about this philosophy. However, Mitchell Marsh, through a single act, illuminated this principle in its most tangible form. Every achievement, whether it’s winning the World Cup or an election victory, is transient.

The essence here is the concept of detachment and the transient nature of events and achievements. Mitchell Marsh’s act is a powerful embodiment of this, showcasing that even significant victories like the World Cup are just fleeting moments in the grand scheme of life. I remember a Zen Buddhist story that may connect this better.

The Tale of Two Monks: A Lesson in Non-Attachment

Two monks, one older and one younger, are travelling together. At one point, they come to a river with a strong current. As they prepare to cross, they meet a young woman who is unable to cross by herself. The older monk offers to carry her across on his back, and she gratefully accepts. After he safely delivers her to the other side, they part ways.

After some time, the younger monk questions the elder: ‘Was it right for you to carry that young woman on your shoulders?‘ To this, The older monk replies, “I put her down on the other side of the river. Why are you still carrying her?”.

Cultural Misinterpretations: Respect vs. Detachment

On Sunday, Mitchell Marsh was in the role of this older monk. By declaring the World Cup trophy merely a cup after the victory, he precisely and subtly communicated to us the impermanence of both triumph and defeat. It’s a profound lesson in how fleeting both success and failure are.

Image of Mitchell Marsh shared by cybersanskaris

There are those who criticise this scene. They see placing a foot on the World Cup as disrespectful. These are the same people who do not hesitate to remain silent in the face of blatant injustices. They forget that respect is a feudal value, heavily overshadowed by hierarchy. In their view, certain actions, even symbolic, are unacceptable breaches of decorum, ignoring the deeper symbolic messages such actions might convey.

Practising Detachment: Insights from Mitchell Marsh

You might be thinking that this sounds like actor Vijay fans decoding the brilliance behind the popular Tamil movie Leo. Let me tell you, the base of this interpretation is an interview from Mitchell Marsh.

Mitchell Marsh Interview

In it, Mitchell mentions that he has been training with a psychologist to navigate life, focusing on how to become detached from outcomes. ‘Detachment’ is the key concept Mitchell emphasises. This concept echoes Lord Krishna’s teachings in the Bhagavad Gita about acting without attachment to the results. I cannot recall another recent instance where the profound teachings of Buddha or lord Krsihna have been so effectively put into practise.

Feudal Mindset & The Philosophy of Detachment

Our leaders, superstars, and celebrities should all take a leaf out of Mitchell’s book. His approach is a guiding finger to those who revel in the shadows of egoism. Let’s take a closer look at Kerala.

Here, politicians act like royalty, with only the VIPs having access to the Chief Minister and ministers. Bureaucrats often wield their power for personal ego and vendetta, rooted in their attachment to power.

Kerala Chief Minister in a public outreach programme

Look at our hon.PM Narendra Modi, If he goes to great lengths to maintain his power, it’s not surprising. He has been in power since 2000, and detachment from such a long-held position is no easy feat.

Reflecting on ourselves, can we detach from our past, from our achievements? If it were a yes, we wouldn’t have celebrated Arjun Reddy or Kabir Singh, and we wouldn’t have played so many Lofi songs. Letting Go is a skill that we all should gain.

Most of us bask in the glory of our past successes or failures, but true happiness and growth lie in moving on. Growth happens when you let go. This is especially relevant in a society where maintaining status and power often becomes an end in itself. If we can learn to detach, to let go of these attachments, we can find not just individual contentment but also create a more balanced and equitable society.

Live Love learn liberate — Live Love Learn Liberate

Detachment: Here lies the secret of happiness.
As I always say: Live to Love, Love to Learn, Learn to Liberate. This mission makes your life content.

Rohit Sharma: An Emotional Chapter of Indian Cricket

What makes someone a great leader? That’s the story of Rohit Sharma. How did he ace against the odds? Rohit’s journey is more than just about playing cricket.

It’s about never giving up and leading a team with heart. He was not a part of a winning team in 2011, from there to becoming a captain everyone looks up to, his story is full of feelings and hope.

Rohit Sharma: (Quote: Dead Poet Society)

The Legacy

In the legacy of Indian cricket, two names have been etched in golden letters for their remarkable leadership in clinching the World Cup – Kapil Dev and Mahendra Singh Dhoni.

Kapil Dev, leading the charge in 1983, heralded the rise of the Indian cricket team on the world stage, marking a historic victory that was nothing short of a fairy tale.

Then, the long wait for glory ended in 2011 under the cool captaincy of MS Dhoni, a man from Ranchi who redefined leadership and brought a new era of dominance in Indian cricket. It was a moment that completed the journey of a legend, the God of cricket- Sachin Tendulkar, fulfilling his lifelong dream of winning the World Cup.

