Constable Kanakam: Season 1 Review & Explained

Constable Kanakam streaming on ETV Win, directed by Prasanth Kumar Dimmala starts with a promising idea — a rural village near a mysterious forest, a series of missing girls, and a constable (Varsha Bollamma) trying to connect the dots. The story thread is genuinely gripping, with the right mix of folklore, temple traditions, and a murder mystery that builds well towards a solid ending. Here is my detailed review of Constable Kanakam starring Varsha Bollamma.

title card of constable kanakam

Overused Templates & Poor Execution

“A serial killer with a childhood trauma” – oh, not again!!!! Unfortunately, that’s what waiting for you in Constable Kanakam.

The making is below average, with poor CGI & cliched lazy writing that breaks the immersion. Character establishments feel cliched, and the psycho backstory with childhood trauma is something we’ve seen too many times before. The attempts at showing women empowerment are there, but instead of feeling natural, they look force-fitted and artificial.

climax scene constable kanakam

Technicals & Performances

Cinematography (Sriram Mukkapati)
The camera work is neat, especially in capturing the rural landscapes, temple shots, and forest sequences. The visuals create the right mood for a village mystery, even when the making elsewhere feels average.

Editing (Madhav Kumar Gullapalli)
One of the strongest aspects of the series. The pacing is sharp, transitions are smooth, and even the reveal sequences are stitched well. Without this editing, the show could have felt much slower.

Music (Suresh Bobbili)
The background score feels familiar, often reminding us of Saripodhaa Sanivaaram OST. Instead of bringing originality, the music leans heavily on cinematic tropes. It supports the scenes but no freshness.

Performances

Varsha Bollamma is impressive, balancing innocence and determination in her role as Kanakamahalakshmi.

varsha bollamma & Rajiv Kanakal in a  scene constable kanakam

Srinivas Avasarala plays the president with controlled menace, good presentations at the climax portions.

Rajeev Kanakala once again slips into the zone of a helpless man, but his overused expressions make it feel repetitive.

The supporting cast — Ramana Bhargava, Megha Lekha, Sunny Naveen — are serviceable but don’t leave a lasting mark.

Constable Kanakam Explained (Spoilers Ahead)

For those who want the full breakdown — here’s the story in detail:

Adavigutta, Constable Kanakam and Missing Cases

Kanakamahalakshmi (Varsha Bollamma) works as a constable in a small village that sits on the edge of the dense Adavigutta forest.

The place is steeped in old beliefs and is watched over by a centuries-old temple, where the respected village president also holds authority. But beneath the quiet rural life — young girls keep going missing, villagers believe there is something wrong with Adavigutta.

When Kanakam’s best friend Chandrika disappears, Kanakam realises this is no ordinary case. She decides to dig deeper, uncovering secrets buried in both the forest and the faith that governs the village.

What do crows and Sanjeevani sticks have to do with it?

On her night duty at the Adavigutta checkpost, Kanakam notices an unusual number of crows circling the area. She learns that their nests hide Sanjeevani sticks, rare items linked to old rituals. Someone has been cutting down these nests, collecting the sticks, and using them for tantrik practices.

The deeper she looks, the clearer the pattern becomes. Every time a girl disappears from the village, it’s a full moon day. The time when such tantrik is believed to be most powerful.

This realisation shifts the case completely. It’s no longer just about missing girls — Kanakam is staring at a connection between black magic, missing case of Chandrika, and Adavigutta’s secrets.

Who is the man with the Trishul tattoo?

A witness says he saw a man doing black magic in Adavigutta forest, and on his back was a Trishul tattoo. Kanakam starts chasing this lead. First, she meets the old tattoo artist Bakthuraalamma, asking if she ever drew such a tattoo. The old woman denies it straight away.

Next, Kanakam checks a villager covered in tattoos from head to toe — but he doesn’t have the Trishul either. Still restless, she goes to the jatra festival, because that’s when most men walk shirtless. She scans the crowd, but again finds nothing.

Just when it feels like a dead end, something catches her eye — a snake coiled around a Trishul. The image rings a bell. She remembers seeing the exact same picture once in a doctor’s file back in the village.

Who Is Vikram Singh? Is he the Killer?

The file belongs to Dr.Hanumanth Rao, who redirects her to Vikram Singh, an ex-military man in Delhi.

Vikram explains that after surviving a terrorist attack at Kedarnath, his 25-member unit all got Trishul tattoos as a tribute to Lord Siva.

But in the group photos, one man is missing — the cook. He was from the South and known for making Mandasa Kova sweets. That one missing soldier’s description connects back to Mallibabu, a village chef who also practices tantrik rituals.

The Final Act: Adavigutta Mystery

Kanakam goes back to Adavigutta, following her trail of clues. She doesn’t expect to meet the president there, but suddenly he appears in front of her. For a moment she is shocked — because a temple priest had once said the sweets Mandasa Kova for rituals came from the president himself. That link makes everything fall into place.

Before she can even react, the president attacks her. Kanakam is caught off guard and struggles to defend herself. Just then, Constable Sathi Babu jumps in, fighting to protect her. The fight turns rough inside the forest — Kanakam, still hurt, somehow gathers strength, grabs her belt, and lashes out at the president.

The strike throws him off balance. Memories of his abusive father beating him with a belt come rushing back, and he begins to hallucinate, seeing Kanakam as his father. In that moment of weakness, Kanakam pins him down. With Sathi Babu’s help, she finally arrests the president.

Why did the president kidnap girls? What’s the motive?

Under interrogation, the president’s childhood trauma spills out:

  • He had killed his own mother when he was young.
  • His uncle Mallibabu raised him, teaching him both sweet-making and black magic.
  • He later served as a military cook, learning more occult practices.
  • After becoming president and temple head, he exploited temple records to track girls born under his mother’s birth star, Bharani Nakshatra.
  • On full moon nights, he kidnapped them for rituals to bring his mother’s soul back. But the mantras only made the girls faint, never succeeding. To cover his tracks, he murdered and buried them in a farm.

Ending & Season 2 Hook

The final shock comes when the president reveals that Kanakam’s birth star is Bharani Nakshatra — making her his true target. On the night Chandrika went missing, his plan had been to kidnap Kanakam. But a villager named Babji interfered, saving her unknowingly. Since Chandrika didn’t share the birth star, she was never meant to be a victim.

The president is arrested, but the bigger mystery remains unsolved — if Chandrika wasn’t kidnapped by him, then where is she? This unanswered question sets the stage for Season 2. So season 1 is not giving clues about Chandrika; for that, we need to wait till season 2.

Final Thoughts

Overall, Constable Kanakam Season 1 is an average series. The core story is strong, the mystery holds till the end, and the village backdrop works.

But the poor production values, forced messaging, and predictable character arcs stop it from being memorable. Worth a watch if you’re curious about small-town thrillers, but don’t expect high standards.

Read More Reviews and Analysis Here.

Salakaar HotStar Web Series Explained

Some spy thrillers dig deep into intelligence networks, geopolitics, and human psychology. I expected Salakaar, as an Indian version of Spy Game where a veteran spy saving a prodigy. But Salakaar looks like a ultra-pro max “tribute to NSA Ajit Doval.” and tastes more like a rushed, below-average drama trying to look serious. Here is my review and story explanation for Salakaar.

The only thing that saves this from being a complete disaster? Its runtime. 5 episodes of ~30 minutes. Let’s break it down episode by episode. Heavy spoilers ahead, and let me tell you, reading this will help you save almost 3 hours.

Episode 1: Cemeteries, Tuition Teachers, and Top Secrets

Series start in Abbottabad, Pakistan, 2025. Colonel Ashfaq, who seems to have walked straight out of a shampoo ad, meets a foreigner in a graveyard. “Death can be a beautiful reminder of how precious life is,” he says. The foreigner hands over “Project Kahuta” files and gets killed immediately. Welcome to the world of Salakaar.

Next scene: Physics tuition teacher Mariam (Mouni Roy) is teaching Ashfaq’s son. But guess what? She’s actually Shrishti Chaturvedi, an Indian agent, romancing her way into classified documents. She scans the Kahuta project files after a cosy moment with the Colonel.

Mouni Roy

R&AW chief Paresh Parulkar gets this data and wants to dig deeper—but he doesn’t have access to the 1978 case file linked to this. Why? Because only two people outrank the R&AW chief: the PM and the National Security Advisor (NSA). And guess what? NSA wrote the file. Ufff..romanchification goosebump moment!!!

Now we have Naveen Kasturia as Adhir Dayal — the man, the myth, the Salakaar.

