Kerala Crime Files, As Hotstar’s first Malayalam thriller web series, I held high hopes. And I was happy to see that Disney Hotstar managed to meet my expectations in terms of production quality.
The series, set in 2011, showed a clear investment in recreating that era’s technological and ambient milieu. The craftsmanship on display was remarkable.
Penned by Aashiq Imar and directed by Ahammed Khabeer (known for ‘Madhuram’ and ‘June’), I had a feeling that the narrative might have fared far better as a standalone OTT movie instead of a web series.
The plot, at its core, is simple. Sub-Inspector Manoj and his team of four are on the heels of a sex worker’s murderer. Their leads? A fake address: Shiju Parayil Veedu, Neendakara, and a witness who claims the suspect has squinted eyes. They are solving the case within six days (6 Episodes).
It sounds gripping, doesn’t it?
However, as the story opened up, my interest began to wane. The narrative felt like a wafer-thin premise stretched far too thin; it’s pretty evident that the writer didn’t spend much time with the characters or the events. If it were a 100-minute movie, this writing might work well, but I am not sure about a crime-thriller web series.
The series takes off slowly, with the first two episodes feeling like they could have been compressed into one. The narrative regains momentum in the third episode, establishing a robust motive for the lead character (S.I. Manoj) to track down the killer. But after that, the excitement ebbs again, only to return in the fifth episode.
Although the choice to depict six days across six episodes lends realism, the thrill factor takes a hit, perhaps a side effect of my steady diet of thrillers.
Written Poor, but Executed Well
The characters, whether the killer or the police officers, lack depth and layers. The addition of officers’ personal lives seemed a ploy to stretch the runtime, lacking subtlety or layers. The writer tried to build an image of the murderer with the first five episodes, and when it was finally revealed, I found a mismatch between the buildup and reality. That’s where I felt the writer should have spent much more time with the scripting.
In the climax, the explanation of the motto felt artificial. The victim character did not pull it off well enough to make it convincing. However, I really enjoyed the villain and his subtle cues.
The series showcases commendable performances from Aju Varghese in the lead role, supported by Navaz Vallikunnu, Zhinz Shaan, and Devika Rajendran. Zhinz Shaan’s constable “Pradeep” deserves a special mention for his steadfast character arc. His obstinate and narrow-minded approach distinguishes him from his colleagues. Another noteworthy performance is that of Lal in the role of CI Kurian.
To sum it up, lower your expectations, and you may find ‘Kerala Crime Files’ enjoyable. While it manages to retain your attention, it falls short of being a nail-biting thriller. The expectations set by the trailer didn’t fully translate into the series, and it spoiled my experience with this thriller.
My Opinion: A Promising Start, but Does It Deliver? Doubtful
Mani Ratnam’s films are known for their layered storytelling. Ponniyin Selvan is no different, packed with scenes that become more meaningful with an understanding of Tamil history. Here I will share my interpretations and observations, which may help explain Ponniyin Selvan better.
The Entrance of the Enigma: Aditya Karikalan
Aditya Karikalan (Chiyaan Vikram), the character, is introduced in an intriguing manner, with his first appearance shrouded in fog. The moment he steps onto the battlefield, the fog clears, revealing a warrior prince carrying a heavy heart.
The misty backdrop is Mani Ratnam’s creative method to hint at Aditya’s obscure past. With this single shot, Maniratnam establishes that he is coming from a shady past, and we are not clear about his past.
Aditya Karikalan introduction
We are hearing about his past through his conversations with Parthibendran and Kundavai in multiple instances.
As per the historical narratives and the novel, Aditya is stubborn, sticking to his decisions regardless of the circumstances. But no one really knows, who he really was, or what he was going through.
Shadowed Past and Victorious Present
Now, let’s pick another scene. After winning the Nolamba dynasty, Aditya explains his past and agony to Parthibendran. It’s all dark, and Aditya’s face is not clear; we are getting only one half, and if you look at the background, it’s misty again. I believe it’s symbolic of the shady past of Aditya Karikalan.
Aditya- Parthibendran
The deliberate symbolism points towards Aditya’s murky past. When the painful past is shared, and Aditya waves the flag, the frame transitions into sunlight.
This change implies the flag wave as a metaphorical act to ward off the clouded past. War, Rage, and Victory are his ways to clear off the painful and obscure past around him.
The choice of costumes for Aditya is noteworthy. He is always seen in black and red, contrasting with Arulmozhi, who wears pristine white. This difference in colour choices signifies the differing characters and histories of the two.
Parallels with Karnan from Mahabharatha
This is actually a wild theory. Thanks to Sandeep (Nanban 🙂 )
Aditya Karikalan’s portrayal has parallels with Karnan from Mahabharatha.
During Aditya’s triumphant moments, a sun glare can be seen in the backdrop. Ravi Varman (the cinematographer) brilliantly incorporated the sun glare as an aura around Aditya. Contrarily, when Aditya is depicted in a state of sadness, the sky appears cloudy, or he is shown in darkness. Even his death happened at night.
Aditya asks Nandini if it is hard for her to look at him. Then he waves off all the lamps and dies in the darkness.
In the Mahabharata, even Lord Krishna wept at Karna’s death because Karna was kind, loyal, and understood his dharma. However, he was cursed by Bhumi Devi for disrespecting her. It was just his luck or curse spoiled him. He was unlucky as much as Aditya.
Aditya was also cursed. Nandini asked him only one thing, to spare Pandiya’s life, but he ignored her plea. He disrespected her and hurt her. That was the sin he was carrying (metaphorically, Aditya says, “I consumed poison that day”).
A dying Karna asked Krishna to inform his mother Kunti of his death. He could have asked Krishna to give victory to Duryodhana and bring his armies back to life. However, he didn’t. He wanted his mother to proclaim publicly that he was her son and that he was not of low caste. He was looking for acceptance.
Aditya’s last words were a request for Nandhini to tell him that he still lives in her heart. He was looking for acceptance.
The epic beauty of the scene is the way Vanthiya Thevan carries Aditya’s dead body. The background is filled with smoke, just like when Aditya was first introduced in PS-1. It is a shady mystery, and we could never really understand Aditya, even his death remains a mystery.
The Dance of Victory: Devarattam
Devarattam, a traditional dance form, was performed by kings and warriors to celebrate victory, particularly in the Pandyan and Chola dynasties. During Vanthiyathevan’s visit to Kadambur in the movie, however, the dance depicted appears to align more with “Kecak” than Devarattam.
Actual Devarattam, image credits: twitter/@devarattam
Some argue that Devarattam took inspiration from Kecak, but this theory doesn’t holds historical back. The Chola’s naval invasions in Southeast Asia, a possible channel for cultural exchange, started only in 1025, while Aditya Karikala and the Pandyas were active before 1000 CE. Additionally, Southeast Asian rulers like those from Srivijaya, who had close relations with the Pala Empire in Bengal, did not seem to have left any influence on the dance form.
The real Keckak from Bali
The dance is based on the story of the Ramayana and is traditionally performed in temples and villages across Bali (Indonesia).
The Clash of Titans: Kundavai-Nandini Confrontation Scene
The Kundavai-Nandini faceoff scene is one of the most epic scenes in Ponniyin Selvan part -1. The rivalry between two women is on full display in this scene.
But I feel, many might have misread it. Here is my interpretation.
Background: Nandini has deep resentment towards Kundavai, blaming her for all her miseries. Nandini believes that it was Kundavai who got her expelled from the palace and constantly made her feel inferior due to her lineage. In a bid to gain power, Nandini manipulates Periya Pazhuvettayar and considers Madurantakan’s claim to the throne. She keeps Sundara Chola, Kundavai’s father, under house arrest, cutting him off from others for easy manipulation.
Learning about Nandini’s scheme from Vandiyathevan, Kundavai decides to confront her at the Tanjore palace. As the dramatic background music “Saayam Sanchare” (Evening- where Day and Night meets) fills the air, their coded conversation unfolds:
Nandini: “Upon your visit, Tanjore palace itself has become beautiful.”
Kundavai: “But I heard all the beauty in the world has been kept in the Tanjore palace.” (hinting at Nandini’s beauty)
Nandini: “Yes, beauty is held captive here indeed.” (referring to Sundara Chola being under house arrest, Sundara means ‘beautiful’)
Kundavai: “Captive? Does the golden beauty [Sundara Chola] not adorn the throne?“
Nandini: “Yes, it’s gold, old gold.” (referring to the king as old)
Kundavai: “Faded gold is the most precious.”
Nandini: “Even golden shackles are still shackles.” (indicating Sundara Chola is under her control, regardless of his position)
Kundavai: “The key to the shackles are in our hand anyway.” (asserting her ability to free Sundara Chola)
Nandini: “No one can defeat the princess (Kundavai) in an argument.”