Sachin Tendulkar from 2011 World Cup Final

Setbacks to Stepping Stones

In 2011, Rohit had a burning desire to be part of the World Cup team, but fate had other plans. Despite his eagerness and potential, he was left out of India’s squad for the World Cup. How he endured that night as a 23-year-old, filled with dreams yet faced with rejection, is something only he knows.

At the peak of his disappointment, Rohit might have penned down his feelings, possibly as a way to process and overcome the deep sense of letdown.

“Forward, Always Forward, Forward with More Strength”

Rohit Sharma didn’t just stop there. His experience was not merely about deep sorrow from loss. It was also a declaration that he refused to accept himself as a loser. His comeback was as stunning as his performances on the cricket field. It was as if he had donned the armour of a warrior when he stepped back onto the field. His approach to the game changed entirely.

Beyond Boundaries: Rohit Sharma’s Hitman Saga

Once he was set on the crease, there was no one as dangerous as him.
Rohit Sharma’s playing style always brings back memories of Virender Sehwag, especially his fearless approach. Like Sehwag, who would boldly go for a six even on 99, Rohit doesn’t seem to play it safe.

In today’s ICC World Cup Final 2023, Rohit’s innings of 47 runs echoed the same daring spirit as Sehwag’s. He plays like a selfless captain, focused on setting a strong foundation for the team rather than just chasing personal milestones. It’s this quality that sets him apart and reminds us of the fearless cricket that Viru played in the past.

But this doesn’t mean that he doesn’t have any milestones in his career, he rained records, including three double centuries, reshaping not just his career but also the history of cricket.

These years were not just significant for India but brought a change to the entire cricket world. Even in this World Cup, he set a record of sixes. He became the batter to hit the most sixes in ODI World Cups (54).

Leadership in Action: Rohit Sharma’s Defining Moments

In the 2019 World Cup, Rohit Sharma led the team with unparalleled valour, notching up five centuries. His leadership extended beyond the national team to the Mumbai Indians in the IPL, where he lifted the trophy multiple times. Rohit Sharma continued to rewrite history with each of these achievements.

Finally, his journey led him to captain the Indian team in all three formats of the game, a remarkable feat that speaks volumes of his leadership and skill. This story of determination and success found its latest chapter in the 2023 World Cup, showcasing Rohit Sharma as a figure of inspiration and resilience in the world of cricket.

Leading by Example: Rohit Sharma’s Captaincy Masterclass

In the 2023 World Cup, Rohit Sharma led from the front. From the very first ball, his strategy was clear: play aggressively. He ensured that the team got off to a strong start in the powerplay, setting up a good score early on.

Rohit’s leadership was evident in many matches, where his powerful beginnings energised the Indian team. What Rohit started, players like Kohli, Iyer, and Rahul completed, creating a spectacle of teamwork and skill.

But Rohit’s contribution was not limited to his batting prowess. As a captain, he demonstrated remarkable decision-making skills. He skillfully rotated the bowlers, giving the team crucial breakthroughs.

His tactical fielding changes at critical moments were instrumental in swinging the momentum of the game. The 2023 World Cup was a testament to Rohit‘s deep understanding and effective leadership as the captain of the Indian cricket team.

Captaincy Beyond Batting: Inspirational Roots from Dhoni

The last time India reached the final before this was in 2011, a team Rohit Sharma couldn’t be a part of. That team, led by Mahendra Singh Dhoni, created history. Dhoni’s leadership fulfilled the hopes and dreams of a nation waiting for 28 years. Under Dhoni, India won its second World Cup. The final match against Sri Lanka is unforgettable for Indian fans.

The Winning Moment from 2011 World Cup Final

The iconic moment was in the 49th over, bowled by Nuwan Kulasekara. Dhoni’s six over the bowler’s head sealed the victory, a moment celebrated like no other in Indian sports history.

At one point, the team faced a tough situation, but it was Gambhir and Dhoni who rescued India. Dhoni was not only the captain but also the star of the match. His leadership and performance under pressure were instrumental in bringing the World Cup home, creating an unforgettable chapter in Indian cricket history.

https://www.youtube.com/watch?v=W_yWeDBSuGg&ab_channel=CricketHit

Gautam Gambhir Innings

Even though Dhoni wasn’t in top form throughout the tournament, he made crucial decisions in the final and other key matches that saved the team. It’s always been like that with him. His reputation as one of India’s greatest captains isn’t unwarranted. Dhoni’s achievements are not limited to leading India to victory in the 2007 T20 World Cup and the 2011 ODI World Cup. He also led the team to win the 2013 Champions Trophy.

DaDa’s Legacy & The Unforgotten Dream

Before Dhoni, it was DaDa who paved a new path for Indian cricket. In 2000, when Indian cricket was shaken by betting scandals, Ganguly took up the challenge of leading the team. It was a time when even God of Cricket- Sachin Tendulkar, hesitated to take on the captaincy. The Prince of Kolkata stepped up to revive the Indian team, leading fearlessly and bringing back the lost faith of Indian cricket fans. For Ganguly, the team was always more important than individual achievements. He trained his players to fight for a common goal, giving them the necessary support and confidence.