Episode 2: Flashback to 1978 – Pakistan, Kids, and a Dinner with Zia

Adhir Dayal (NSA Chief) takes us back to 1978. R&AW had sent him to Pakistan to stop their nuclear ambitions. To build trust, he orchestrates a kidnapping attempt on Zia-ul-Haq’s grandson and then saves him heroically — classic self-created crisis marketing. His son Bharat and Zia’s grandson are classmates.

Zia is impressed and invites Adhir to dinner. Slowly, Adhir wins his way in. Meanwhile, we learn that:

  • Ashfaq (the 2025 Colonel) is Zia’s grandson.
  • Mariam is the granddaughter of Jyoti Chaturvedi, Adhir’s old colleague at the Indian Embassy.

Adhir steals data from nuclear scientist Rahmat Agha and learns about Pakistan’s enrichment efforts at Kahuta. The episode ends with Colonel Ashfaq taking Mariam to Kahuta, hinting at a “surprise.”

Surprise indeed.

Episode 3: Déjà Vu Drives the Plot

Adhir, now the NSA, is tracking Mariam’s journey through the same route he once took 40 years ago. Past and present timelines run in parallel.

Ashfaq tells Mariam: “An Indian spy ruined my grandfather’s Kahuta dream. I will revive it.”
Yes, the revenge plot is now personal.

Adhir Dayal Introdution at Embassy
Adhir Dayal Introdution at Embassy

Meanwhile, in 1978, Adhir infiltrates Kahuta disguised as a Pakistani officer and takes photos.

In the present, Mariam is unknowingly following the same path. This setup could have been exciting—but it’s ruined by predictable writing and cartoonish execution.

At this point, the show is trying to be serious but slips into Power Rangers territory with the emotional depth of a soap ad.

Episode 4: China Scared, Zia Triggered, NSA Unstoppable

Now it gets hilarious.

NSA Adhir threatens Chinese officials. Yes, the National Security Advisor of India walks into a room and scares off Chinese bureaucrats like a school principal scolding kids. They silently walk out.

Then he says, “Activate three best agents. I’m going to Pakistan myself.”

Jyoti on deathbed
Jyoti on deathbed

The drama returns to 1978. We see Jyoti Chaturvedi (Mariam’s grandmother) being tortured by Zia’s team. Why? Because Zia’s men honey-trapped the Indian embassy head and found leaks. Jyoti refuses to give in.

Adhir had promised to protect her family. But Jyoti dies in a very filmy, slow-motion shot. I miss that bgm like kanave kanave (composed by Anirudh)

NSA Adhir remembers it all. Grief? Not really. Instead, our action-hero NSA breaks into the house of Zia’s right-hand man Mohsin and kills him in cold blood. Alone. No backup. Just pure Bollywood vengeance. An Indian spy entering a military personnel home and killing everyone and escaping without leaving any trace.

Episode 5: Acid Water, Master Plans, and the Flight Captain Reveal

We now meet a Dr Kalam-like character who guides Adhir in sabotaging the Kahuta nuclear plant. Plan? Pump acidic green water into the cooling system.

Adhir puts on a Pakistani officer’s uniform, walks in casually, and pulls off the sabotage. He escapes, obviously.

Back in the present, Mariam is in trouble. Colonel Ashfaq finds out she’s a spy. She runs to the airport. Colonel blocks the runway at gunpoint. “Abort take-off!” he screams.

But plot twist — the flight captain is none other than NSA Adhir himself.
He says: “We’re ready to depart. We won’t abort.” ufffff romanchification again.

Mic drop. Plane takes off. Mission accomplished.
Salakaar keeps his promise to protect Jyoti’s bloodline.

Final Thoughts: Salute or Spoof?

Salakaar wanted to be a tribute to  NSA Ajit Doval, I believe. It ended up as a fan-fiction fantasy. It sacrifices realism for pace, throws subtlety out the window, and treats complex geopolitics like a college drama script.

Watch it for:

  • Naveen Kasturia brings conviction to a ridiculous role.
  • Cinematography is brilliant — Hotstar never cuts corners on visual quality.
  • Short runtime — 2.5 hours across 5 episodes is digestible.

Skip it for:

  • Webseries is not grounded, not even on sky, it’s on another planet, made by an Ajit Doval fanboy.
  • Mukesh Rishi as General Zia is cartoonishly menacing but fun to watch.
  • Writing is lazy, predictable, and full of gaping holes.

This could’ve been India’s Argo. Instead, it’s a PowerPoint tribute to a living legend, turned into a spy parody.

Watch it if you like spy stories with no logic but lots of style and ultra pro max heroism.
Skip it if you want realism, depth, or originality.

Read Maayasabha (SonyLiv from July 7, 2025) Review Here.

Mayasabha Web Series Review: Great Performances, Weak Writing

Created by Deva Katta, known for Prasthanam and Vennela, Mayasabha from SonyLiv follows the rise of two fictional leaders — Krishnama Naidu (played by Aadhi Pinisetty) and Rami Reddy (played by Chaitanya Rao Madadi) — and how they grow from students to state leaders. The show also stars Sai Kumar as RCR, Divya Dutta as Prime Minister Iravathi Basu, Ravindra Vijay as Pothineni Ramesh, and Tanya Ravichandran as actress Anu Harika. Here is my detailed Mayasabha Review.

Mayasabha Trailer Poster
Mayasabha Trailer Poster

But let’s not kid ourselves. This isn’t fiction.

Based on True Political Events in Andhra Pradesh

Who are the real characters in Mayasabha?  If you know Andhra Pradesh politics, you’ll spot the references instantly:

  • RCR (Sai Kumar) is clearly inspired by NTR.
  • Krishnama Naidu mirrors Chandrababu Naidu.
  • Rami Reddy is the show’s take on YS Rajasekhar Reddy.
  • Iravathi Basu and her son Sandeep Basu resemble Indira Gandhi and Sanjay Gandhi.
  • Anu Harika’s arc feels like a nod to actress Jayaprada, including her early dance career and political ties. When she was a teenager, she performed a dance at her school’s annual function. A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam (1974).
A shot from Mayasabha

The series ends with an event which exactly resembles the Viceroy Hotel episode , where slippers were thrown at Lakshmi Parvathi and NTR was ousted from his own party, are recreated almost frame by frame — though names are changed.

Mayasabha Plot: The Rise of Naidu and Rami Reddy

The story begins with Krishnama Naidu, a PhD student from Narsipalli, helping farmers in his hometown by threatening middlemen — in a diplomatic way, of course. Meanwhile, Rami Reddy, the son of faction leader Shiva Reddy, is disgusted by his father’s violent politics and leaves Pulicherla to study in Bellary.

From there, we follow:

  • Student politics, where Krishnama plans to contest elections using strategic caste alliances — and a cabaret dance show (yes, really).
  • Rami Reddy’s fan wars in college, defending Telugu film stars, leading to cow dung being thrown on posters and eventual expulsion.
  • Emergency declared in India, vasectomy drives led by Sandeep Basu, and public resistance led by Rami Reddy.
  • The alliance between Krishnama and Rami Reddy, their entry into politics under Sandeep Basu’s mentorship.
  • Friendship turning into rivalry, when Rami Reddy feels sidelined for being a goon’s son.

The series ends with the rise of RCR as a mass leader, his friction with Iravathi Basu, the betrayal by Krishnama Naidu, and the political fallout. The final few episodes closely resemble TDP’s internal war, NTR’s downfall, and the power shift to Chandrababu Naidu.

Performances & Technical Aspects

  • Aadhi Pinisetty as Krishnama Naidu brings seriousness and political sharpness.
  • Chaitanya Rao delivers an emotional and intense Rami Reddy.
  • Divya Dutta shines as Iravathi Basu — probably the most believable character in the whole show. Her screen presence is 5/5
  • Sai Kumar as RCR fits the larger-than-life image but gets limited screen time.
  • The music by Shakthikanth Karthick is decent — helps set the mood without being intrusive.
  • The cinematography and period detailing (1975–1995) look polished.
  • Tanya Ravichandran did her part well with a song and some scenes here and there.

But Here’s the Problem: Everyone’s a Saint

The writing is where Mayasabha falls flat. For example, at one point, the hero tries to win a college election with a cabaret dance by heroine—because in Mayasabha, that’s peak political strategy. Democracy in Mayasabha runs on item numbers and glorifying scenes.

There’s a scene where the heroine says, “People value entertainment more than content. To sell content, the cover page is important.” I’m convinced Deva Katta believes in this too.

For a political series, it lacks grey characters. Krishnama Naidu is always clever and selfless. Rami Reddy is kind-hearted and community-driven. Every major character on the “hero” side acts like a noble soul who’s doing politics only for the people.

This kind of whitewashing feels awkward — especially in a show that clearly draws from real-life political betrayals, caste alignments, and power games.