Following this heated exchange, Kundavai smiles as the background score saayam sanchare intensifies. The combined genius of AR Rahman, Ravi Varman, and Mani Ratnam in this scene is simply beyond words.
Kundavi is envious of Nandini’s beauty; Nandini is jealous of Kundavi’s power; and throughout her life, Nandini feels inferior to Kundavi because of the power she holds. You will get all this from this scene, if you read it well.
Nandini: The Ever’green’ Queen
Pandiya’s Fish Eyed(Meenakshi) diety is green. Crafted from a single large emerald stone, the goddess is believed to be Vishnu’s sister, just as Nambi(Jayaram), a vaishnavite, is Nandini’s brother.
Echoes from the Past and Authentic Settings
There’s a scene where Vandhiyathevan ingeniously escapes from the Pazhuvettarayar guards, reminiscent of chase sequences from the movie ‘Thiruda Thiruda’. The elements that Vandhiyathevan disturbs in the crowd — from buttermilk to puffed rice — align perfectly with the setting of 10th century Thanjavur, enhancing the authenticity of the scene.
Mani Ratnam also adeptly portrays the flourishing trade relations of the time. The period from 900 to 1300 CE, termed the Early Age of Commerce in Southeast Asian history, saw burgeoning trade ties between China and South India.
In the film, the charioteer is usually depicted as a Chinese man when the scene is set in Lanka. The character’s inability to understand Tamil allows Arulmozhi to converse freely with his companions without worrying about eavesdropping. This detail cleverly illustrates the language and cultural barriers present in the historical trade relations.
Another historically accurate detail is Sundara Cholan’s acupuncture treatment, highlighting the influence of Chinese medical practices in the region during the time.
One of the most poignant scenes, overlooked by many in the first viewing, happens in Pazhayaarai. As Sendhan Amudhan reaches Trisha to deliver news about Vandhiya Thevan, he nods at Sembiyan Mahadevi, who responds in acknowledgment. This loaded interaction may go unnoticed if you’re unfamiliar with the book.
Sendhan Amudhan is actually Sembiyan Mahadevi’s son, while Madhurantakan is the son of Oomai Rani. Will explain in detail soon.
Sembiyan Mahadevi’s Pioneering Influence
What’s striking in the movie is Sembiyan Mahadevi sporting a pottu (bindi). A surprising element, considering the times depicted, this choice moves away from the traditional depiction of widows.
Sembiyan Mahadevi was the queen consort of the Chola Empire from 949 CE – 957 CE, wife of Gandaraditya Chola.
Following Gandaraditya’s death, Sembiyan Mahadevi, rather than committing sati or withdrawing to the Andapuram (the palace’s female quarters), chose a different path. She devoted herself to religious and social activism, becoming not only a revered dowager queen but also the matriarch of the Chola family for the next 50 years.
A 1,000-year-old idol of the Queen was traced recently by the TN Idol Wing.
A pioneer in Kalpani (literally ‘stone-work’), Sembiyan Mahadevi initiated projects that transformed ancient brick and mortar temples into enduring granite structures. Her historical foresight led her to order the copying of ancient inscriptions before the reconstruction work. The temples and icons commissioned under her oversight bore a unique mark, and she donated jewels and bronzes to many temples, some built by her and others by her son, Uttama Chola( Madhurantakan).
Symbolism of Victory and Omen: The Red Lion Flag and the Comet
A symbolic scene depicts the triumph of Chola king Arul Mozhi Varman over Mahindan, the Sri Lankan king, as the waves on the coast of Lanka wash ashore the Lankan King’s red lion flag.
A powerful visual metaphor that conveys the complete and utter defeat of the Sri Lankan forces. The foamy waves that touch the Lankan shore symbolize the Chola army’s arrival on Sri Lankan soil, and their presence is a reminder that the Chola Empire is now the dominant power in the region.
Comet in the background When Nandini order to take captive of Arulmozi
In another instance, the scene where Nandhini and Pazhuvettayir order a convoy to capture Arulmozhi, you can spot a comet in the background. This comet reappears when the Pandiya’s are shown. The comet is a symbol of foreboding, hinting at a threat to the throne or signalling the imminent death of Aditya.
The Comet Scene in Ponniyin Selvan: A Symbol of Impending Doom
Scientifically, the comet seen in Ponniyin Selvan can’t be Halley’s comet as it passed by in 989 CE, by which time Rajaraja had already ascended the throne and Aditya was dead.
Comet in the background while showing Pandiyan Prince
Historically, the appearance of a comet has often been interpreted as a sign of the impending death of a great person, usually a king. Notable examples include the comets associated with the deaths of Julius Caesar and King Harold. In 1910, when Halley’s Comet streaked across the sky, King Edward VII passed away. Around this time, Kalki (1899-1954) would have been around 11 years old and may have heard about the event.
In the context of the movie, the comet symbolizes the impending death of Aditya Karikalan. However, given Sundara Chola’s frail health, everyone interprets the comet as a prediction of his demise.
Sangam Poetry and Cinematic Genius: The Tale of Mandakini in Ponniyin Selvan
The meeting of Mandakini (Uma Rani), and Sundara Chola has a song playing in the background, it’s another example of Mani Ratnam’s brilliance.
It was so painful for me considering Mandakini’s fate. She doesn’t know she has children (will explain more on this soon); she considered Arulmozhi her son (considering it’s from her beloved one), and After years, she meets Sundara Chola again and lays down her life to save his.
Now if you try to understand more about that song, you will realise how painful it is to listen by watching Mandakini’s (Uma Rani’s) death.
This song is ‘Puranaanuru 242,’ one of the 400 songs from the ancient Tamil anthology (Sangam Poetry). AR Rahman adapted this song for the heartbreaking scene of Mandakini’s demise.
The original song was penned by Gudavai Keerathanar (was one of the poets of the Sangam period). Although he belonged to Gudavail, he visited many towns and made many friends. Perunjathan was one such friend from Ollaiyur. He was a chief Satthan (Chieftain) who was famous for his valorous deeds in battlefield.
The poet comes to the town of Ollaiyur and realises that his friend is no more. The whole town is mourning. There he composed this song out of great sadness.
In the poem, the poet questions the jasmine flower, asking why it still blooms after his death in Ollaiyur.
The lyrics go like this: “Young men don’t wear them. Women with bangles don’t pluck them. The whole town is sad because Satthan, the warrior, died. So, Jasmine, who are you blooming for? Why are you still blooming in vain?”
Nothing could better represent the tragic love and death of Mandakini. For what she lived for. It’s a painful question.
Love, Loss, and Forgotten Memories: Nandini’s Birth Secret
Sundara Chola and Mandakini were in a romantic relationship, but they were forced apart before Sundara Chola’s coronation. Overcome with heartbreak, Mandakini jumped off a lighthouse. However, Anirudha Bramarayan (was a leading minister in the court of the Sundara Chola) rescued her and sent her to Sri Lanka, while telling Sundara Chola that she had died. Meanwhile, Sundara Chola moved on, got married, and had children. His eldest son, Aditya Karikalan, was older than Nandini.
In Sri Lanka, Mandakini and Veera Pandian, both rescued by the boatman(Karuthiramaran) and with Mandakini having lost all her memories, spent a significant amount of time together. She got pregnant and decided to leave Sri Lanka, while Veera Pandian stayed back and lived with the Sri Lankan king.
On her return to Tanjore, Mandakini and her mute sister Vani encountered Sembian Mahadevi, who was also pregnant. They started living with her in the palace. Both women gave birth around the same time. Sembian Mahadevi’s son was stillborn, while Mandakini gave birth to twins and left them. Sembian Mahadevi adopted the male twin, Madhurantakan, and handed over the female twin, Nandini, to Azhwarkaddiyan’s (Nambi) parents. Vani was instructed to bury the supposedly dead infant, who, in reality, survived. She took the child, Sendhan Amudhan, and left.
Meanwhile, Veerapandiyan sent Karuthiruman (boatman played by Yog Japee) to relay a message to Mandakini, who was back in Kodi Karai under her father’s care. However, upon arrival, he found that Mandakini had suffered another accident, which had restored her memory.
She could not recognise Karuthiruman, which meant she had no recollection of what had transpired between her fall from the lighthouse and her recent accident.
Was Nandini ever in love with Aditya Karikalan?
Nandini, a creation of Kalki, is one of the most multifaceted characters you will encounter in “Ponniyin Selvan.” She is like a diamond. Not only is she stunningly beautiful, but she’s also incredibly intelligent. Her willpower and ingenuity make her a unique femme fatale in literature.
She has been described as treacherous, vicious, venomous, lethal, and dangerous. These aren’t misjudgments, as Nandini is truly the most formidable character in the novel.
Understanding Nandini takes some time because, much like a finely cut diamond, she has numerous aspects to her persona. The novel introduces us to her character well before we meet her. Kandan Maran speaks of Periya Pazhuvetarayar’s marriage to a younger woman, and teases him about his obsession with her. Later, Azhwarkadiyan shares a censored version of her life story, painting her as a sisterly figure and stoking our sympathy for her as a young woman forced to marry an older man.