Under his leadership, the team he built reached the final of the 2003 World Cup. However, fate had it that they would lose to Australia. But the journey to that final and the spirit Ganguly instilled in the team remain unforgettable. His legacy is marked by his ability to unite and inspire a group of players towards a collective dream.

Beyond the Trophy: Rohit Sharma, Beloved Captain

The latest hero of this destiny is Rohit Sharma. After the semi-final match against New Zealand, which witnessed Virat Kohli’s fiftieth century and Shami’s seven-wicket haul, former England cricketer Nasser Hussain commented on the game.

Rohit Sharma after 2023 ICC World Cup Finale

‘Tomorrow’s headlines will probably be about Kohli, Shreyas Iyer, and Shami. But the real hero of this Indian lineup, the man who has transformed the Indian style, is Rohit Sharma.‘’ –
Nasser Hussain (Former England Captain)

At this moment, watching Rohit Sharma, a line from the ‘Dead Poets Society’ resonates deeply within me: ‘O Captain! My Captain!’

Hostar’s Masterpeace: Symmetry and Satire

Sreejith N’s Malayalam web series ‘Masterpeace’ on Hotstar looks like a homage to Wes Anderson.

In the cinematic world, few directors have mastered the art of visual storytelling quite like Wes Anderson. With every frame crafted like a painted canvas and a color palette that capture your eyes.

Anderson’s films are a feast for the eyes and the heart. Don’t you remember ‘Amen’ by LJP filled with quirks, emotions, and political undertones. That’s another example of Wes Anderson style for those who are not aware of this brilliant maker.

This rich element of Wes Anderson’s visuals and narrative brilliance is the highlight in director Sreejith’s latest Malayalam web series, Masterpeace. Compared to Sreejith’s previous flick, ‘Oru Thekkan Thallu Case’ Masterpeace is a different experiment inspired by Wes Anderson style of storytelling.

Brief About the ‘Materpiece’

‘Masterpeace’ is a story about a young married couple, Riya and Binoy. They live in Kochi and have problems in their marriage. When they fight, their parents come to their home to help. But, the parents have their own ideas and want to be in charge. The show is satirical sprinkled with some serious moments. Most of the story happens in one day, inside Riya and Binoy’s flat.

Masterpeace Trailer

Religion, feminism, Liberalism, Dowry, Gender Neutrality, Male chauvanism, Intolerance, LGBTQ+, stereotyping of people & even Nityananda swami 😉 . The list is long and never ending, I believe, you will find at least one one-liner from all these topics in a satirical way.

Why You Should Watch This:

A Masterpeace ‘Visual Treat’

As I said in the beginning, that Wes Anderson style is the biggest plus here. Masterpeace is beautiful to watch. The homes, the colours, and the objects in the series are chosen carefully. They make every scene look like a painting, and every artist on the screen looks like a caricature in that canvas.

The series has a special style, you can find a symmetry in every frame just like the way writer Praveen crafted ultra-dramatic characters and Understated or muted characters in every events.

A Unique Story

The series gives a close look at Indian families and how they deal with problems. It’s not just about a couple’s fight, but about how older family members try to solve things their way. This drama gave you some high hopes and entertainment value in the first three episodes.

Humour and Drama

There are many funny moments in the series. These moments feel like they are taken from real-life situations in many typical Mallu families. It will remind you of some family gatherings and personally I felt like it’s laughing riot especially for those who have some ultra orthodox family members.

Director Sreejith made a great comeback with this quirky satirical experiment.

What Could Have Been Better?

Length: While the series starts off exciting, it becomes long. There are five episodes, and each episode is more than 30 minutes. Some parts of the story feel repeated and could have been shorter or edited.

Repetitive Themes: The series with some frsh approaches on how older people behave and how their orthodox views contradict with the neo-liberals. But, after some time, it feels like the same things are shown again and again.

Narration Gaps: Sometimes the voice-over in the series was confusing and slow down the narration. I wondered why it was even there.

A Masterpeace Performance From Ashokan

The series centering around six characters and my biggest entertainment was Ashokan, he will makes you laugh a lot. He hasn’t acted in big roles for some time, but he made a comeback similar to what lalu Alex did in Bro Daddy.

Maala Parvathi also acts very well as a mother who likes to be in control. These two artists make sure that you won’t abandon this show in midway.

Shanthi Krihna’s & Renji Panicker’s muted characters were overshadowed by the other ultra-dramataic characters in the movie.

The music and camera work in the series are also very good. The director, Sreejith, has made the series look beautiful and quriky. But, it would have been better if the episodes were shorter.