Let’s be real: In politics, no one climbs the ladder without ambition. But Mayasabha shows its main men as idealists, while anyone who opposes them is either corrupt, emotional, or forgotten.


Divya Dutta as Ira Basu in Mayasabha
Divya Dutta as Ira Basu in Mayasabha

Final Verdict: Mayasabha(2025) Review

If you’re watching Mayasabha as a fictional drama, it may keep you engaged for a while. But if you know Telugu politics, you’ll likely find it one-sided, preachy, and borderline fan service. It looks like a fictional retelling, but walks and talks like a strategically polished biopic series.

Mayasabha Review Verdict: 2.5 out of 5

Watch it for the performances — but skip it if you’re expecting sharp, realistic political writing. At the end of the day, even great acting can’t save a story that refuses to show humans as humans — especially in politics, where no one’s a saint.

Read More Reviews Here

Mandala Murders 2025 Explained

If your brain feels fried after finishing Mandala Murders, you’re not alone. But what makes us interested in this series is the Myth and Crime. The core concept is brilliant, unfortunately not the execution. So here I will explain what happened in Mandala Murders (2025).

We remember unfinished tasks more than completed ones. When shows leave questions dangling — “Who is Yasth?”, “What’s the real motive?” — our brain loops it until we find closure.

So here’s the explanation, what happened in Charandaspur? Who are Ayasthis? Are they real or fiction?

The World of Mandala Murders – Ayasthis, Energy, and the Cult of Yasth

Let’s start from the very beginning.

There’s a small, eerie town called Charandaspur — the kind of place where people still whisper about curses and disappearances. Somewhere deep in the Varuna forest nearby, a secretive group of women called the Ayasthis live in hiding. Locals see them as witches. But they see themselves as something else — the chosen ones of a mysterious energy god named Yasth.

Now here’s where it gets mad interesting.

The Ayasthis believe that energy can’t be created or destroyed, only redirected. So if someone dies… maybe their life energy can be pulled back. Revived. Rechanneled. They’ve built a strange machine that can supposedly do that — bring the dead back to life. Why they built it? Who Built that? We need to wait till Episode 7.

The Thumb Theory

Throughout the show, we see people placing their thumb on this mystical machine to ask for miracles. But here’s the catch:

Giving your thumb = asking Yasth for help.
But Yasth doesn’t just help out of kindness. He takes something in return.
Not from you directly — but someone close to you. A life. A body part. A price.

So if you asked for your son to return… maybe he ends up dead later.
You asked for political power… someone loses their legs.
You can’t track it logically — but someone, somewhere, pays.

Now imagine this happening for years. Quietly. One person at a time.
Until suddenly — a pattern emerges.

That’s where the show begins.

In the Past: Ayasthis & Their End

75 years before the murders began, a woman named Nandini (a scientist) arrived in Charandaspur with her husband, Anant, a corporate man trying to set up a nuclear plant in the forest area. Locals were uneasy — the forest wasn’t just green land, it was sacred to the hidden group known as the Ayasthis. The place is Ayasthal, which Rukmini and her cult believe Yasth made it himself years ago.

Ayasthis believe, if something happen to Ayasthal, they should revive Yasth.

One night, Rukmini went to Nandini’s home and warned her about the consequences of destroying their place.

Why Nandini Built The Device

Rukmini wasn’t an ordinary cult head. She was calm, sharp, and spoke in riddles that made dangerous sense. 

Rukmini told Nandini about Yasth, a powerful evil power. She showed her the Book of Prediction, and it was written by yasth during his first incarnation in the earth.

Then she dropped a chilling line:

“Book mentioned about Nandini”

If charandaspur seeks to destroy Ayast shrine, Yasth will be reincarnated, and Yast will be created by the very same woman who took part in destruction” of Ayast

Then came the real shocker.

Rukmini said Yasth also written, that woman has three traits, the traits are:

  1. She will be an Engineer or a Scientist.
  2. She will be pregnant.
  3. She will be a widow.

Nandini laughed. “I’m not a widow.”

Moments later, someone rushed in — Anant had died in an accident.

Now rattled, Nandini turned to the Ayasthi ideology for answers. She agreed to build the device Rukmini described. She thought she was creating something for humanity — a scientific invention to bring people back from death.

But she didn’t know Rukmini had a hidden agenda.

Rukmini never wanted the device for people. She wanted to use it to bring back Yasth — and unleash destruction across the world.

By the time Nandini realised the truth, it was too late. The body — stitched from various parts — was almost complete. The device was working.

Nandini made one last move.
She destroyed the body they had built. Burned it. Damaged the ritual. Then the villagers arrived, already stirred by fear and whispers of black magic. They torched the place, hoping to end it all.

But Rukmini escaped — and took the device with her.

The ritual failed. Yasth didn’t rise. But the blueprint survived.

Back to the Present – The Murders Begin

Now in the present day, ritualistic murders begin again in Charandaspur.

Bodies are turning up stitched, deformed, missing parts. First it’s Abhishek, a journalist. Then others — teachers, politicians, cult members. Each body seems to be missing something:

  • Torso
  • Hands
  • Legs
  • Head

CBI officer Rea Thomas is assigned to investigate. She’s sharp, emotionless on the outside, haunted by past trauma. But she has no idea she’s directly linked to everything.

Meanwhile, ex-cop Vikram Singh finds that his mother (Vasudha) and aunt (Urmila) disappeared years ago on the same night his brother Pawan died. All clues point back to Varuna Forest.

The Thumb Was Not The Price

As Rea and Vikram investigate, they uncover the miracle logic:

  • People used to visit Ayasthis and place their thumb on the machine, asking for miracles.
  • In return, someone close to them or themselves would suffer — die, disappear, lose something.
  • The thumb wasn’t the price. Life was.

For example:

  • Abhishek used the device to kill his mistress’s husband.
  • Birju asked for his lost son Awadesh to return.
  • Leela asked to save his sons — in return, a death followed.

Over time, a pattern forms. All current victims are linked to someone who made a wish in the past.

Sujay, Vijay, and Ananya’s Politics

Two gangsters, Sujay and Vijay, were suspected of killing Abhishek. But they’re being framed by their political rival Ananya Bhardwaj — Vikram’s sister-in-law, wife of the bedridden leader Jayaraj.

Turns out, Ananya is slowly clearing her path to power:

  • She frames Sujay and Vijay.
  • Hires a nurse to act as his mistress and gets Jayaraj paralysed with poison.
  • Removes all political threats in her way.

But behind her ambition is something much older and darker.

Kalindi, Jimmy Khan, and the Ritual Puzzle

Rea and Vikram uncover the truth about Kalindi, the murdered teacher — she was once close to the Ayasthi cult.

Kalindi wasn’t just the wife of a teacher — she had deep ties with the Ayasthi cult. Long ago, she was connected to Rukmini and the original belief system. She wasn’t a believer exactly, but she knew how the system worked. She knew the rituals, the symbols, the sacrifices.

Kalinidi and her assistant, Maithili, trapped all these people in Aysthi’s sacrifice. Ananya’s PA Vyankat, is Maithili’s adopted son, and Maithili helped him to survive.

Vyankat escaped from Killer by sacrificing Awadesh, Birju’s son.

In the end, Kalindi herself sacrificed her head for Yasth.

And before she died, Kalindi left behind clues.

A set of eight metal circles — each representing a different part of the Mandala.

These weren’t just decoration. They were keys.

Hidden inside her wardrobe, each piece would later be used to unlock the Yasthal, the sanctum where Yasth could be resurrected.

Along with Jimmy Khan, a folklore researcher, they begin decoding the Mandala symbols found at every murder site.

Each murder Ayasthi cult is doing for a body part:

  • Head of a teacher (Kalindi)
  • Hands of sinners (Vijay – Sujay)
  • Legs of Servant’s Child (Awadesh – Son of Birju)
  • Face of a princess (Kavitha , wife of Vikram)
  • Torso of a voyeur (Abhishek, Cosuin of Vikram)
  • Blood of someone who escaped death (Vikram)

One by one, these pieces are being collected to recreate Yasth, just like before.

Jimmy’s grandfather, decades ago, had figured this out and led the mob attack on Ayasthis. That’s what we saw in Episode 1.

The Jimmy Khan Connection

Enter Jimmy Khan — a history researcher, symbol decoder, and grandson of the man who led the mob attack on Ayasthis 75 years ago.

Jimmy steps in to help Rea and Vikram understand what these symbols actually mean. He figures out:

  • The symbols aren’t random — they form a Mandala of Sacrifice.
  • Each murder is connected to a specific body part — and a specific sin or sacrifice tied to the Ayasthi machine.
  • His grandfather tried to stop this ritual decades ago, but it was never fully destroyed.

Rea’s True Identity

Rea begins having dreams — a mysterious woman, always repeating, “Save my son’s life.”