We first meet Nandini through the eyes of Vandiya Devan, entranced by her beauty, as she peeks out from the curtains of a veiled palanquin to investigate the disturbance in her path.
Aditya Karikalan’s frank confession to Parthibendran uncovers more about Nandini’s history. It seems that Nandini mastered her unique brand of seduction with Aditya Karikalan. But was it love, or was it a longing for the power she would gain if she were to marry the Crown Prince? It’s hard to say for sure.
What we do know is that the deep-seated jealousy between Kundavai and Nandini originated from their childhood. Nandini coveted Kundavai’s status and influence as the Princess, while Kundavai envied Nandini’s beauty.
The scene where Nandini imagines her childhood as a queen
Nandini’s obsession with power drove her, I believe, and her confession to Aditya in the end holds some truth, in my opinion
Nandini v/s Kalpana
Do you remember the first movie that Mani Ratnam made with Aishwarya Rai? It’s Iruvar (1997).
In Iruvar, Aishwarya played a character similar to Jayalalitha. There are striking similarities in their ruthlessness.
It’s as if Mani Ratnam saw reflections of Nandini in Jayalalitha and vice versa. Like Nandhini in Jayalalitha or a Jayalalitha in Nandhini. But both are versions of Lady Macbeth considering their character shades.
That can be a reason why he picked Aishwarya for this role.
A scene in “Iruvar” where Kalpana (Aishwarya Rai) sows seeds of doubt in Anandan’s (Mohan Lal) mind is particularly reminiscent of Nandini’s manipulations.
She asked Anandan, “Who is bigger? An actor or a CM? Don’t you to wish to be the CM?“
Anandan thought about her question. He had never considered himself to be a competent to his friend Tamizhselvan. But Kalpana’s words made him wonder if he could be.
Fast forward 25 years, and the same Aishwarya Rai masterfully brings Nandini to life on screen with the same shades of Kalpana. Kalpana’s words were similar to what Nandhini had said to Pazhuvettarayar. Nandhini had charmed the elderly Pazhuvettarayar and planted the seeds of desire in him.
She had told him that Madurantakan should claim the throne, by that the power will always lies in Pazhuvettarayar.
But Nandhini had failed in her attempts unlike Kalpana.
This realisation & the guilt made her commit suicide.
Are you waiting for the latest OTT releases this week? From Kisi Ka Bhai Kisi Ka Jaan(Zee5) to Skull Island (Netflix). Thrillers, Documentary, Animes, Action…the list is long and diverse.
This week OTT Releases
Kondraal Paavam – Suspense Thriller with Compelling Performances
OTT Platform: Amazon Prime Directed by: Dayal Padmanabhan Cast: Varalaxmi Sarathkumar, Santhosh Pratap, Eswari Rao, Charle
Plot
Set against the backdrop of the 1980s, Kondraal Paavam is a gripping Tamil remake of the Kannada film ‘Aa Karaala Ratri’. The narrative revolves around a poverty-stricken family of three — Mallika (Varalaxmi Sarathkumar) and her parents (Eswari Rao and Charle). Their mundane lives take a turn when a mysterious visitor, Arjun (Santhosh Prathap), seeks shelter at their home for the night. A series of tense events unravel, as the movie brilliantly showcases the fallout of misdirected desires and its implications.
Why You Should Try
Director Dayal Padmanabhan establishes each character’s motives and backstory proficiently, leading to a better understanding of their actions and decisions in the latter part of the film.
A standout performance by Varalaxmi Sarathkumar as Mallika, a character with a moral grey area willing to do whatever it takes to escape the shackles of poverty.
Intriguing subplots, like the enigma around the character of Arjun, keep the audience hooked.
Kisi Ka Bhai Kisi Ki Jaan – A Mix of Salman Khan’s Trademark Action and Comedy
Remake of Tamil movie Veeram starring Ajith Kumar. Salman Khan, as Bhaijaan, is a single man who lives with his three adoptive brothers. Bhagyalaxmi’s entry complicates matters, and Bhaijaan’s potential in-laws are threatened. Bhaijaan takes matters into his own hands, and viewers are treated to traditional Salman Khan action with a comedic twist.
Why You Should Try:
Full of references to Salman Khan’s past movies, a treat for his fans.
Pooja Hegde’s charming and humorous portrayal of Bhagyalaxmi may entertain her fans.
Why You Should Skip:
Heavy reliance on Salman Khan’s star power with less emphasis on plot.
Missed opportunities to explore cultural differences and some humor may fall flat.
Action scenes might appear less impressive compared to recent action films.
Take Care of Maya – An Emotional Tangle of a Family’s Struggle
OTT Platform: Netflix Directed by: Henry Roosevelt Documentary Genre: Health, Family, Legal
Plot
“Take Care of Maya” is a harrowing Netflix documentary following the case of Maya Kowalski, a young girl admitted to a pediatric hospital in 2016 for extreme pain. She was kept in the hospital for three months under a state-issued shelter order, separated from her parents who were suspected of medical child abuse. This documentary explores the events and their aftermath, unfolding from the perspective of the Kowalskis, through court testimony, father’s recollections, and various records from Maya’s mother.
It sheds light on a critical issue involving medical child abuse suspicion and its effect on a family.
Provides a deep dive into a rare pain syndrome case and its related controversies.
The real-life story behind the documentary is engaging and heartbreaking.
Agent – A Predictable Spy Thriller without any Thrill
Agent is a spy thriller about an unlikely protagonist, Ramakrishna aka Rikki, who dreams of becoming a RAW agent. Despite his quirks and wild behavior, Rikki catches the attention of the RAW chief, Mahadev, who sends him on a mission to thwart the evil plans of a rogue ex-RAW agent. The film follows Rikki’s misadventures as he tries to save the day, with his love interest and unpredictable actions adding to the chaos.
OTT Platform: Amazon prime Directed by: Sai Kabir Cast: Avneet Kaur and Nawazuddin Siddiqui
Plot
The film was initially titled as “Divine Lovers”, with Irrfan Khan and Kangana Ranaut as main leads in 2016. Tiku, who looks at marriage as her escape to Mumbai from a local town to become an actress and Sheru, who has been working as a junior artist in the city for years. They get married and the comedy of errors for this couple starts.
Kerala Crime Files
OTT Platform: Disney Plus Hotstar Directed by: Ahammed Khabeer Cast: Aju Varghese, Lal, Navas Vallikkunnu, Sanju Sanichen
Plot
This is the first true thriller webseries from malayalam film industry & as per reports, it is based on true events.
A team of six policemen led by Sub-Inspector Manoj is on a chase to solve a murder in a suburban lodge room, with just one clue – a fake address, Shiju, Parayil Veedu, Neendakara, from a lodge register. As per the updates, ‘Kerala Crime Files’ consists of six episodes, 30 minutes each.
A middle-class family sees a brighter tomorrow when their son meets with a life-changing career opportunity. But this transition only unravels a web of trauma, raising poignant questions about wealth, power, and morality.
Secret Invasion
OTT Platform: Disney Plus Hotstar Directed by: Ali Selim Cast: Samuel L. Jackson, Emilia Clarke, Martin Freeman, Cobie Smulders
Plot
Nick Fury learns of a secret invasion of Earth by a faction of shapeshifting Skrulls; Fury joins his allies, and together they race against time to thwart an imminent Skrull invasion and save humanity.
I’m a Virgo
OTT Platform: Amazon Prime Directed by: Boots Riley Cast: Jharrel Jerome, Mike Epps & Walton Goggins
Plot
It’s a coming-of-age absurdist comedy tale about Cootie, a 13-foot-tall 19-year-old black man raised by his aunt Lafrancine and uncle Martisse in Oakland, California. He is shielded from the outside world until he is accidentally discovered by a group of teenage political activists.
Skull Island (Anime)
OTT Platform: Netflix Directed by: Brian Duffield Genre: Action, Adventure & Science fiction
Plot
A group of well-meaning explorers venture out to sea to rescue Annie from the ocean. In doing so, they find themselves shipwrecked on the perilous Skull Island. Together, they fight to survive the dangers of the mysterious isle, which is home to large creatures and terrifying monsters; including Kong. This is the fifth installment overall in the franchise.
Before I talk about the movie Siya, let me share some horrible incidents with you.
Siya Movie Poster from IMDB
Case – 1
On September 14, 2020, a case was registered at the Hathras police station in Uttar Pradesh, India, under number 194/2020. The victim was a 19-year-old Dalit woman who was gang-raped and brutally assaulted by four men from an influential family.
The four accused men dragged the victim into a field and gang-raped her. They also tried to strangle her to death. The victim was found lying unconscious in the field by some villagers. She was rushed to a hospital in Hathras.