Human Interactions: Understanding the Lonely Wolf and the Social Butterfly

Today, I want to share a conversation I had with my good friend Venkat. He looked confused and asked me, “Akhil, how do you manage both networking and productivity together?” He made a good point: the most productive people—I call them “Lonely Wolves”—among us often work alone, while people who like to socialise a lot, “the social butterflies,” often focus more on taking breaks. Let’s understand the nuances behind human interactions here.

The Evolutionary Tale of the ‘Lonely Wolf’

Imagine the ‘Lonely Wolf’ as someone who’s skilled at their tasks, but deep down, there’s a fear that holds them back from social interactions. Think of it like being hesitant to jump into a pool. Most people want to try that, but they are scared of the consequences. Maybe they are scared of an accident.

Similarly, here the reason for this social distancing isn’t just that they’re shy or prefer being alone; it’s rooted in our ancient history.
In the old days, if you were excluded or rejected by your tribe or group, it was like being left out in the cold without a jacket. You were vulnerable to the elements and wild animals, making survival really tough.

So, being pushed out or ostracised was, in many ways, a death sentence. Our brains are always trying to protect us. Hence, our brain developed a mechanism that made social rejection hurt, almost as if it were physical pain.

Neurologically, when they think about initiating a conversation, their brain’s anterior cingulate cortex (responsible for detecting physical pain) activates, making the mere idea of a possible rejection daunting. This isn’t mere shyness; it’s a protective mechanism that’s years old.
Yet, once they establish a connection, their brain’s reward system gets activated intensely. The hormone oxytocin, responsible for bonding, is released in higher doses. It’s nature’s way of ensuring that once a connection is made, it’s deeply valued. Hence, they often form deeper attachments, valuing quality over quantity.

Historical Roots of the Social Butterflies

Throughout history, individuals who could quickly build rapport, create alliances, and foster relationships had advantages. They were the diplomats, the traders, and the village storytellers. Their strength wasn’t just in the number of their interactions but in the richness of the tales they carried and shared.

Neurologically, every interaction stimulates the release of oxytocin, promoting bonding, and serotonin, enhancing mood and self-esteem. But it’s not just about these chemicals. Their brains are wired to seek variety. Just as our tongue craves different flavours, their neural pathways relish diverse interactions.

Genes of: Social butterflies vs Lonely Wolves

For social butterflies, their brains have likely evolved to prioritise social feedback. The release of oxytocin and dopamine in response to social interactions is more pronounced, reinforcing their social behaviours. Just as some people have a sweet tooth and relish desserts due to evolutionary reasons (sweet usually meant nutritious and calorie-rich), the Social Butterflies have, metaphorically speaking, a ‘social tooth’. Their ancestors were likely those who thrived and survived due to their social adeptness, passing down these traits.

For Lonely Wolves: Their brain prioritises deep work and introspection. This might be due to a heightened activation of regions associated with focus and task-oriented behaviours. Their ancestors were likely the ones whose survival was ensured not by vast social networks but by their individual skills, deep thinking, or problem-solving prowess.

Nature vs. Nurture

While evolutionary and neurological factors play a significant role, one’s upbringing, personal experiences, and the environment can’t be ignored. A naturally sociable child, if repeatedly exposed to negative social feedback, might withdraw and exhibit ‘Lonely Wolf’ tendencies. Conversely, a naturally introverted child, when encouraged and provided positive social experiences, might develop more extroverted tendencies.

In essence, the disparity between ‘Social Butterflies’ and ‘Lonely Wolves’ can be viewed as nature’s way of ensuring that a tribe had both: individuals who could form quick social bonds and those who could delve deep into problem-solving. Both these traits had their unique evolutionary advantages, ensuring the survival and thriving of the group.

How do we bridge the gap?

For the Social Butterfly

The Art of Deep Conversations: Social Butterflies often flit from one topic to another. To add depth, they can practice active listening. It involves not just hearing words but understanding and interpreting them. Instead of preparing the next thing to say, truly listen. This leads to meaningful conversations that leave a lasting impact.
Scheduling ‘Me’ Time: A day, or even a few hours, reserved for self-reflection can work wonders. During this time, indulge in activities that promote inner growth – reading, journaling, or even a solitary walk. Embracing moments of silence and solitude can offer profound insights and a renewed sense of purpose.
Read: Books can be wonderful companions. They can offer the ‘Social Butterfly’ a world of knowledge while also teaching them the joy of solitude.

For the Lonely Wolf

Baby Steps: Social interactions don’t need to be grand gestures. Start small. Maybe a hello to a colleague, a smile to a stranger, or a compliment to a friend. Remember, every long journey begins with a single step.
Find Your Tribe: The ‘Lonely Wolf’ doesn’t need to fit in everywhere. They need to find their tribe – a group of like-minded individuals who share their passions, hobbies, or beliefs. When you share a common interest, initiating conversations becomes easier.
Seek Mentorship: One way to learn about the nuances of social interactions is to learn from someone who excels at it. A mentor can guide, providing insights into the art of communication and relationship-building.