She later learns:
That woman isn’t her imagination.
It’s her grandmother.
Nandini.

Yes — Rea is Nandini’s granddaughter, she born after Nandini decided to help Rukmini.

Suddenly, everything makes sense.

The murders, the device, her connection to Charandaspur — this isn’t just a case. This is her family’s unfinished business.

Nandini was killed by Rukmini

Who is the Killer? Who is the New Rukmini?

In the final twist, it’s revealed that the new mastermind behind everything…
is Ananya Bhardwaj.

Yes — the politician.
She’s Rukmini’s granddaughter.

Ananya is not chasing power for elections.
She’s finishing what Rukmini started:
Resurrecting Yasth.

The killer — the one collecting the body parts — is Aaditi Pohankar, selected as the “ultimate warrior” of the Ayasthi legacy. 

She passed Kalindi’s test and is now fulfilling the prophecy.

Final Showdown: Rea vs Killer

Ananya brings Vikram to Yasthal — the ancient sanctum — to complete the ritual. Vikram’s blood is the final ingredient: someone who escaped death.

But Rea arrives, guided by Nandini’s visions.

She fights the ultimate warrior. Destroys the ritual.

The Real Miracle: Vikram’s Mother and Her Missing Case

In the middle of all the murder boards, occult symbols, political plotting, and scientific devices, there’s one quiet voice that never left the forest:

Save my son’s life…

That voice was Vasudha — Vikram’s mother.
A woman who once carried her dead son Pawan’s body into Varuna Forest, hoping for a miracle.

Let’s rewind.

The Night That Broke Her

20 years ago, Vikram’s younger brother Pawan died in a tragic accident. That same night, Vasudha, heartbroken and desperate, disappeared from home. She was last seen going into the forest with Pawan’s body.

And that was it.
She was gone, along with Urmila (Vikram’s aunt)— no one knew where, or why.

But now, through Birju and Urmila’s memories, we learn the truth.

Vasudha reached the Ayasthi machine. She placed her thumb, asked to Yasth “Save my son” And the Ayasthi logic kicked in — a desire was registered.

But Yasth couldn’t bring back Pawan — because, according to Rukmini, once a soul leaves the body fully, it cannot return. The request was technically impossible.

But they couldn’t reject the wish either.

So instead… they kept Vasudha alive under custody.

She became a “frozen prayer” — a living vessel of an unfulfilled desire.

Her constant chant — “save my son’s life” — echoed inside the forest for two decades, like a glitch in the Ayasthi system.

Why the Ritual Couldn’t Be Completed in the End: Climax Explained

Now here’s the most important bit.

Rukmini’s ritual to bring back Yasth needed:

  • The correct body parts.
  • The correct blood.
  • And clean karmic pathways — meaning all past sacrifices and desires had to be fully processed.

But Vasudha’s wish was still hanging.

She asked for Pawan’s life, and Yasth didn’t deliver.
So the cycle was incomplete.
That one loose end — that unfulfilled request — became the error in the code.

And when Rea arrived, she unintentionally fulfilled Vasudha’s wish — not by reviving Pawan, but by saving Vikram’s life in the final battle.

Suddenly, the wish was no longer unfulfilled.
The loop closed. The chant stopped.
Yasth no longer had the justification to rise.

Nandini was killed by Rukmini. Now, Nandini’s granddaughter, Rea, killed Ananya (Rukmini’s granddaughter) and took revenge.

No more miracles. No more deaths.
Just closure would have been better, they made a tailend showing Aditi Pohankar, that this might continue with a season 2.

So who is the killer in Mandala Murders?

It is Moksha (Ultimate Warrior from Ayasthi Community) played by Aditi Pohankar.

Who is that surprise Villain ?

That is Ananya Bharadwaj played Surveen Chawla

Is Varuna forest real? or Ayasthis real?

No, everything is fiction, and unfortunately couldn’t even build a great on screen world as well.

5 Must Watch Series If You Like the Mandala Murders Theme

The story of Mandala Murders — with its secret societies, mystical devices, body-part rituals, and hidden ancestry — may sound uniquely Indian. But this kind of genre-bending, brain-twisting, cult-infused mystery has global roots.

SeriesCountryCore Themes
DarkGermanyTime loops, generational trauma, secret cult
The OAUSAAlternate dimensions, experiments, prophecy
1899USA/GermanySymbolism, death, simulation, trauma
Sacred GamesIndiaMyth meets crime, religious cults, politics
AsurIndiaMythological symbolism, serial killings
Webseries List

Mandala Murders follows the same global formula — but gives it an Indian spine, layered with energy theory, cult worship, thumb sacrifices, and generational guilt.

Read more about Asur here.

Mandala Murders Review: Myth, Madness, and Murder

After Asur, Paatal Lok, and a dozen dark-toned “let’s-explain-symbolism-in-flashbacks” series, Mandala Murders created by Gopi Puthran is the new entry. Set in the fictional town of Charandaspur, we follow detectives Rea Thomas (Vaani Kapoor) and Vikram Singh (Vaibhav Raj Gupta) as they peel back layers of ritualistic killings, ancient secret societies, and Vikram’s mother’s 20 years old missing case.

Mandala Murders Review Poster
Mandala Murders Poster

On paper, it sounds spicy: a mix of mythology, crime, and occult. But the real question is — does it land, or does it just pretend to be deep?

Direction, Tone, and Storytelling

Gopi Puthran (Mardaani 2) co-directs with Manan Rawat, and The concept is BRILLIANT.
Ayasthis, Mandala sacrifices, energy-as-currency, and ancient tech to revive a god? That’s like Dan Brown meets Asur meets Sacred Games — with a female-led cult.

At first glance, Mandala Murders promises a unique blend: a serial killer thriller wrapped inside a mythological conspiracy. The idea is bold, no doubt. But when it comes to execution—direction, scripting, and pacing—it often struggles to hold the weight of its own ambition.

You’ll keep waiting for that one twist that justifies the build-up — whether it arrives, we’ll see. In my opinion, there are many twists, but everything is predictable for someone who watches thrillers.

The tone sometimes gel with Asur’s vibe, but doesn’t fully commit. — technically correct, emotionally meh. What should feel like high-stakes investigation often ends up looking like disconnected scenes stitched together.

Performances Review: Mandala Murders

The cast does its job partially. Vaani Kapoor as Rea brings sincerity to a layered character, but the writing doesn’t offer enough depth. Eventually, her screen presence falls flat. At no point did I feel convinced she was a brilliant investigative officer.

Vaibhav Raj Gupta (Vikram)’s arc starts strong but ends up confused and falls flat.

Surveen Chawla as a cunning Lady Macbeth looks good on screen, but she couldn’t make an impact in the end.

Too many characters are introduced without space to breathe.

Shriya Pilgaonkar, dressed in a red sari and walking through flames, gets more emotion across in one still frame than some leads do in the whole episode.

Mandala Murders Performances Review
Scene from Mandala Murders

The myth angle — Mandala, rituals, prophecies — is interesting if you like symbolic stories. But if you’re expecting a fast-paced crime thriller with sharp writing and clever twists, you might be disappointed. This isn’t that kind of show. It leans more on mystery and mood than tight investigation or smart reveals.

What Works in Mandala Murders

  • The core idea of Ayasthis, rituals, and body-part-based resurrection is genuinely original.
  • There are occasional moments of brilliance—especially when the show reflects on grief, belief, and sacrifice.
  • The female-driven power structure in the cult is a refreshing take, rarely seen in Indian thrillers.

What Doesn’t

  • World-building falls flat.
    The Ayasthi lore is interesting, but it’s not built with enough clarity. We’re told a lot, but shown very little.
    For example, how Jimmy decodes the Mandala symbols is never explained properly—it feels like magic, not intelligence.
  • No real investigative hook.
    This is supposed to be a murder mystery, but there’s no standout moment of detective brilliance. The CBI investigation moves more like a background commentary than the central driver.
  • Pacing is thin and stretched.
    Instead of unfolding gradually with suspense, the plot throws twist after twist—making it hard to stay emotionally connected. It often feels like a series of “what’s next” moments, not “why did this happen?”

Final Verdict

Mandala Murders had the potential to be a genre-defining series—blending Indian myth with modern crime. But in trying to do too much, it ends up delivering less than it could. It’s not a bad show—it just needed sharper writing, better world-building, and a stronger spine to hold its wild ideas together.

Mandala Murders is streaming now on Netflix.

Hari Hara Veera Mallu Review : This Week’s Biggest theatrical release

Kerala Crime Files Season 2 Review

After watching Season 1 of Kerala Crime Files, I wrote, “Written poor, but executed well.” Season 2 flips that statement. Read the Kerala Crime Files Season 2 review for more, No Major Spoilers ahead.