A Scene from Siya
The police were able to record the victim’s statement on September 22(After the protest). She died on September 29, 2020.
On the night of September 29, at around 2:30 am, the victim was cremated by the Uttar Pradesh Police without the consent or knowledge of the victim’s family. Petrol was used for the cremation.
When the news initially broke through social media, the Agra Police, Hathras District Magistrate, and UP’s Information & Public Relations department dismissed it as “fake news.”
A video surfaced in which the Hathras District Magistrate can be seen pressuring the family to alter their statement. He was heard saying, “Don’t ruin your credibility. These media people will leave in a couple of days. Half have already left, the rest will leave in 2-3 days. We are the ones standing with you. Now it depends on you if you want to keep changing your testimony…”
Inhumane Actions For Defence
On October 2, the head of BJP’s IT cell, Amit Malviya, tweeted a video of the 19-year-old victim, revealing her face, allegedly violating Section 228A of the Indian Penal Code.
On October 4, Rajveer Singh Pehelwan, a former MLA of the Bharatiya Janata Party (BJP), organized a rally in support of the accused. The rally garnered hundreds of attendees, including family members of the four accused.
A BJP leader, Ranjeet Srivastava, claimed the accused were not guilty of the crime. He further questioned, “Such girls are found dead only in specific places. They are discovered in sugarcane, corn, and millet fields, or in bushes, gutters, or forests. Why are they never found dead in paddy or wheat fields?“
Another statement that drew fierce criticism came from BJP MLA Surendra Nath Singh, who suggested that “Sanskar should be instilled in girls to prevent incidents of rape.“
Reports from The Wire and other sources indicated that the Uttar Pradesh government engaged Concept PR, a Mumbai-based public relations firm. Allegedly, the PR firm released press statements on behalf of the government, asserting that the Hathras teenager was not raped.
Some Actions
The Hathras police arrested the four accused—Sandeep, Ramu, Lavkush, and Ravi—on charges of attempted murder and gang rape.
On March 2, 2023, the Hathras district court acquitted three of the four accused—Ramu, Luvkush, and Ravi. The fourth accused, Sandeep, was convicted of culpable homicide not amounting to murder (IPC Section 304) and offenses under the SC/ST Act. However, he was not found guilty of rape and murder, receiving a life imprisonment sentence along with a fine of ₹50,000.
The State government, led by Yogi Adityanath, and the district administration announced a compensation of ₹2.5 million (US$31,000) for the victim’s family. Additionally, they offered a junior assistant job to a family member. Furthermore, the family will be allocated a house in Hathras under the State Urban Development Agency (SUDA) scheme.
Case – 2
This is infamous 2017 Unnao Rape Case.
The 2017 Unnao rape case involved the gang rape and assault of a 17-year-old girl in Unnao, Uttar Pradesh, India. The incident occurred on June 4, 2017.
According to the victim’s statement, she was enticed by a woman named Shashi Singh, along with her son, Shubham Singh, and daughter, Nidhi Singh, to relocate to Kanpur with promises of securing a job.
On the night of June 11, 2017, she accompanied Shubham Singh and allegedly endured multiple instances of rape by him and his driver, Awdhesh Tiwari.
A scene from Siya
On June 21, 2017, 17 days later, the victim was found in a village in Auraiya district, Uttar Pradesh. She received medical treatment for her injuries at a hospital in Lucknow.
The police recorded her statement on June 22, but prevented her from identifying one of her assailants BJP MLA Kuldeep Singh Sengar.
Apr 3, 2018: Rape survivor’s father is beaten up by MLA’s brother and his goons.
Though both sides lodge complaints against each other, the police choose to arrest only her father and he is sent to judicial custody. Her father dies in police custody. The post-mortem report lists the cause of death to be “blood poisoning due to perforation of colon”. It also lists multiple injuries on his body.
Prior to his death, he accused Atul, the brother of Sengar, of leading the assault. However, no action was taken in response to this complaint at the time.
On April 8, 2018, the victim attempted self-immolation at the residence of Yogi Adityanath, the Chief Minister of Uttar Pradesh.
April 11, 2018: The victim and her family are confined to a hotel room on the pretext of protection, without water or electricity.
Getting Worse
April 12, 2018: Sengar, Atul Singh and their accomplices are arrested by the CBI.
April 14, 2018: The CBI makes a second arrest in the Unnao rape case . It takes into custody the woman who allegedly took the girl to Sengar on the day of the crime.
July 2, 2018: The uncle of the victim is convicted in a 19-year-old case of attempt to murder that had been filed by Atul Singh. He is sentenced to 10 years in prison by a district court.
July 28, 2018: A Rae Bareli truck-car collision leaves the girl and her lawyer critically injured. Two of the victim’s aunts are killed in the accident. The victim, who is battling for her life in a hospital in Lucknow with multiple fractures, head and chest injuries, and her lawyer are on ventilator support.
“Our MLA is innocent” on the wall & the victim is passing
On December 16, 2019, Sengar was found guilty of rape and sentenced to life imprisonment. His associates were also convicted and received varying prison terms.
Azadi ka Amrit Mahotsav
As we celebrate Azadi ka Amrit Mahotsav, marking 75 years of our independence, we find ourselves questioning the very essence of our freedom. Has it truly manifested? Can we truly call ourselves free when there is an evident shift of power from one oppressive regime to another? Britishers may have left us, but did they leave a vacuum only to be filled by illiterate criminals?
Who should we blame for this?
The responsibility, I believe, falls upon each one of us. We, the citizens of India, who possess the right to vote, have the right to choose who shall represent us and who shall guide us.
There’s a saying, “Politicians are like diapers; we should change them frequently, otherwise it stinks.” Well, power tends to corrupt, and absolute power corrupts absolutely. A truth that most of us have learned through life experiences, but do we act upon it?
Politics in our country seems to have become a playground for the criminals and oligarchs. Once an individual assumes a political position, they cling to power like a leech for their entire life.
South-North-West all same
States like Tamil Nadu, Telangana, West Bengal, Bihar and Karnataka all reflect the same issue:
Look at Tamil Nadu; one family has been ruling the state for years. Go to Telangana; one person is ruling the state like there is no alternative. Look at Karnataka; it’s either Siddharamaiyya or Yedyurappa. On the national level, we have dynasty politics, or ultra-right-wing politics.
Our collectivist culture, our admiration of heroism—it’s not wrong! But when it transforms into blind admiration and political slavery, we must recognise and correct it.
If you are a communist, no matter what, you try to defend the party. You want that party to be in power, no matter how corrupt or fascist they are.
If you are a BJP supporter, you don’t care who your CM is or what they do. You just want to see the saffron flag waving.
It’s not about the party we support or the colour of the flag we want to see waving. It’s about who represents us and shapes our future.
Remember the atrocities that have been committed under these ultimatums of power? The VYAPAM scandal (Over 40 deaths, still a mystery) or the Balrampur gang rape—the list goes on.
Just like in our Telugu movies, where the common man bows down to the hero, the “devudu”, we too find ourselves bowing to these politicians and bureaucrats, suffering their injustices.
Pooja Pandey as Siya
Siya – Untold story of 1000s of girls
Siya is Manish Mundra’s directorial debut, starring Pooja Pandey and Vineet Kumar Singh.
I am happy that I choose Siya over Adipurush today.
I believe Adhipurush is the past, and Siya is about my present and future.
Siya, a 17-year-old rape survivor, is being held captive and repeatedly abused by a group of powerful men. She had two options: “endure in silence” or “fight injustice bravely.” She chose the second option.
Siya decides to go against all odds and fight for justice. The film talks about how the police and politicians using their power to suppress the truth and oppress the oppressed.
Pooja Pandey, the lead character, beautifully plays her part as a simple, obedient, yet courageous woman. She doesn’t transform into a fiery fighter instantly; the character’s progression is remarkable.
Vineet Kumar Singh stands out as a modest lawyer who handles notary work and refuses to be intimidated by the police, providing strong support to Siya.
We need more directors like Manish Mundra. Here, don’t expect the usual one woman, one man spectacle heroism. It’s a mirror, not a screen.
You are about to witness the experiences of past victims that we discussed. How you and I let them suffer. How cruel our society is. Watch it and feel our shared guilt.
People in power often escape consequences, and yes, sometimes they do get caught, but by then, the victim may have lost everything.
Siya asks us a question:
What good is justice when neither the victim nor her family will live to see it served?
This 1 hour and 50-minute movie serves as a reminder. If a politician or bureaucrat could abuse your sister or kill your brother tomorrow, how would you fight?
Have you ever wondered how scriptwriters create characters? Do they start from scratch? What lenses do scriptwriters use when they watch movies? Here, we will do a mini-script analysis to understand this better. To do this, we will look at the theme (events), characters, and the plot. I will focus on the characters and events more.
A Scene from Thief (1981)
For the purpose, we are choosing Thief, a 1981 American neo-noir heist action thriller film directed and written by Michael Mann. The film is loosely based on The Home Invaders by Frank Hohimer.