In conclusion, the digital age, though complex, offers myriad opportunities for both the ‘Lonely Wolf’ and the ‘Social Butterfly’ to grow, learn, and bridge the chasm between them. While their innate natures are different, they can certainly borrow pages from each other’s books, creating a balanced narrative for their lives.

For more perspectives and thoughts, click here.

OTT Releases This Week: Aug 04

Are you waiting for the latest OTT releases this week? From the Rom-Com to Thrillers…the list is packed with a good number of thrillers, docu-series and romantic movies.

Guardians of the Galaxy Vol 3: A Mischievous Emotional Rollercoaster

OTT Platform: Disney+ Hotstar
Directed by: James Gunn
Cast: Bradley Cooper, Chukwudi Iwuji, Linda Cardellini, Will Poulter

In Brief: Guardians of the Galaxy

The final instalment in the Guardians of the Galaxy series, Vol 3, focuses on Rocket’s traumatic backstory, featuring the High Evolutionary’s experiments. Rocket’s escape and separation from his soulmate Lylla, the otter, lead to a thrilling adventure filled with mischief, humour, and heart.

A big-hearted film that balances an overstuffed storyline with classic GOTG trademarks. James Gunn’s touch with unexpected dark themes keeps the series’ irreverent swagger while delivering emotional punches.

Dhoomam: An Unimpactful Thriller Fogged by its Message

OTT Platform: Amazon Prime Video
Directed by: Pawan Kumar
Cast: Fahadh Faasil, Roshan Mathew, Aparna Balamurali, Vineeth

In Brief: Dhoomam

In Dhoomam, Fahadh Faasil plays the marketing head of a major tobacco firm caught in a hostage situation with his wife. The non-linear narrative switches between the attempts to escape and Avinash’s rise within the company. The film also delves into the corporate world of tobacco, showcasing the methods used to convince new users and lobby with the government.

Detailed review of Dhoomam here

Rangabali: A Scattered Attempt at Hero Worship

OTT Platform: Netflix
Directed by: Pawan Basamsetty
Cast: Naga Shaurya, Yukti Thareja, Tom Chacko, Satya
Music: Pawan CH

In Brief: Rangabali

Rangabali tells the story of Shaurya, a man whose strength and identity are rooted in his hometown, Ramavaram. He falls in love, faces conflicts, and must change the identity of a significant place in his town. The film follows Shaurya’s journey from a small-town guy with dreams of heroism to his struggle with politics and identity.

Rangabali attempts to celebrate unabashed hero worship but ends up feeling like a collection of random ideas with superficial execution.

Naga Shaurya’s portrayal of the protagonist is unconvincing, with elements like his white shirt fetish and action sequences failing to evoke interest. The lack of depth in the storyline, masked by humor and mass masala, leaves much to be desired.

However, moments of occasional humour thanks to supporting actors Satya and Rajkumar provide some relief.

Rangabali’s promotional spoof interviews, in which Satya mimics media personalities, ironically offer more innovation and entertainment than the film itself.

Soulcatcher: A Clichéd Disappointment Bereft of Originality

OTT Platform: Netflix
Directed by: Daniel Markowicz
Cast: Piotr Witkowski, Jacek Koman, Jacek Poniedziałek

In Brief: Soulcatcher

Soulcatcher takes place in a not-so-distant future where a weapon named the Soulcatcher can transform ordinary people into savage killers. The plot revolves around a military contractor who is assigned to retrieve this device but faces a dilemma when his brother falls victim to it. This Polish action thriller endeavors to be a gripping tale but ends up awash with clichés.

The film sets itself up with a blockbuster script, yet its modest budget fails to match its grand aspirations. It falls short in terms of visuals, fight scenes, and character development, leaving much to be desired.

Although it boasts a conceptually interesting weapon and a promising plotline involving political corruption and scientific brilliance, the execution lacks originality and conviction.

Santhosham: A Feel-Good Attempt That Falls Short on Conflict

OTT Platform: Amazon Prime
Directed by: Ajith V Thomas
Cast: Anu Sithara, Amith Chakalakkal, Kalabhavan Shajohn, Mallika Sukumaran

In Brief: Santhosham

Santhosham revolves around the family of Suresh Kumar, focusing on his two daughters, Aadhya and Akshara. The narrative explores their dynamic relationship, especially as Aadhya’s marriage is fixed. The film attempts to delve into the sharp mood swings of children, a theme often overlooked in Malayalam cinema, but ends up delivering a conflict-free and simplistic narrative that fails to blend family bonding with a central idea.

The music by PS Jayahari adds charm, but misplaced songs hinder the overall experience.