Trailer Kerala Crime Files Season 2

This time, Bahul Ramesh takes charge of the writing, and similar to Season 1, the story pulls you in from the very first episode. But not through flashy twists or over-the-top reveals—rather, through carefully crafted character layers, subtle cues, and emotional hooks. It’s no longer about “what happens next” but more about “who they are?”

Writing That Respects Its Characters

Bahul who previously wrote Kishkindha Kaandam, doesn’t rush to shock you. He builds tension by slowly revealing the people behind the plot. Take Shyju Bhai, the police officer assisting SI Noble. He’s not loud or dramatic—his brilliance lies in small gestures and quiet observations. And it’s exactly this subtlety that makes the show more gripping than many fast-paced thrillers.

If you’ve seen Kishkindha Kaandam, you might’ve noticed—except Aparna Balamurali (who represents the viewer), every character is cryptic, with layers that slowly unfold. Bahul uses the same approach here.

Kishkindha Kaandam Poster

Though it may look like an event-driven thriller on the surface, I found it to be more of a character-driven mystery. That’s rare in Indian web series. What Bahul has done here is borrow the stillness of indie crime films and blend it with procedural drama, adding emotional recall through visual and narrative cues.

CPO Ambili Raju (Indrans) and Ayyappan (Harisree Ashokan), though they don’t get much screen time, leave a lasting impact. Their characters are mysterious, quiet, and reveal themselves gradually with each episode.

Dogs, Details, and a Thematic Echo

If Kishkindha Kaandam used monkeys as a narrative metaphor, here Bahul uses dogs. They aren’t just background elements—they walk silently through every episode, tied to the story, the characters, and the trauma. There’s a murder, an investigation, and a childhood memory—all connected to a dog. Every thread feels intentional.

The way Bahul uses this thematic echo—repeating visuals of dogs, loyalty, bonds, and betrayal—to create emotional undercurrents is brilliant. It reminded me of The Banshees of Inisherin, where animals act as emotional mirrors. It also brought to mind Parinamam by M.P. Narayana Pillai, where dogs are used throughout the novel in a similar metaphorical way. I wouldn’t be surprised if Bahul has read that novel.

Another detail I appreciated: whenever a viewer might develop a doubt, the next scene often features a character voicing that very same question. It’s thoughtful writing that respects the intelligence of its audience.

Same Frame, Better Picture

Despite the change in writers, the overall structure of Season 2 mirrors that of Season 1: a murder, an investigation, and a reveal in the final episode.

Cast: Kerala Crime Files Season 2

In terms of execution, the framework isn’t radically different if you’re a fan of thrillers. Past and present intercut, truth revealed at the end—a Memento-style approach is present here, like Mystic River or our own Malayalam thriller Memories, where a past trauma anchors a current crime mystery.

Instead of revealing everything linearly, the plot is broken into modules—glimpses of childhood, the current investigation, and side character arcs (like Ayyappan, Ambili, and a few other characters). Each piece seems unrelated until the final episode, where they all snap together.

In Season 1, I felt the villain’s motive lacked depth. Here, the antagonist’s motive is much stronger, rooted in emotion and personal pain. By Episode 5, seasoned viewers might start solving the “why” and “how.” Episode 6 completes the puzzle by revealing the “who.”

Abdul Wahab’s music plays gently in the background but rises at the right moments—it complements the scenes rather than dominating them. Jithin Stanislaus’ cinematography, especially in the night sequences, adds mood and shadow to the mystery. 

As for performances, Indrans and Harisree Ashokan deliver some of their best, despite their limited screen time. Aju Varghese and Lal maintain the same chemistry and tone from Season 1, adding consistency to the evolving story. Together, the team elevates this season beyond expectations.

Final Verdict

Kerala Crime Files Season 2 is still a slow burn, but this time, the fire feels intentional. The emotional weight is stronger. The characters are deeper. The motive is real. And the writing? It finally respects the audience.

OTT Releases This Week: April 05, 2025

What are the OTT releases, this week? With so many releases across platforms, here are 2-3 picks that I think are worth checking out. Murmur, Shivamma Yarehanchinnala, and Paru Parvathy are my suggestions. Why I pick those; scroll down to read more.

Streaming now: April 04

Test (2024): Cricket, Choices, and Chaos

OTT Platform: Netflix
Director: S. Sashikanth
Cast: Nayanthara, R. Madhavan, Siddharth, Meera Jasmine

Test Trailer

Plot & Review Test (2024)

A cricketer struggles with his career while his life becomes complicated by money problems, family stress, and betrayal.

✅ The cricket scenes feel intense and engaging

❌ The story starts strong but gradually loses its charm, becoming confusing

❌ Unnecessary twists and slow pacing make the 145-minute runtime feel longer

My Opinion: Skip this. Even Nayanthara’s performance can’t save “Test” from becoming tedious and frustratingly long. You’re better off re-watching something else.

Murmur (2025): Tamil Cinema’s First Found-Footage Horror

OTT Platform: Amazon Prime
Director: Hemnath Narayanan
Cast: Devraj, Richie Kapoor, Yuvikha Rajendran, Aria Selvaraj, Suganya Shanmugam

Murmur Trailer

Plot & Review Murmur (2025)

Four YouTubers explore a haunted forest to uncover supernatural mysteries but soon face terrifying consequences.

✅ Technically brilliant with immersive sound design and realistic cinematography.

❌ Story pacing is uneven, sometimes dragging despite tense moments.

✅ Unique found-footage style feels authentic and adds genuine scares.

My Opinion: Give Murmur a watch for its fresh style and solid technical execution, especially if you’re a horror fan seeking something new in Tamil cinema.

Machante Malakha (2025): An Outdated Drama of Gender Stereotypes

OTT Platform: Manorama Max
Director: Boban Samuel
Cast: Soubin Shahir, Namitha Pramod, Shanthikrishna, Dhyan Sreenivasan, Dileesh Pothen

Plot & Review Machante Malakha (2025)

A bus conductor marries a regular passenger, but soon realises marriage isn’t what he expected.

❌ Soubin Shahir struggles to convincingly play the serious parts.

❌ Outdated filmmaking style and poor humour make the viewing uncomfortable.

My Opinion: Skip this one. Machante Malakha is frustratingly old-fashioned and reinforces negative stereotypes without any meaningful storytelling.

14 Days Girlfriend Intlo (2025): A Fun Lockdown Rom-Com

OTT Platform: Amazon Prime
Director: Sriharsha Manne
Cast: Ankith Koyya, Shriya Kontham, Vennela Kishore, Indraja, Prashaant Sharma

14 Days Girlfriend Intlo Trailer

Plot & Review 14 Days Girlfriend Intlo

A carefree guy secretly visiting his girlfriend’s house ends up trapped there for 14 days when her conservative parents unexpectedly return..

✅ Vennela Kishore provides some solid laughs with his comic timing.
❌ The story stays lighthearted but never moves beyond its basic premise.
❌ Predictable plot, lacking depth and emotional payoff.

My Opinion: Watch it only if you’re in the mood for a light cringe binge watch. Good for casual viewing, but unlikely to leave a lasting impression.

Kaafir (2025): A Powerful Journey of Justice and Humanity

OTT Platform: ZEE5
Director: Sonam Nair
Cast: Dia Mirza, Mohit Raina, Dishita Jain

Plot & Review Kaafir (2025)

Based on true events, Kaafir follows a Pakistani woman falsely imprisoned in India and the Indian journalist determined to free her.

✅ Dia Mirza gives a deeply emotional performance as Kainaaz Akhtar.

❌ Story effectively highlights themes of prejudice, resilience, and humanity.

✅ Powerful writing by Bhavani Iyer keeps the narrative engaging and heartfelt.

My Opinion: If you are too bored, watch Kaafir for its performances and moving storyline. It’s a more of a drama that stays relevant but not that impactful.

Paru Parvathy (2025): A Feel-Good Road Trip of Self-Discovery

OTT Platform: Amazon Prime
Director: Rohit Keerti
Cast: Deepika Das, Poonam Sirnaik, Fawaz Ashraf

Paru Parvathy (2025) TRailer

Plot & Review Paru Parvathy (2025)

A young vlogger and a neglected elderly woman bond on a life-changing road trip from Bengaluru to Uttarakhand.

✅ Beautiful cinematography captures scenic roads and landscapes effectively.

❌ The film drags initially and struggles with lip-sync and dialogue delivery issues.

❌ Attempts at deeper messaging feel overstretched and lack clarity.

My Opinion: Watch it if you’re patient enough for a slow start. Paru Parvathy has heartwarming moments and beautiful visuals but needed tighter editing and clearer storytelling.