Thief (1981) A Brief Summary
In this 1981 film, Thief, Frank is a jewel thief of unparalleled skill. He manages to keep his past hidden behind the façade of a successful businessman. He has two thriving businesses and a seemingly peaceful life, but is it all as serene as it appears?
A scene from Thief (1981)
Frank thinks he has everything figured out. But there is one thing missing from his life: a family. When he starts dating Jessie, a cashier, the missing piece seems to be falling into place.
But then, everything changes. Frank is double-crossed during one last job, a diamond heist. His fencer, Joe Gags, is brutally killed, and his share of the loot is stolen. He is betrayed by Leo, a mob boss who has been watching his every move.
From a thrilling diamond heist gone wrong, to a dangerous game of cat-and-mouse with vengeance, and an unexpected twist in his personal life, Frank’s world spirals into chaos. His trusted friend is murdered, his family is threatened, and everything he’s worked for is on the brink of ruin.
But Frank is not going down without a fight. A man with nothing to lose is the most dangerous kind. Armed with determination, a burning desire for revenge, and a whole lot of explosives, Frank is ready to burn his past to the ground and settle the score. He’s done playing by the rules. It’s time for the master thief to step out of the shadows.
A Perfect Script & A Well Written Character
Let’s analyse the script and try to understand how the screenwriter Michael Mann might have developed it. What might have been his thought process when he started developing the script about Frank?
Character Sketch
Frank is a complex character. He is a skilled thief with a hardened exterior, but he also has a desire for a simple, “normal” life. This desire for normalcy comes from his need for stability, which is likely a reaction to his tumultuous past and ongoing criminal activities.
A scene from Thief (1981)
He shows signs of trauma and post-traumatic stress disorder (PTSD) due to his past experiences in prison. He is hyper-vigilant, has recurring bouts of anger, and struggles with emotional intimacy. These experiences have also made him resilient and resourceful, but they have also made it difficult for him to trust others and let go of control.
Frank is an introverted individual who has adapted to survive in a world that demands extroversion. He is guarded, self-reliant, and meticulous in his work. He prefers solitude or the company of a select few. This could be a coping mechanism to manage his PTSD symptoms and control his environment.
Throughout the story, Frank goes on a journey of self-discovery and self-reconciliation. He is forced to confront his “shadow” (the hidden, darker aspects of his personality) and integrate it with his “persona” (the mask he presents to the world). This is a key part of his character arc.
Three Acts & Three Psychological Approaches
ACT ONE: Dissonance and Identity Crisis
In the first act, Frank aspires to live a normal life, indicating a clear cognitive dissonance between his personal identity and his occupational identity as a thief. This internal conflict plays a crucial role in driving the narrative and establishing the emotional tension in the film. This dissonance is a key driving force for the narrative and sets up the emotional tension.
Tuesday Weld as Jessie & James Caan as Frank from Thief (1981)
ACT TWO: Confrontation and Growth
In the second act of Thief, Frank’s inner conflict becomes too much to bear. After Leo betrays him, Frank’s dreams of a normal life are shattered. He is forced to face the reality of his criminal lifestyle.
A scene from Thief (1981)
Frank realises that he can’t have both. He can’t be a thief and have a normal life. This realisation is a turning point for Frank. It leads him to change his behaviour and attitude.
This confrontation can be related to thepsychoanalytic concept of ‘insight’. Frank’s confrontation with reality is a powerful moment of self-awareness. It propels him into the third act of the story.
Act Three: Resolution and Reconciliation
In the third act, Frank undergoes a transformation. He wants to escape his criminal past, so he embraces his “shadow” – the part of his personality that he had previously tried to suppress or deny. In Jungian psychology, confronting and accepting one’s shadow is a crucial step in achieving self-integration. Frank’s decision to quit his life of crime marks his journey towards reconciling his conflicting identities.
Frank’s narrative, from conflict through confrontation to resolution, mirrors a psychological journey that many individuals undertake when they confront uncomfortable truths about themselves.
Title Card
In Thief, this journey is not only an exploration of Frank’s character but also a wider commentary on identity, morality, and the potential for personal change.
Why A Must Watch?
Thief is one of the best “One Last Job” or “Double Life Rom-Com” movies I have ever seen. The scriptwriter did an excellent job of developing the characters, and I highly recommend this movie to anyone who loves to write.
Are you waiting for the latest OTT releases this week? From I Love You(Jio Cinema) to Black Clover: Sword of the Wizard King (Netflix). Thrillers, Romance, Animes, Action…the list is long and diverse.
OTT Releases This Week
1. I Love You – A Twisted Tale of Love and Revenge
“I Love You,” directed by Nikhil Mahajan, known for his successful Marathi film “Godavari,” is an unconventional romantic thriller that promises to defy expectations. The plot revolves around Satya Prabhakar (Rakul Preet Singh), an independent working woman in Mumbai, whose life takes a drastic turn just when she decides to advance her relationship with her love interest. As the story unfolds, it takes the audience on a thrilling journey of revenge and justice that Satya seeks.
The trailer, already captivating the viewers, introduces a complex love triangle involving Satya, Pavail Gulati, and Akshay Oberoi’s characters. As the tale progresses, it uncovers a web of betrayal and murder that hints at an exciting and suspense-filled narrative that challenges conventional notions of love stories.
2. Tamilarasan – ‘Paasam’ filled with Courage and Justice
OTT Platform: Zee5 (Tamil) Directed by: Babu Yogeswaran Cast: Vijay Antony, Suresh Gopi, Sonu Sood, Remya Nambeesan
Tamilarasan zee5 trailer
Plot Synopsis
Tamilarasan (Vijay Antony), a dedicated cop, and his wife Leena (Remya Nambeesan) are hit with a heavy blow when they learn that their son Prabhakar (Pranav Mohan) has a weak heart that requires an immediate transplant. However, the hospital where they admit him prioritizes profits over patients, making Prabhakar’s life a low concern. This infuriates Tamilarasan, who takes heart specialist Dr. Muruganantham (Suresh Gopi) hostage to ensure his son’s treatment. All the while, his corrupt superior Rana Pratap Singh (Sonu Sood) is eager to bring him down. The film follows Tamilarasan’s desperate struggle to save his son, battling a system steeped in greed and corruption.
Why You Should Try
The performances by Vijay Antony and Suresh Gopi, along with the supporting cast, add to the intense and dramatic narrative. The movie’s attempt to address issues like medical corruption and the importance of organ transplantation, although not without flaws, offers food for thought.
Why You Should Skip
The movie is stuffed with melo-drama. Some of the serious scenes might seem funny by accident, and the movie doesn’t do enough research on organ transplantation, which makes the story less believable.The movie also suffers from an underdeveloped script and a lack of character depth.
3. Kandahar – An Underwhelming Journey Through Hostile Territory
OTT Platform: Amazon Prime (English) Directed by: Ric Roman Waugh Cast: Gerard Butler, Ali Fazal, Navid Negahban, Bahador Foladi
Kandahar trailer
Plot Synopsis
The plot follows the adrenaline-fueled journey of undercover CIA operative, Tom Harris (Gerard Butler), whose mission in the hostile territory of Afghanistan takes a dangerous turn when an intelligence leak exposes his identity. He must navigate through perilous obstacles to an extraction point in Kandahar, avoiding an elite special forces unit out to get him. Ali Fazal plays the role of Kahil, involved in a dangerous game of cat and mouse with Butler’s character.
Why You Should Try
It is based on the true events from the life of a former military intelligence officer. If you are a fan of Gerard Butler or Ali Fazal, their performances might be a reason to give this film a try. The film’s brilliant cinematography and the gripping narrative, drawing inspiration from real-life events, could provide an exciting cinematic journey.
Why You Should Skip
Despite its promising premise, Kandahar seems to have fallen short of delivering a thrilling action film. The film also brings up social issues, such as the oppression of women, but fails to address them meaningfully, which may frustrate viewers seeking a deeper narrative. Kandahar’s Western saviour narrative may seem uninspired and xenophobic. This film might not be for those seeking fresh, compelling narratives or exciting action sequences in the genre.
4. Extraction 2 – The Return of the Rake: No Boundaries, No Mercy
Platform: Netflix (English) Director: Sam Hargrave Main Cast: Chris Hemsworth, Golshifteh Farahani, Adam Bessa
Extraction 2 trailer
Plot Summary
Extraction 2, the much-anticipated sequel to Netflix’s 2020 hit, brings back the formidable mercenary Tyler Rake, played by Chris Hemsworth. This time, Rake must rescue a Georgian gangster’s family from a foreign prison.
Aiming to deepen Rake’s backstory, the sequel introduces new characters and offers more insight into Rake’s motivations. The film promises high-octane action, including a stunning 21-minute escape scene featuring Hemsworth himself. Director Sam Hargrave raves about Hemsworth’s commitment to his role, commending his physical and emotional performances.