Despite its aim to spread positivity, Santhosham’s underdeveloped script neglects to build a solid conflict, resulting in a film that focuses on optimism but lacks depth and engagement.

Exclusive OTT Releases This Week

Choona: An Unlikely Heist with a Humorous Twist

OTT Platform: Netflix
Directed by: Pushpendra Nath Misra
Cast: Jimmy Shergill, Aashim Gulati, Arshad Warsi, Vikram Kochhar, Namit Das, Chandan Roy, Gyanendra Tripathi, Monika Panwar, Niharika Lyra Dutt

Plot Synopsis:
When a group of misfits finds themselves up against a common enemy—a ruthless yet superstitious politician—they plan a heist as their method of revenge. The series combines elements of comedy and drama, promising a unique take on the heist genre. Choona aims to deliver an engaging story of retribution.

Dayaa: A Chilling Discovery and a Tumultuous Journey

OTT Platform: Disney+ Hotstar
Directed by: Pavan Sadineni
Cast: JD Chakravarthy, Eesha Rebba, Remya Nambeesan, Prudhvi Raj, Kamal Kamaraju, Josh Ravi

Plot Synopsis:
Dayaa, a Telugu remake of the popular Bengali series Taqdeer, revolves around the life of a freezer van driver whose routine existence is shattered when he finds a lifeless body in his van. The discovery sets off a chain of events that embroils him and his best friend in increasingly complex challenges. As a new addition to Telugu-language content, Dayaa represents a thrilling foray into a new market for the renowned Bengali production house, SVF.

The Hunt for Veerappan: Unveiling the Dreaded Bandit’s Saga

OTT Platform: Netflix
Directed by: Selvamani Selvaraj
Composer: Jhanu
Genre: True crime docuseries

Plot Synopsis:
The Hunt for Veerappan is a gripping four-part docuseries set to explore the untold and unheard stories of the feared Indian bandit turned domestic terrorist, Veerappan. Beginning as a poacher, Veerappan ruled the jungles of South India, becoming the subject of India’s largest manhunt. Through detailed examination and intense storytelling, this series will delve into the complex web of Veerappan’s life and the forces that sought to capture him. The Hunt for Veerappan promises to unravel the mystery and mythology surrounding one of India’s most enigmatic criminal figures.

Nagumome Chaalu Le: A heartbroken and wide-eyed decided to explore the city

OTT Platform: Aha
Directed by: N Balaji
Cast: Saketh Valluri & Sindhuja Turlapati

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The Devolution Of Lust Stories: A Review

Before Lust Stories 2, let’s get back to square one. In Lust Stories first edition, the anthology kicked off with Anurag Kashyap’s episode – a phenomenal start, indeed.

Let me paint the picture:

If I’m not wrong, the opening scene featured Radhika Apte, head out of a car, basking in a nostalgic Bollywood tune. Street lamps illuminated her face, her hair waving in the wind, and she’s laying lazily, looking at her young lover, You get all this in one long shot of a taxi cruising on a quiet, lit-up highway at night.

Isn’t it making you see the picture? Can’t you feel what the character’s going through? No dialogues, but it still speaks to you.
That’s my first metric for assessing a film’s quality. How much it speaks to you without dialogue.

After this scene, there’s a chat where Radhika Apte asks her boyfriend if they’re alone at home. He says only grandma’s home, and she can’t hear well. Then they’re in his room, talking about the books on the shelf, sharing thoughts. You can tell loads about the characters from this conversation. Kashyap uses the setting and dialogue to peel back layers of the characters. There’s a lot of talking, mostly by Radhika, but none of it’s senseless.

Why am I talking about Lust Stories 1 while writing about the second edition? Because that’s the easiest way for me to share my experience of Lust Stories 2.

Episode 1: Granny from the Future: Too Much Sex, Too Little Sense

Anurag Kashyap used the atmosphere and ambience to convey the emotions and used dialogue to portray the inner layers of the characters.

It’s not simply about sex or lust. The characters are not talking sex or f*** a lot of times; they are talking about their anxieties, which might be yours as well, and they are unveiling the deceptive covers in front of you. In the first episode, when Radhika Apte asks you, How can you expect one person to be everything, your friend, your lover, and your wildest fantasy? you will be able to empathise with the character Kalindi and be convinced that Kalindis exists.

In Lust Stories 2, everything is flipped. We start with R. Balki’s episode with a granny from the future, or maybe another planet. The episode is all sex or fuck. It feels so fake, full of cringe dialogue. Why did they pick this as the first episode? It made me want to stop watching. But after a break, I gave the second episode a chance. Balki should have made some notes from Anurag Kashyap’s Lust Story episode, especially on world building, character sketching, and dialogues.