Shivamma Yarehanchinnala (2025): A Spirited Tale of Ambition and Humour

OTT Platform: Sun NXT (Where to watch or streaming Shivamma Yarehanchinnala)
Director: Jaishankar Aryar
Cast: Sharanamma Chetti, Shivu Abbegere, Chennamma Abbegere, Shruthi Kondenahalli

Shivamma Yarehanchinala – Official Trailer

Plot & Review Shivamma Yarehanchinnala (2025)

Shivamma, a spirited village woman, invests in a risky marketing scheme to escape poverty, leading to humorous yet heartfelt situations.

✅ Sharanamma Chetti is superb with her authentic and lovable performance.

❌ Story remains simple and character-driven, avoiding unnecessary complexities.

✅ Humorous dialogues and Shivamma’s charming confidence bring consistent laughs.

✅ Realistic portrayal of village life and the innocent dreams of ordinary people.

My Opinion: Definitely watch Shivamma Yarehanchinnala. Its warmth, humour, and strong lead performance make it an enjoyable, feel-good experience.

For more updates on movies and theatrical releases, click here.

What To Watch on OTT: March 21, 2025

What are the OTT releases this week? So many titles out but most of them feel average or above average. But if you’re in the mood to watch something worthwhile, Officer On Duty, Dragon, and Nodidavaru Enantare (2025) are the ones I’d recommend this week. Why I picked these three? Scroll down to read a short review without spoilers.

OTT Releases March 22, 2025

Gandhi Tatha Chettu (2025): A Tree, A Grandfather, and a Young Girl’s Promise

📺 Where to watch: Amazon Prime
🎬 Director: Padmavathi Malladi
Cast: Sukriti Veni Bandreddi, Anand Chakrapani, Rag Mayur, Bhanu Prakash

Gandhi Tatha Chettu (2025) Trailer

Plot & Review Highlights

Set in a Telangana village in the year 2000, this film follows Gandhi, a schoolgirl, who promises her dying grandfather to protect a neem tree planted in memory of Mahatma Gandhi. As the village faces pressure to sell land to a factory, young Gandhi uses non-violent methods to resist.

❤️ Sukriti Veni gives a natural, bold debut — she even tonsured her head for the role
❤️ First half is simple, grounded, and emotionally strong
❤️ Captures rural life with warmth and honesty

❌ The second half turns weak and dramatic
❌ The climax feels rushed and unrealistic

My Opinion: This is not a perfect film — but it dares to speak gently in a loud world. If you have the patience for a quiet story with an honest heart, give it a watch. Sukriti makes it worth it.

Dragon (2025): A Massy Ride With Two Climaxes and One Honest Heart

📺 Streaming on: Netflix
🎬 Director: Ashwath Marimuthu
Cast: Pradeep Ranganathan, Mysskin, Anupama, Kayadu Lohar

Dragon 2025 trailer

Plot & Review Highlights

Ragavan, a gold medalist, turns into ‘Dragon’—a college don—for love. Then comes redemption, success, and a second fall. But wait, there’s more. This film gives two full arcs: one downfall and comeback, then another. Almost like watching two stories in one.

❤️ Pradeep Ranganathan goes full mass and full emotion
❤️ Mysskin as the calm, moral principal is a surprise package
❤️ Every small scene has a smart callback — no filler

❌ Second half feels too convenient at times
❌ Women characters deserved more than being plot bridges

My Opinion: Dragon is like a Rajini-style redemption tale for this generation. Over the top, yes — but sincere. If you’re okay with some cliched moments, this one rewards you with good drama, comedy, and that rare cathartic moments.

Baby and Baby (2025): Old Wine in an Older Bottle

📺 Where to watch: Sun NXT
🎬 Director: Prathap
Cast: Jai, Yogi Babu, Sathyaraj, Pragya Nagra

Baby and Baby (2025) trailer

Plot & Review Highlights

Two friends mix up their babies on a flight back home. One family wants a baby boy, the other believes a baby girl is lucky. Lies, confusion, and kidnapping plans follow.

❤️ Yogi Babu’s one-liners (some land, some don’t)
❤️ A couple of emotional scenes save it from total collapse

❌ Cringe comedy and dated visuals
❌ Wastes veterans like Sathyaraj and Nizhalgal Ravi
❌ Feels like a 2005 DVD re-release

My Opinion: This isn’t a comedy; it’s a time capsule. Even nostalgia can’t save it. Watch only if you want to test your patience—or enjoy chaos with zero logic.

Nodidavaru Enantare (2025): A Soul-Searching Journey That Doesn’t Play Safe

📺 Streaming on: Amazon Prime
🎬 Director: Kuldeep Cariappa
Cast: Naveen Shankar, Apoorva Bharadwaj, Padmavati Rao, Ayra Krishna

Nodidavaru Enantare (2025) trailer

Plot & Review Highlights

Siddharth loses love, loses his job, and then loses his father. Instead of fixing things, he hits the road — to escape, to think, and maybe, to start over.

❤️ Naveen Shankar delivers a raw, silent, and moving performance
❤️ Road trip mood meets existential crisis — slow but deep
❤️ Strong visual storytelling, with emotions that don’t need dialogue

❌ Begins clunky and a bit preachy
❌ Not for those expecting commercial payoffs

My Opinion: This is not a feel-good film. It’s a feel-real one. A quiet but sharp look at loneliness, pressure, and choosing dreams over stability. Not perfect — but it lingers.

Officer On Duty (2025): First Half Hooks, Second Half Cooks

📺 Where to watch: Netflix
🎬 Director: Jithu Ashraf
⭐ Cast: Kunchacko Boban, Priyamani, Muthumani

Plot & Review Highlights

CI Harishankar, demoted and damaged, takes up a fake gold case. From their case moves to a deeper, darker past. The first half builds tension. The second half… flips the genre.

❤️ Kunchacko Boban’s intense, layered performance
❤️ Tight first half with solid investigative buildup
❤️ Jakes Bejoy’s background score keeps the grip

❌ Second half turns too commercial
❌ Emotional drama weakens the thriller tone
❌ Same old cop tropes and character shifts

My Opinion: Starts as a gripping police procedural, ends up as a stylised supercop story. Watch it for the craft, not for surprises.
📖 Want a deeper review? Read More Here

Sky Force (2025): A War Hero’s Story Hijacked Mid-Air

📺 Streaming on: Amazon Prime
🎬 Directors: Sandeep Kewlani & Abhishek Anil Kapur
Cast: Akshay Kumar, Veer Pahariya, Sara Ali Khan, Nimrat Kaur

Sky Force (2025) Trailer

Plot & Review Highlights

Based on India’s first air strike on Pakistani soil, the film should’ve flown high with the forgotten hero Vijayan. Instead, it turns into an Akshay Kumar show — again.

❤️ Veer Pahariya gives it soul, especially in the final act
❤️ Real story behind the 1965 Sargodha strike is powerful

❌ Akshay Kumar overshadows the real hero
❌ Female characters written like props
❌ Too much posturing, too little emotional weight

My Opinion: This could’ve been a landmark war film. But it forgets whose story it is. Watch for the visuals, stay for the last 20 mins, skip the star worship.

Khakee: The Bengal Chapter (2025): Familiar Faces, Flat Storytelling

📺 Where to watch: Netflix
🎬 Creator: Neeraj Pandey
Cast: Jeet, Prosenjit, Saswata, Parambrata, Ritwik, Chitrangada Singh

Khakee: The Bengal Chapter 

Plot & Review Highlights

Set in 2000s Bengal, this cops vs gangsters drama shows the rise of don Shankar Barua and the honest cop Arjun Maitra trying to clean the city. But beyond the setup, the show struggles to rise.

❤️ Saswata Chatterjee nails the flashback portions
❤️ Jeet fits well as the upright officer
❤️ A few interesting twists in the middle

❌ Too many clichés, too little depth
❌ Wasted talents like Parambrata & Chitrangada
❌ Bengal setting feels generic — not rooted

My Opinion: A show with top Bengali actors but no real Bengali soul. It starts with promise but quickly becomes just another slow-moving crime drama. Nothing you haven’t seen before.

Nilavukku Enmel Ennadi Kobam (2025): Love, Closure, and a Scene-Stealing Friend

📺 Streaming on: Amazon Prime
🎬 Director: Dhanush
⭐ Cast: Pavish, Anikha Surendran, Mathew Thomas, Priya Prakash Varrier

A song from NEEK

Plot & Review Highlights

Prabhu attends his ex’s wedding hoping for closure — while a new match awaits back home. What follows is a cocktail of confusion, nostalgia, and young love.