5. Shaitan – A Bold Take on Survival and Crime
Shaitan Trailer
OTT Platform: Disney+ Hotstar (Telugu) Directed by: Mahi V Raghav Cast: Rishi, Shelly, Deviyani, Jaffer Sadiq, Ravi Kale, Lenaa
Plot Synopsis
Shaitan focuses on a family of four struggling to survive in the toughest conditions. Each family member resorts to a life of crime, which they see as a means of survival. The series paints an unfiltered picture of the socio-political circumstances that trigger Bali, the head of the family, into a world of crime. The rise and fall of this criminal family form the crux of this gripping Telugu crime drama.
Why You Should Try
Shaitan may appeal to those who appreciate intense crime dramas that shed light on the darker aspects of society.
Why You Should Skip
Shaitan is filled with explicit content, strong language, and graphic violence, making it unsuitable for sensitive viewers. It pushes boundaries with its bold scenes and disturbing elements, which might not appeal to everyone.
6. Farhana – A Tale of Empowerment Amidst Struggles
OTT Platform: SonyLiv (Multi-Audio) Directed by: Nelson Venkatesan Cast: Aishwarya Rajesh, Selvaraghavan, Jithan Ramesh, Anumol, Aishwarya Dutta
Farhana Trailer
Plot Synopsis
Farhana (Aishwarya Rajesh), a Muslim woman from a conservative family, starts working due to financial difficulties. She ends up in a job that involves talking to desperate men seeking female companionship. Over time, she grows comfortable with the work, as it improves her family’s living conditions. Things spiral out of control when she breaks company rules and tries to meet a frequent caller.
Why You Should Try
Farhana is an intriguing drama that highlights empowerment and the freedom of choice. Aishwarya Rajesh delivers a standout performance, bolstered by a nuanced script and strong supporting cast. The film creatively employs symbolism and parallels, making it a thought-provoking watch. Its suspenseful narrative and the impactful portrayal of a woman’s fight against societal norms could be engaging for many viewers.
Why You Should Skip
Farhana might not suit everyone due to its pacing issues and some plot points that might stir controversy. Some scenes and dialogues may unintentionally evoke laughter, and the hurried climax might not satisfy everyone. If you are uncomfortable with the depiction of certain regressive societal viewpoints or prefer a lighter narrative, Farhana may not be your cup of tea.
7. Bichagadu 2 (Pichaikkaran 2)
OTT Platform: Disney + Hotstar (Telugu) Director, Music Director, Editor: Vijay Antony Cast: Vijay Antony, John Vijay & Kavya Thapar
Bichagadu 2 Trailer
Plot Synopsis
In Bichagadu 2, Vijay Antony takes on the roles of a billionaire named Vijay Gurumoorthy and a beggar named Sathya. The story twists when Sathya, with a hard past, is a victim of an illegal brain transplant that forces him into the life of a billionaire.
Why You Should Try
The film tries to build a new narrative using the original movie’s framework, which might appeal to fans of the first instalment.
Why You Should Skip
The movie falls short due to its lackluster storyline and simplistic treatment of a classic double-action trope. The supporting characters, action scenes, and songs are forgettable, diminishing the overall impact.
8. Raavana Kottam – Clash of Castes, Clash of Ideals
OTT Platform: Amazon Prime (Tamil) Directed by: Vikram Sugumaran Cast: Shanthnu Bhagyaraj, Prabhu, Anandhi, Sanjay Saravanan
Raavana Kottam Trailer
Plot Synopsis
Raavana Kottam is set in Ramnad district where the village is divided into Meltheru and Keezhtheru, both living peacefully due to the influence of respected villager Chandrabose (Prabhu) and his son Sengu (Shanthnu). Sengu’s love for Indhira (Anandhi) creates tension between Meltheru and Keezhtheru, leading to the destruction of their harmony. This clash is further exploited by politicians for their gain. The film ends on an emotional note, highlighting the exploitation of innocent villagers by power-hungry politicians.
Why You Should Try
The film stands out for its socio-political narrative that deals with caste politics, water scarcity, and corporate mafia. Shanthnu’s performance is commendable, and he tries to hold the film singlehandedly. The landscape of the Ramnad district is beautifully captured.
Why You Should Skip
Raavana Kottam has its flaws, with a lack of depth and impact being major ones. The humour falls flat, and the film suffers from one-dimensional characters. The narrative is not powerful enough to hold your attention throughout. If you prefer movies with well-rounded characters and a strong, focused storyline, Raavana Kottam might disappoint you.
9. Jee Karda – A Tale of Love, Friendship, and Understanding
OTT Platform: Amazon Prime (Hindi) Directed by: Arunima Sharma Cast: Tamannaah Bhatia, Suhail Nayyar, Aashim Gulati
Jee Karda Trailer
Plot Synopsis
Set amidst a group of seven childhood friends, Jee Karda is a tale of love, friendship, and unexpected realisations. At present, two of the friends decide to get married, but they start to realise that they might not be in love after all. The movie follows them as they deal with the challenges of their relationship and try to figure out what they really want.
Why You Should Try
Last week, Tamannaah was trending on Twitter.I believe Tamannaah Bhatia and Suhail Nayyar are the biggest reasons to watch this movie. The movie is trying to explore the complicated love-friendship spectrum of urban couples.
Why You Should Skip
If you are looking for an intense drama or a great romantic movie, Jee Karda might not cater to your taste. The movie’s deep focus on the celebration of friendships and romantic relationships, and the lack of depth in characters or plot elements might not be okay with all viewers. If you love dramas like Tu Jhoothi Main Makkaar Go for it, or else skip it.
10. Black Clover: Sword of the Wizard King
OTT Platform: Netflix Directed by: Ayataka Tanemura
Black Clover: Sword of the Wizard King Trailer
Plot Synopsis
Black Clover: Sword of the Wizard King is a highly anticipated film in the Black Clover franchise, following the hit anime series. Set to unravel an all-new story, the film brings viewers back to the Clover Kingdom after a hiatus since the season four finale.
The protagonist, Asta, will encounter the former Wizard King and a host of new and familiar characters. Although the storyline details are currently under wraps, fans can anticipate thrilling battles and stunning animation.
The original manga creator Yūki Tabata is serving as the movie’s chief supervisor and original character designer. Key members of the television anime staff will be returning for the film, under the direction of Ayataka Tanemura. The film will boast of character designs by Itsuko Takeda and music composition by Minako Seki.
Have you ever witnessed a crime that changed your life forever? Imagine finding yourself trapped in a deadly game of cat and mouse, pursued by ruthless criminals. What would you do to survive? The South African action thriller Hunting Emma directed by Byron Davis is about such an incident.
Leandie du Randt as Emma
A Teacher, A Drug Lord , A Crime & A Past
Emma le Roux, a pacifist kindergarten teacher, starts a trip to visit her father in the Karoo region. However, her journey takes a dark turn when she becomes an inadvertent witness to a horrifying crime. Suddenly, Emma finds herself in grave danger, caught between the criminals and her own will to survive.
A drug syndicate, led by the menacing Bosman (Neels van Jaarsveld), is attempting to transport a cache of drugs along the road. The group, consisting of his henchmen Baz and Jay, as well as AJ and Boela, two rich boys seeking notoriety, and Bosman’s nervous cousin Piet, crosses paths with Emma.
As the criminals close in on her, Emma’s peaceful nature gives way to a fierce determination. She taps into the skills her ex-Special Forces Commando father instilled in her during years of training. Emma transforms from a pacifist into a force to be reckoned with, willing to do whatever it takes to survive.
Get ready for a deadly game of cat and mouse.
Leandie du Randt: Woman On Fire
Despite a small budget and lesser-known actors, Hunting Emma strikes gold with its performances. Leandie du Randt, in the lead role of Emma, delivers an intensely believable performance.
There is nothing new about the plot: A History of Violence, No Country for Old Men, Nobody, Man on Fire, Taken, Equaliser, Maria (2019), and Man from Nowhere—all these films use the same template. Even the recent Indian films Vikram and Kaithi follow the same structure.
They feature a compelling character with a unique set of skills who is often brought out of retirement or their peaceful existence to confront some form of injustice.
They follow a familiar formula: a protagonist with a past, a catalyst for action (often an injustice suffered by the protagonist or their loved ones), and a subsequent series of escalating confrontations culminating in a cathartic resolution.
The repetitive use of this formula doesn’t lessen its appeal. That’s the beauty of this template. Why?
Psychology Behind This Template
Here, the heroes are not one-dimensional; they carry emotional baggage, past regrets, and personal demons, just like real people do. Watching them confront and overcome their past as they struggle against the external threat can be very satisfying for audiences.
Catharsis: In modern psychology, this has been associated with the idea of emotional release and the benefit of expressing emotions. The intense situations and violent encounters in these films can provide a form of vicarious catharsis for audiences, offering a sense of relief or even exhilaration.