Episode 2: A Peek into Hidden Emotions, Konkona Sen Sharma’s Lust Story

In Lust Stories 1, the second episode is from Zoya Akhtar, another great talent. It’s about a relationship between a domestic worker Sudha and the man she works for. It’s a subtle, simple story that leaves a question at the end. You can see that Sudha has almost no dialogue, but you can see her transformation, her anxieties, and, in the end, her acceptance of a hard truth.

In Lust Stories 2, the second episode by Konkona Sen Sharma is very similar to what Zoya did; it is subtle, with almost no dialogue between the main characters except a short tirade. The episode ends with a superb commentary on voyeurism and how some emotions can only be limited to being kept under the wraps. Tillotama Shome nailed it, and I was so happy to see her again in the Night Manager today.

Episode 3: Lots of Lust but a ‘lustful’ Misfire

In Lust Stories 1, Dibakar Banerjee crafted the third episode, and it has a strong message for women. It is about Reena, who is in an extremely unhappy marriage with a businessman. She stuck in her roles as wife, mother, and lover, unable to assert herself as an individual. A single line of dialogue from Reena is enough to understand what’s going on; she says, “You need a mother, not a wife, and I cannot be that.” The movie questions the institution of marriage from a woman’s perspective.

But in ‘Lust Stories 2’, the third episode by Sujoy Ghosh is just a show. Lots of kissing and cleavage, and then a predictable twist. I couldn’t figure out what it was trying to say. At least they should have tried to remove that cliched backstory, which would have helped them make the climax better. If you are a Tamanna fan, go for it; otherwise, just watch the first 5 minutes and the last 10 minutes of the episode.

Even Vijay Verma couldn’t save this one as he did in Dahaad, I believe. By the way, I believe Jenniffer Piccinato is going to be a most searched term after Lust Stories 2. Her video call in this third episode added more Lust than the writers did.

Episode 4: Predictable Fairy Tale, Saved by Kajol’s Eyes

In Lust Stories, Karan Johar surprised me with the last episode. Among philosophical takes and social commentaries, he presented a simple yet thoughtful comedy-drama. But Lust Stories 2 ends with Amit Sharma’s episode trying to be a dark fairy tale and ending up just being dull. The only good thing was Kajol and her beautiful eyes.

There is actually nothing much to explain about Lust Stories 2. The endings or plot points are pretty straight, and if you are still looking for ending explained posts, you should really evaluate your cognitive skills.

In the end, I believe ‘Lust Stories 2’ may disappoint you. They messed up the brand with an amateur job.

Dhoomam: High Expectations, Mixed Outcomes

As an ardent fan of Pawan Kumar, my expectations were sky-high for Dhoomam, especially after being enamored with his last web series, Kudi Yedamayithe. I eagerly waited two long years for Pawan Kumar to unveil his new work, post Kudi Yedamayithe.

However, to my disappointment, I couldn’t find the signature sophistication and finesse I had anticipated from Pawan Kumar in Dhoomam. It doesn’t show the output of 2 years of homework.

Plot

The plot centers around Avinash (Fahadh Faasil), who is the marketing head of a major tobacco company. He and his wife Diya (Aparna Balamurali) find themselves held hostage in a secluded hilly terrain. The kidnapper issue a series of demands via phone calls, prompting Avinash and Diya to complete certain tasks to save their lives.

The film switches between the couple’s present predicament and flashbacks to Avinash’s career rise in the tobacco company run by Sid (Roshan Mathew). In the past, we see Avinash’s cunning methods to promote the company’s products and influence government policies.

The plot leaves some loose ends, with questions around who the ‘faceless’ caller is and why Avinash is being targeted instead of Sid, the actual head of the company.

Expectations and Initial Disappointment

Director Pawan Kumar’s effort to highlight a grave issue like smoking deserves applause. However, the film’s execution leaves much to be desired. The kidnapping scene at the beginning of the film is unconvincing and disrupts the viewing experience. The film’s pacing feels off, with crucial events happening too rapidly and without adequate build-up. These elements, combined with a plethora of continuity errors, contribute to a sense of disconnection from the narrative.

Direction and Continuity Issues

When the movie starts, we can see Aparna Balamurali is waiting for Fahad Fazil and it’s raining, but while getting into the car, you can see that she is not at all wet. I couldn’t find any raindrops on her face, hair, or dress. If this movie was directed by any other directors from Kannada, I wouldn’t have cared, but since it was Pawan Kumar, this was a friction point for me.

With poor editing and scripting, the kidnapping scene in the movie was so artificial and unconvincing for me. There were a lot of loopholes in that scene, and I found so many continuity issues in just 20 minutes of the film. For example, I don’t know why the kidnapper took the watch from Fahad Fassil. While driving, there is a watch on his left hand, but in the morning it is not there.

There is a fight scene between a gunman and Fahad Fassil, and you can see a lot of wounds and bruises over his face and body, but after a face wash, he is clean and left with only a scar.