❤️ Mathew Thomas & Anikha steals every scene — the true MVP
❤️ Light-hearted take on Gen Z love & heartbreak
❤️ Dhanush’s flavour is everywhere — from house interiors to ringtone choices

❌ Lead pair lacks chemistry, performances feel uneven
❌ Too many threads, not enough depth
❌ Some scenes feel like extended Instagram reels

My Opinion: It’s Dhanush’s weakest directorial so far, but it’s still likeable — not loveable. Watch it for its charm, subtle callbacks, and a reminder that love today comes with 2x speed and emoji reactions.

For more updates on movies and theatrical releases, click here.

What To Watch on OTT: March 14, 2025

What are the OTT releases this week? With so many releases across platforms, unfortunately, I couldn’t find many great options for you this week, since most releases are average; if you have time, try Ponman (Malayalam) or Kaadhal Enbadhu Podhu Udamai (Tamil) Why I Pick That; scroll down to read more.

March 15, 2025 OTT Releases

Ponman (2025): A Gritty Drama That Goes Beyond the Gold

📺 Streaming on: JioStar
🎬 Director: Jyothish Shankar
Cast: Basil Joseph, Lijomol Jose, Sajin Gopu, Anand Manmadhan

Ponman Trailer

Plot & Highlights

This is not just another film about dowry; Ponman doesn’t preach; it shows; it makes you feel the pain; finally, it’s your judgement, not the writer’s. 

Gold dealer Ajesh lends gold for a village wedding in Kollam. However, the reluctant bride, Steffi, is not ready to return the gold after the marriage. The story takes a tragic turn when Mariano (Sajin Gopu), her husband, confronts Ajesh.

❤️ Basil Joseph shines —far from his comfort zone
❤️ A realistic, layered take on dowry, without cliché melodrama or preachiness
❤️ Well-written screenplay with gripping moments set in unexpected places
A slow-burn that demands patience

My Opinion: Ponman doesn’t just criticise a system—it immerses you in it, making you see its victims and perpetrators as flawed, complex individuals. A smartly written, must watch film, considering the impact it is worth more than just its weight in gold.

Ramam Raghavam (2025): A Gritty Tale of Family, Betrayal & Redemption

📺 Streaming on: Sun NXT
🎬 Director: Dhanraj Koranani
Cast: Dhanraj Koranani, Samuthirakani, Satya, Pramodini, Harish Uthaman, Sunil, Mokksha

Plot & Highlights

Raghava (Dhanraj Koranani) is stuck in life, making one bad decision after another. His father, Ramam (Samuthirakani), tries to guide him, but the gap between them only grows. One day, Raghava does something shocking, changing everything. From there, the film becomes a tense battle of emotions and consequences.

❤️ A raw, intense family drama that doesn’t sugarcoat emotions
Misses the emotional depth needed to fully connect with Raghava’s journey
Some characters feel underdeveloped, limiting their impact

My Opinion: Ramam Raghavam takes a complex moral dilemma and presents it in a brutal, unfiltered way. While the execution stumbles, the film stays with you—especially in its haunting final act. Can give it a try if you have time.

Kaadhal Enbadhu Podhu Udamai (2025): A Bold Step for Queer Cinema

📺 Streaming on: Tentkotta
🎬 Director: Jayaprakash Radhakrishnan
Cast: Lijomol Jose, Anusha Prabhu, Rohini, Vineeth, Deepa, Kalesh Ramanand

Trailer

Plot & Highlights

Kaadhal Enbadhu Podhu Udamai isn’t just about love; it’s about how society decides who deserves it.

When Sam (Lijomol Jose) reveals she is in love with Nandhini (Anusha Prabhu), her mother Lakshmi (Rohini) and father Devaraj (Vineeth) struggle to accept it. The film focuses on their hypocrisy, their contradictions, and the silent pain of those forced to justify their existence.

❤️ A rare Tamil film that puts queer identity at the centre
❤️ Rohini delivers a stunning performance as a mother caught in conflict
Sam and Nandhini’s relationship feels underdeveloped
At times, the film feels more like a debate than a story

My Opinion: Kaadhal Enbadhu Podhu Udamai is not perfect, but it’s important. It doesn’t just argue—it demands to be heard. A much-needed step for Tamil cinema, even if it leaves you wishing for a deeper, more personal look at its queer leads.

2K Love Story (2025): A Forced Take on Friendship That Lacks Heart

📺 Streaming on: Aha Tamil
🎬 Director: Suseenthiran
Cast: Meenakshi Govindarajan, Jagaveer, Bala Saravanan

2k Love Story Trailer

Plot & Highlights

Can a man and a woman just be friends? 2K Love Story sets out to prove they can, but instead of exploring their bond naturally, it forces the message with clichés and weak storytelling.

Karthik (Jagaveer) and Moni (Meenakshi Govindarajan) run a wedding planning business together. Despite being constantly thrown into situations where love could bloom, they stick to their “friends forever” pact. But when a new person enters their lives, their friendship faces the ultimate test.

❤️ A refreshing idea that challenges relationship stereotypes
Tries too hard to be progressive, but lacks emotional depth
Tonally confused—part love triangle, part comedy, but never compelling
Shallow character development makes it hard to care about their struggles

My Opinion: 2K Love Story wants to be different but ends up feeling staged and empty. Friendship deserves a better story, one with real emotions—not just a forced message. 

Emergency (2025): A Selective Retelling of History

📺 Streaming on: Netflix
🎬 Director: Kangana Ranaut
Cast: Kangana Ranaut, Anupam Kher, Shreyas Talpade, Satish Kaushik, Mahima Chaudhary

Plot & Highlights

Kangana Ranaut plays Indira Gandhi, recreating the events surrounding the 1975 Emergency. While the film captures key moments—the power struggle, the political arrests, and the press censorship—it often feels like a highlight reel rather than a layered exploration. Indira’s strengths are downplayed, her insecurities exaggerated, and her adversaries glorified, creating an uneven narrative.

❤️ Kangana delivers a powerful performance, capturing Indira’s intensity
❤️ Cinematography and music elevates the storytelling
More a political statement than a balanced biopic
Key historical events feel oversimplified or conveniently left out
Fails to provide a nuanced take on Indira’s political journey

My Opinion: Emergency is ambitious but one-sided. While Kangana shines as Indira, the film picks and chooses its facts to fit a narrative rather than offering an honest portrayal. Watch it for the performances, but don’t expect the full picture.

Vanvaas (2025): Nana Patekar Shines in a Predictable Tearjerker

📺 Streaming on: Zee5
🎬 Director: Anil Sharma
Cast: Nana Patekar, Utkarsh Sharma, Khushboo, Simratt Kaur, Ashwini Kalsekar, Rajesh Sharma

Vanvaas Trailer

Plot & Highlights

A familiar story of an aging father abandoned by his children, Vanvaas follows Deepak Tyagi (Nana Patekar), a man battling memory loss and betrayal. Left alone in Varanasi, he finds an unlikely ally in Veeru (Utkarsh Sharma), a small-time crook with a heart of gold.

The film sticks to the Baghban-style formula, where the noble parent suffers, the children are heartless, and the saviour arrives in the form of a selfless outsider. While it tugs at the emotions, the storytelling feels outdated and exaggerated.


❤️ Moments of poetic monologues add emotional weight
❤️ Visually rich with glimpses of Varanasi’s culture
Predictable, melodramatic, and overly theatrical
Utkarsh Sharma struggles to match Nana Patekar’s intensity
One-dimensional characters with little depth

My Opinion: Vanvaas is powered by Nana Patekar’s presence, but the film itself feels like a relic of the past. It has moments of emotion, but the outdated storytelling and forced drama hold it back. Watch it if you love old-school family dramas, but don’t expect surprises.

Moana 2 (2025): A Visual Spectacle, But an Unnecessary Voyage

📺 Streaming on: JioHotstar
🎬 Directors: David Derrick Jr., Jason Hand, Dana Ledoux Miller
Cast: Auliʻi Cravalho, Dwayne Johnson, Hualālai Chung, Rose Matafeo, David Fane

Moana 2 Trailer

Plot & Highlights

Moana is back on the seas, but this time, the waves aren’t as thrilling.

When her ancestors warn her about an ancient storm god’s curse, Moana (Auliʻi Cravalho) sets out on a mission they failed—to reunite the islands and restore balance. Unlike her first solo journey, she’s joined by a crew of fellow islanders, along with the ever-charismatic Maui (Dwayne Johnson).

❤️ Visually stunning, with breathtaking ocean landscapes
❤️ Kakamora pirates steal the show in their brief screen time
Lacks the emotional depth of the first film
Music fails to match the magic of the original soundtrack

My Opinion: Moana 2 is beautiful to look at, but it lacks the soul that made the first film special. While kids might enjoy the adventure, it feels like Disney is just trying to keep the franchise afloat. Not a disaster, but definitely not smooth sailing.