From the perspective of a scriptwriter, these patterns serve both practical and artistic purposes. On the practical side, they provide a structure that guides the progression of the narrative, helps maintain tension and pace, and keeps audiences engaged.
On the artistic side, these patterns allow writers to explore different facets of a character’s personality, their moral and ethical boundaries, and how they evolve over the course of the narrative.
Script writer Deon Meyer did an excellent job considering this aspect.
Why Hunting Emma is a Must Watch!
So, Hunting Emma got a tick for all the above reasons, and I highly recommend it for you.
Hunting Emma is a unique blend of intense action, suspense, and character development.
The film takes us on a thrilling ride through the South African wilderness, showcasing both the beauty of the landscape and the depths of human determination. Great work from cinematographer William Collinson.
If you’re tired of the same old Hollywood blockbusters and you’re open to trying something new, then this South African Thriller might be the breath of fresh air you need.
So, are you ready to try a thriller from the other side of the world? Are you going to give Hunting Emma a watch? Let me know in the comments!
What’s the big advantage of making a thriller film like Por Thozhilas a debutant, especially a homicide thriller? You might think it’s the heart-pounding suspense or the dark and mysterious aesthetics.
Title Card: Por Thozhil
But from a scriptwriter’s perspective, the real charm lies in its easiness. If you have a solid “whodunit” hook and a twist in the end, you need only to ensure a smooth investigation filled with a few impressive moments. For debutant directors, it’s a surefire strategy. and there you have it. A recipe for minimum an above average status.
And that’s where Por Thozhil fits in. It’s a murder mystery that plays safe, sticking to the tried-and-tested formula.
It’s thrilling, engaging and, above all, familiar. But is that necessarily a bad thing? Not at all!
Familiar Grounds, Engaging Watch
Pick any classic homicide thriller and you’ll start seeing a pattern.
The detective often wrestles with personal loss, chronic illness, or a haunting past. He then stumbles upon an extraordinary case, perhaps involving a serial killer or a brutal murder. The movie ends with a twist; the detective overcomes his struggles; sometimes, the audience sympathises with the killer. While most cases end happily, occasionally the detective loses his life or his partner. There are outstanding exceptions like Chinatown or Memories of Murder. (Read why ‘Memories Of Muder is different here.)
Por Thozhil doesn’t deviate from this blueprint. And although this might sound repetitive, the real magic happens in the journey from the start to the finish. That’s where the storyteller can truly make a mark.
From the classic ‘Silence of the Lambs’ to the recent Malayalam thriller ‘Kooman,’ the difference lies in the journey – the route it takes from the departure point to the destination.
However, Por Thozhil doesn’t break new ground. It embraces the cliched template, with several elements reminiscent of countless other detective thrillers. Nikhila Vimal’s character, buddy cop frustrations, mentor cop arrogance, serial killer, and the ending twist are all elements borrowed from a hundred other detective thrillers.
Falling Short of Convincing: The Local Flavour is Missing
One downside of Por Thozhil is that it misses out on the local flavour. The serial killer’s backstory would make more sense in countries with lower population densities( 32/sq.km), like Canada or Australia but in Tamil Nadu with 555 people in a square kilometer, it’s not that convincing.
Why are our filmmakers fixated on these Western-style plotlines?
Why not develop detective thrillers that resonate with our culture, demographics, and geography?
The last time I felt like I was watching an authentic Indian detective thriller was ‘Joseph’, not a mere adaptation of a foreign thriller. Even Ila Veezha Poonchira and Kooman were succesful in adding the local flavour and serving it as a genuine Indian Thriller.
Thrills and Chills: It’s All About the Unravelling
Another bone I have to pick with Por Thozhil is how the narrative unfolds.
It seems as if the clues chase the detective, rather than the other way around. This takes away from the excitement or “got omething new” moment that should naturally come with a thriller.
For example, when you watch the Malayalam thriller ‘Memories’, you will find many occasions where the detective brilliantly did some outside-the-box thinking without his super-computer brain, which can remember and recall everything (like in Por Thozhil).
There’s a scene towards the end where Prakash (Asok Selvan) decodes a ‘who’ in a coffee shop. For me, this was one of the most superficial decodings I’ve ever seen.
The lack of an intensive, painstaking investigative process can make the narrative feel a bit superficial and detracts from the immersive viewing experience.
Por Thozhil Cast: The Saving Grace
Despite the movie’s shortcomings, the performances shine. Sarath Kumar is spectacular as the senior cop. Ashok Selvan’s portrayal of Prakash, the rookie officer, also deserves applause.
Sarath Kumar as Loganathan
Prakash (Ashok Selvan) is a newbie, and initially, Sarath Kumar has little hope or trust in him. There’s a scene where Prakash determines the time of death by measuring the brain temperature of the dead body (If you watch thrillers, nothing new in the method). Sarath Kumar’s subtle reaction beautifully conveys a sense of pride, a kind of “Paravayilley” reaction.
Asok Selvan as Prakash
Sharath Kumar mesmerised me with his effortless acting and the subtle reactions throughout the movie.
The casting of late actor Sarath Babu is another highlight. His portrayal of the vulnerable and guilt-ridden antagonist brings a sense of realism to his character.
Nikhila Vimal, however, has room for improvement.I didn’t see the character Veena in the film; instead, I saw Nikhila Vimal playing a supporting role to Sarath Kumar.
Nikhila Vimal as Veena
There’s another character I want to mention, but that might be a spoiler. The casting could have been better there as well. It wasn’t convincing considering body language, reaction, or emotional appeal.
My Suggestion
For debutant director Vignesh Raja, Por Thozhil seems like a safe bet. His clever blend of elements works for a mainstream audience, making the movie a passable watch for fans of the genre. Despite some missteps, the film is a testament to his potential as a promising filmmaker.
It’s not groundbreaking, but it still manages to be an entertaining watch. The actors, especially Sarath Kumar and Ashok Selvan, do a fine job. If you’re in the mood for a decent detective thriller, Por Thozhil might be just the ticket.
Are you curious on what are the latest OTT releases this week? From Mollywood’s biggest blockbuster 2018 (Sony Liv) to Jio Cinema exclusive Bloody daddy, the list is long.
Set against the backdrop of the Kerala floods of 2018, “2018 – Everyone is a Hero” is a heart-rending tale of resilience and unity that emerges in times of adversity.
It recounts the story of ordinary individuals rising to become everyday heroes, driven by the collective will to survive and rebuild. It’s the highest grosser in Malayalam film industry.
Why You Should Try
The gripping narrative, interspersed with authentic performances by Kunchacko Boban, Asif Ali, Tovino Thomas, brings forth a rare portrayal of human spirit and unity. The film’s exploration of ordinary individuals’ heroism in extraordinary circumstances serves as an inspiring watch.
Why You Should Skip
If clichéd melodramas are not to your liking, you might find certain aspects of the movie predictable & cringe. A slower pace in the first half, along with some unexplored political and social aspects, could hinder your viewing experience.
Custody is a thrilling action narrative set in the 90s. The story revolves around Shiva (Naga Chaitanya), an upright police constable caught in a web of duty and dilemmas. His mission to escort a dangerous criminal, Raju (Arvind Swami), to court while dodging the corrupt police officer IG Nataraj (Sharat Kumar) and the entire state police force forms the core of the plot. Adding a twist to his life is his love interest, Revathi (Krithi Shetty), whom he plans to elope with.
Why You Should Try
Director Venkat Prabhu skillfully blends humor, thrills, and unexpected plot twists to craft an engaging cinematic ride. Strong performances by the lead cast, particularly Arvind Swami, bring depth to their characters, and the film’s ability to portray unexpected elements of humor even in tense moments makes it worth watching. The surprise star-studded cameos further add to the excitement.
Why You Should Skip
Despite its intriguing plot, the film struggles with pacing issues and a certain predictability. The attempts at exploring emotional backstories feel clichéd, and some performances, while good, lack depth. If you’re expecting a nail-biting thriller, you might be disappointed with the film’s slower pace and underwhelming action sequences.
Set against the backdrop of a typical Indian middle-class life, Kudimahaan is an intriguing and hilarious tale of a teetotaller turning into an alcoholic due to a rare medical condition. The movie focuses on the ensuing chaos and hilarity, as well as the man’s attempts to deal with this unpredictable twist in his life.
Why You Should Try
The movie offers an engaging blend of humor and genuine human emotions, brought to life by standout performances from Vijay Sivan, Chandini Tamilarasan, and Suresh Chakravarthy. It’s a light-hearted portrayal of ordinary people dealing with extraordinary circumstances. The narrative’s absurd humor and strong emotional undercurrent make it an entertaining watch. Director Prakash N manages to keep the audience engaged throughout with clever storytelling techniques and witty dialogues.