9 Shades of Fahadh Faasil : Must Watch FaFa Movies

Characterization and Plot Development

When it comes to the plot development, I would say it is highly predictable and filled with cliched events.

The character development also suffered from amateur first thoughts. Take Fahad Fazil’s character Avinash as an example; he was portrayed as a creative thinker, problem-solver, and ambitious individual. However, the writer failed to provide a compelling trigger for this character’s transformation or introspection. I found it unconvincing that such a calculating character would alter his mindset without a strong reason.

All this means I couldn’t enjoy the movie at all? A Big No!!

Why You Should Try This Movie

There are some dialogues from Fahad Fazil as a marketer that really strike every citizen, I believe. For example, the way Avinash (Fahad) marketed the vapes was so brilliant, and as a marketer, I find it so interesting, and I realized how dangerously our emotions and mirror neurons work.

Similarly, the government’s involvement in promoting tobacco usage was represented neatly.

Fahad fazil as Avinash in Dhoomam — Fahad Fazil as Avinash in Dhoomam

Fahadh Faasil, playing the ambitious marketer, delivers a solid performance, reflecting his character’s complexity and moral struggle. Aparna Balamurali, despite a somewhat overly dependent character, brings credibility to her role. Roshan Mathew also offers a convincing portrayal in his role as the head of the tobacco company.

The climax is well-drafted, so realistic, and well-executed. I strongly believe that climax can make a huge impact on anyone who smokes; at least they will think twice next time when they hold a cigarette. The last 15 minutes of the film were really worth it, and that’s where I found the signature of Pawan Kumar.

Despite its flaws, “Dhoomam” delivers a potent social message. The impactful final scenes carry a significant enough message to make smokers reconsider their habits, highlighting the dangers of tobacco usage.

Final Thoughts

It might be best described as a missed opportunity – a film that could have been a powerful social commentary but falls short due to its execution.

For this week’s OTT releases, click here.

Kerala Crime Files: A Thriller Story Stretched Thin

Kerala Crime Files, As Hotstar’s first Malayalam thriller web series, I held high hopes. And I was happy to see that Disney Hotstar managed to meet my expectations in terms of production quality.

The series, set in 2011, showed a clear investment in recreating that era’s technological and ambient milieu. The craftsmanship on display was remarkable.

Penned by Aashiq Imar and directed by Ahammed Khabeer (known for ‘Madhuram’ and ‘June’), I had a feeling that the narrative might have fared far better as a standalone OTT movie instead of a web series.

Kerala Crime Files Season 2 Review

A Case of Too Long a Tale

The plot, at its core, is simple. Sub-Inspector Manoj and his team of four are on the heels of a sex worker’s murderer. Their leads? A fake address: Shiju Parayil Veedu, Neendakara, and a witness who claims the suspect has squinted eyes. They are solving the case within six days (6 Episodes).

It sounds gripping, doesn’t it?

However, as the story opened up, my interest began to wane. The narrative felt like a wafer-thin premise stretched far too thin; it’s pretty evident that the writer didn’t spend much time with the characters or the events. If it were a 100-minute movie, this writing might work well, but I am not sure about a crime-thriller web series.

The series takes off slowly, with the first two episodes feeling like they could have been compressed into one. The narrative regains momentum in the third episode, establishing a robust motive for the lead character (S.I. Manoj) to track down the killer. But after that, the excitement ebbs again, only to return in the fifth episode.

Although the choice to depict six days across six episodes lends realism, the thrill factor takes a hit, perhaps a side effect of my steady diet of thrillers.

Written Poor, but Executed Well

The characters, whether the killer or the police officers, lack depth and layers. The addition of officers’ personal lives seemed a ploy to stretch the runtime, lacking subtlety or layers. The writer tried to build an image of the murderer with the first five episodes, and when it was finally revealed, I found a mismatch between the buildup and reality. That’s where I felt the writer should have spent much more time with the scripting.

In the climax, the explanation of the motto felt artificial. The victim character did not pull it off well enough to make it convincing. However, I really enjoyed the villain and his subtle cues.

The series showcases commendable performances from Aju Varghese in the lead role, supported by Navaz Vallikunnu, Zhinz Shaan, and Devika Rajendran. Zhinz Shaan’s constable “Pradeep” deserves a special mention for his steadfast character arc. His obstinate and narrow-minded approach distinguishes him from his colleagues. Another noteworthy performance is that of Lal in the role of CI Kurian.

Watch Kerala Crime Files Here.

Lower the Expectations and Enjoy this Thriller

To sum it up, lower your expectations, and you may find ‘Kerala Crime Files’ enjoyable. While it manages to retain your attention, it falls short of being a nail-biting thriller. The expectations set by the trailer didn’t fully translate into the series, and it spoiled my experience with this thriller.

My Opinion: A Promising Start, but Does It Deliver? Doubtful

For more about OTT releases this week, click here.