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What To Watch on OTT: March 07, 2025

What are the OTT releases this week? With so many releases across platforms, unfortunately, I couldn’t find many great options for you this week, since most releases are average; if you have time, try Rekhachithram (Malayalam), Kudumbasthan (Tamil) or Baapu( Telugu). Why I pick that; scroll down to read more.

OTT Releases 07, March 2025

Rekhachithram (2025): A Smart Thriller That Blends Mystery with Cinema Nostalgia

 📺 Streaming on: Sony LIV
🎬 Director: Jofin T Chacko
Cast: Asif Ali, Anaswara Rajan, Indrans, Saikumar, Manoj K Jayan

#Rekhachithram Trailer 

Plot & Highlights

Rekhachithram is a gripping investigative thriller. The film follows Vivek Gopinath (Asif Ali), a cop trying to redeem himself, as he investigates a 40-year-old skeleton linked to an 80s film set. As Vivek pieces together clues from a time when technology was limited, the case becomes a thrilling.

❤️ A refreshing take on crime thrillers with a unique premise
❤️ Anaswara Rajan shines as Rekha, adding depth to her character
❤️ A treat for cinephiles with nods to 80s Malayalam cinema

❌ The film’s slow-burn pace may not work for everyone
❌ Manoj K Jayan feels underutilised

My Opinion: Rekhachithram isn’t just a mystery—it’s a love letter to Malayalam cinema.Though it takes its time to build up, the final twist is worth the wait. If you love thrillers with a nostalgic touch, this one is a must-watch!

Kudumbasthan (2025): A Fun Family Comedy with Manikandan’s Winning Touch

📺 Streaming on: ZEE5
🎬 Director: Rajeshwar Kalisamy
Cast: Manikandan, Guru Somasundaram, Saanve Megghana, R Sundarrajan

Kudumbasthan Trailer

Plot & Highlights

Being the sole breadwinner of a middle-class family is no joke—literally! Kudumbasthan follows Naveen (Manikandan), a newly married man juggling endless financial responsibilities, from funding his mother’s pilgrimage to paying for his wife’s Civil Service exam. Adding to his stress is his brother-in-law Rajendran (Guru Somasundaram), who constantly undermines him. As Kudumbasthan—surviving it is the real challenge.

❤️ Manikandan nails another relatable underdog role
❤️ Hilarious moments keep the film lighthearted and engaging

❌ Some jokes may not work for everyone
❌ The film feels slightly stretched at 155 minutes

My Opinion: Kudumbasthan blends classic family drama with modern humour, making it funny and relatable. Strong performances from Manikandan and Guru Somasundaram keep it engaging. A good watch for those who enjoy heartwarming comedies.

Nadaaniyan (2025): A Glossy but Shallow High-School Rom-Com

📺 Streaming on: Netflix
🎬 Director: Shauna Gautam
Cast: Ibrahim Ali Khan, Khushi Kapoor, Suniel Shetty, Dia Mirza

Nadaaniyan | Official Trailer 

Plot & Highlights

Fake relationships, social class struggles, and high school drama—Nadaaniyan brings them all together in a lighthearted rom-com. Pia (Khushi Kapoor) is a rich girl who needs a boyfriend to keep her friendships intact. Arjun (Ibrahim Ali Khan), a scholarship student with big career dreams, becomes the perfect candidate. But as their fake relationship unfolds, they must navigate class differences, family expectations, and their own changing feelings.

❤️ Khushi Kapoor and Ibrahim Ali Khan bring youthful charm
❤️ Fun, breezy moments make it watchable
❤️ Nods to classic Karan Johar films add nostalgia

❌ A predictable, surface-level story
❌ Social themes feel forced rather than impactful
❌ Characters and settings don’t feel real or relatable

My Opinion: Nadaaniyan is a glossy, high-school rom-com that feels superficial despite its attempts at depth. The lead actors try their best, but the film remains predictable. Skip if you watched movies like Love Today (Tamil) or Perfect Date.

Manamey (2024): A Lighthearted Rom-Com That Plays It Safe

📺 Streaming on: Amazon Prime Video
🎬 Director: Sriram Adittya
Cast: Sharwanand, Krithi Shetty, Vennela Kishore, Rahul Ravindran

Manamey Trailer 

Plot & Highlights

What happens when a carefree man is forced to take responsibility? Manamey follows Vikram (Sharwanand), a happy-go-lucky guy who avoids commitments—until his best friend’s sudden passing leaves him as a temporary guardian for their two-year-old son. Subhadra (Krithi Shetty), a responsible and practical woman, also steps in as the child’s caretaker. As they clash over parenting styles, love slowly blossoms between them.

❤️ Sharwanand shines in a fun, laid-back role
❤️ A few genuinely funny moments keep it entertaining
❤️ Hesham Abdul Wahab’s music adds charm

❌ Predictable story with familiar rom-com tropes
❌ Supporting characters feel underused
❌ Antagonist subplot feels unnecessary and weak

My Opinion: Manamey is a breezy, feel-good rom-com that plays it safe. Sharwanand’s playful performance adds charm, but the film remains predictable. Worth a casual watch, but nothing fresh or surprising.

Thandel (2025): A Beautiful Love Story That Loses Focus in Its Second Half

📺 Streaming on: Netflix
🎬 Director: Chandoo Mondeti
Cast: Naga Chaitanya, Sai Pallavi, Karunakaran, Divya Pillai

Plot & Highlights

Thandel is about the longing and devotion (melo-drama medium) in a romance shaped by distance. Raju (Naga Chaitanya), a fisherman from Srikakulam, spends most of the year away at sea. Sathya (Sai Pallavi), his love, accepts this way of life with patience and pride. When Raju is caught in a tragic twist of fate and lands in a Pakistani prison, their love is put to the ultimate test.

❤️ Naga Chaitanya deliver heartfelt performances
❤️ Devi Sri Prasad’s music adds emotional depth
❤️ Stunning cinematography captures the vast sea and emotions beautifully

❌ The Pakistan prison subplot lacks depth
❌ Side characters feel underdeveloped
Misses the opportunity to explore the real struggles of the 22 fishermen

My Opinion: Thandel is an average love story but loses its emotional depth when it shifts to the Pakistan prison subplot. The political drama feels rushed, but the romance and music keep it engaging. It works for fans of poetic (chocolate) love stories.

Narayaneente Moonnaanmakkal (2025): A Thoughtful, Restrained Family Drama

📺 Streaming on: Amazon Prime Video
🎬 Director: Sharan Venugopal
Cast: Joju George, Suraj Venjaramood, Alencier Lay Lopez, Garggi Ananthan, Shelly Kishore

Plot & Highlights

When three estranged brothers reunite at their ancestral home as their mother lies on her deathbed, old wounds resurface, and buried conflicts return. Vishwanathan (Alencier Lay Lopez) still carries the weight of past casteist insults, Bhaskar (Suraj Venjaramood) is an outsider in his own home, and Sethu (Joju George) finds himself stuck between them. Meanwhile, the younger generation—Athira (Garggi Ananthan) and Nikhil (Thomas Mathew)—try to make sense of the tensions while dealing with their own unresolved emotions.

❤️ A subtle, character-driven story without melodrama
❤️ Joju George and Garggi Ananthan deliver deeply layered performances
❤️ A realistic portrayal of family conflicts and generational differences

❌ The slow, quiet storytelling may not work for everyone
❌ Lacks big dramatic moments, making it feel subdued

My Opinion: Narayaneente Moonnaanmakkal is a nuanced, slow-burning family drama that avoids melodrama. A worthwhile watch for those who enjoy subtle, character-driven narratives.

Baapu (2025): A Family Drama with Moments of Brilliance but an Uneven Narrative

Baapu (2025) trailer

📺 Streaming on: JioHotstar
🎬 Director: Dayakar Reddy
Cast: Brahmaji, Aamani, Srinivas Avasarala, Sudhakar Reddy, Dhanya Balakrishna

Plot & Highlights

Set in rural Telangana, Baapu follows a struggling farmer’s family burdened by debt. Mallanna (Brahmaji) and his wife Saroja (Aamani) are trying to make ends meet through cotton farming, while their children battle their own hardships. Meanwhile, a subplot involving a hidden golden idol adds another layer of intrigue.

❤️ Brahmaji delivers a strong lead performance
❤️ Authentic rural setting and black comedy elements work well
❤️ A few engaging moments, especially around the family’s moral dilemma

❌ Predictable and lacks depth in emotional moments
❌ Romance subplots feel unnecessary and underdeveloped
Feels like a short film stretched into a feature-length movie

My Opinion: Baapu has an interesting premise with its dark comedy and performances. However, weak character arcs and a predictable story hold it back. Watch it for the performances, but don’t expect a deeply engaging family drama.

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