Why You Should Skip
If you are not a fan of situational comedies or prefer intense, action-packed dramas, Kudimahaan might not be your cup of tea. The film’s focus on humor, sometimes at the cost of a coherent plot, might come across as uneven for some viewers. Also, the sudden influx of new characters in the second half, and the seeming disconnect from the first half, may cause a disruption in the narrative flow.
Adai Mazhai Kaalam (Netflix)
Release Date: Jan 26, 2023 Directed by: Karthik Shamalan Language: Tamil, Malaysia Cast: Evarani, Jaykishen, Thia Lakshana
Adai Mazhai Kalam Trailer
Plot Synopsis
“Adai Mazhai Kaalam” traces the journey of Suriyan, a young man navigating the tumultuous terrain of love and relationships. The story unfolds as he embarks on a quest for unrequited love, with Chandra illuminating his path with her wisdom.
Why You Should Try
This emotional saga comes to life with noteworthy performances from Loga Varman and Thia Lakshana. The movie blends comical and emotional sequences adeptly, presenting an engaging narrative. It explores the complexities of love, self-discovery, and relationships, offering a thought-provoking perspective.
Why You Should Skip
The film might feel overwhelming if you’re not in the mood for an emotional rollercoaster. The intricate exploration of themes might require your full attention, and if you’re looking for light-hearted entertainment, this might not be your go-to choice.
UP 65 (Jio Cinema)
Release Date: Jun 8, 2023 Directed by: Gaganjeet Singh Language: Hindi Cast: Shine Pandey, Pritam Jaiswal, Rishabh Jaiswal
https://www.youtube.com/watch?v=hY36ThsGvoo
UP 65 Trailer
Plot Synopsis
“UP 65” is a series based on Nikhil Sachan’s hit novel, presenting a vibrant and heartwarming picture of college life at IIT Varanasi. The series follows a group of friends and their exploits during their college years, filled with friendship, romance, and the ups and downs of student life.
Why You Should Try
The series promises to take you back to the golden days of college, as the protagonists navigate through the excitement and challenges of student life. It’s a relatable and entertaining narrative, aimed at sparking nostalgia and making viewers relive their own experiences. With its setting in the lively city of Banaras, viewers will have the chance to experience a unique cultural backdrop and the local charm of the city.
Why You Should Skip
Those who do not resonate with college-themed dramas or who are looking for a more mature or serious narrative may not find this series appealing. The series seems to focus more on showcasing the lighter and fun aspects of college life, and may not delve deeper into the more emotional aspects of the transition to adulthood.
Bloody Daddy (Jio Cinema)
Release Date: Jun 8, 2023 Directed by: Ali Abbas Zafar Language: Hindi Cast: Shahid Kapoor, Amy Aela, Ankur Bhatia
https://www.youtube.com/watch?v=O1vDPCGygkQ
Bloody Daddy Trailer
Plot Synopsis
“Bloody Daddy,” directed by Ali Abbas Zafar and starring Shahid Kapoor, follows the thrilling story of an NCB officer on a mission to save his son from a drug lord. This intense drama unfolds with unexpected turns as the officer finds himself in the midst of a web of complications.
Why You Should Try
“Bloody Daddy” promises high-stakes action and an engaging narrative as the protagonist battles against all odds to protect his son. Shahid Kapoor’s performance is highly anticipated, with a portrayal that seems to showcase his versatility as an actor. Fans of intense action thrillers, especially those with a heart-wrenching personal narrative, may find this movie particularly exciting.
Why You Should Skip
If you’re not a fan of violent action sequences or intense crime dramas, “Bloody Daddy” might not be your cup of tea. The film seems to center heavily around a cat-and-mouse chase, which could be seen as repetitive or less appealing to those seeking a more varied or intricate plot.
It’s a remake of the French film “Sleepless Nights”, which was previously made into the Tamil film Thoongaa Vanam, starring Kamal Haasan. Original is always original, try that instead.
#Mentoo (Aha)
Release Date: May 26, 2023 Directed by: Srikanth G Reddy Language: Telugu Cast: Riya Suman, Brahmaji, Naresh Agastya
#Mentoo Aha Trailer
Plot Synopsis
“Men Too”, with stars like Naresh Agastya, Kaushik Ghantasala, and Brahmaji, spins a compelling narrative about the rarely-addressed struggles men face. Aditya (Naresh Agastya), Sanju (Kaushik Ghantasala), and Munna (Mourya Siddavaram) are friends seen frequenting the ‘Stags Only’ pub. Their routine takes a turn when they encounter Rahul (Harsha Chemudu), an IT professional ousted over accusations of sexual misconduct. Rahul’s subsequent decisions shock everyone. Did Rahul really commit what he’s accused of? What unfolds next? The movie unravels these questions.
Why You Might Want to Watch
Naresh Agastya, once again, proves his versatility with his commendable portrayal of Aditya. Mourya’s portrayal of Munna, a mechanic with strong opinions about women, adds a humorous flavour. Harsha Chemudu leaves a mark with a significant role, despite limited screen time. The film’s humor, compelling dialogues, and notable visuals and music, particularly in the first half, make for an engaging watch.
Why You Might Want to Skip
If one expects an exploration of serious issues with light-hearted humor, the movie might disappoint. The director, Srikanth G Reddy, falls short of effectively showcasing men’s struggles through the lens of humour. The characters’ backstories are not particularly engaging and the motives for some actions, like the reason for Aditya and Tara’s break, appear trivial. The movie’s key theme isn’t adequately addressed in the second half and the music falls flat. Female characters seem underutilized, and some characters, like those of Brahmaji and Sudarshan, could have been fleshed out better.
Kudimahaan, now streaming on Amazon Prime, is a unique comedy-drama directed by Prakash N, who won the runner- up title for his short film Kutti Dhadha at the Naalaiya Iyakkunar Season -6 reality show. Prakash adapted his Kutty Dhadha into a fulllength feature film, and that is Kudimahaan (2023).
Based on real incidents: Kudimahaan title
Who is Kudimahaan & What’s his Story?
Kudimahaan is the story of a teetotaller middle-class family man. Whose life gets turned on its head due to an unexpected twist of fate. Mathi, our hero, works with an ATM replenishment agency. With a salary of 15,000 INR, he is leading a family of 4. He leads a simple and responsible life, fulfilling the needs of his family, including his father, who has a history of alcoholism.
But what if I told you that his life goes on a roller coaster ride, not because of any external pressure, but due to an odd medical condition?
This condition is so peculiar that it creates a role reversal, with Mathi, who has never tasted alcohol in his life, turning into a drunk, while his alcoholic father turns sober (because of a love affair 😉). Can you imagine the chaos that ensues in his life due to this?
How will Mathi manage his job while dealing with this strange disorder? How will his family react to this sudden and bizarre change in his behaviour? And importantly, how does this affect his struggle to fulfill his responsibilities towards his family? These questions form the crux of the storyline of Kudimahaan.
What happens next in Mathi’s life is something that will leave you entertained, perplexed, and curious, all at the same time. It’s this compelling thread of curiosity that weaves the story of Kudimahaan.
Why you Should Watch This Movie?
What makes Kudimahaan special is not only the story but also the freshness in casting. This movie is filled with some new faces. Their performances will definitely make you laugh. But remember that this movie is not a laughing riot; rather, it’s mostly filled with dark humour. This is my simple reason why you should give it a try.
Chandini Tamilarasan, Suresh Chakravarthy and Vijay Sivan in Kudimahaan
Vijay Sivan, who plays the lead role, does a great job showing us the life of an ordinary guy facing some crazy problems. He switches from a guy who never drinks to someone who can’t help it, and he does it really well. He keeps his acting simple and real, just like Biju Menon, using his eyes more than anything else to show us what he’s feeling.
Chandini Tamilarasan, as the dutiful wife Pavithra, stands out even in the limited scenes she’s in. She keeps her acting honest and matches up well with Vijay.
Suresh Chakravarthy gets to have all the fun playing Mathi’s dad. He’s a guy who doesn’t care what anyone thinks and just lives life his way. He keeps us laughing throughout the movie.
Namo Narayanan comes in later in the movie and adds more comedy. He’s good at making funny situations even funnier.
Last But Not Least
The director, Prakash N, has done a commendable job of keeping us invested in the movie. He told an unusual story from a new angle, using dark humour to address the serious parts. He is truly talented in getting genuine performances from his actors.
The movie is technically sound as well. Meyyandiran’s cinematography captured the subtle emotions and the everyday yet special moments of life. Shibu Neel’s editing kept the film’s pace engaging and prevented it from becoming monotonous. Tanuj Menon’s music could have been a little more impactful, but it does not detract much from the overall film.
All in all, the cast and crew of Kudimahaan have come together to create a memorable cinematic experience.
They turned an ordinary story into an extraordinary one with their combined skills and dedicated performances.
It’s actually a perfect example of collaboration, and I recommend this movie to all film aspirants.
