If I were to paint a simple picture of what ‘Zara Hatke Zara Bachke’ is all about, it would be like this: Imagine a slice of life from a middle-class Indian home from Indore, few drama stuffed with humor and woven around the dreams of a young couple. The director, Laxman Utekar, has tried to create a lively canvas where the ordinary becomes extraordinary, much like his previous work, Mimi.
Poster Collage: Zara Hatke Zara Bachke
Story of ‘Zara Hatke Zara Bachke’
Let me introduce you to our main couple, Vicky Kaushal and Sara Ali Khan, who play everyday people just like any other middle-class urban couple. Vicky’s character, Kapil, is a yoga teacher with simple dreams and a clever way of finding shortcuts to solve big problems. On the other hand, Sara Ali Khan portrays Saumya, a spirited chemistry professor with dreams that extend far beyond her home and her lovely georgette sarees.
Their everyday life takes an interesting turn when the pressures of living with their extended family become overwhelming. They yearn for a ‘place’ they can call their ‘own’, a home where they can create their own space and cherish their dreams. And that’s when our story, ‘Zara Hatke Zara Bachke’, begins to unfold.
What follows is a delightful rollercoaster of events, ranging from comical to dramatic, all revolving around this relatable and universal desire for a home.
In a nutshell, ‘Zara Hatke Zara Bachke’ take us to witness the dreams, challenges, and hilarious complications faced by this young Indian couple. Especially, while they navigate through societal expectations, personal ambitions, and the quest for a place to call their own.
Why You Should Give A Try?
Firstly, let’s talk about the performances. Vicky Kaushal, known for his versatile acting skills, brings his A-game to the table as Kapil, the yoga teacher with a penchant for finding clever solutions. His portrayal is relatable and engaging, showcasing his ability to bring charm and authenticity to the character. Sara Ali Khan, on the other hand, captivates with her vibrant presence as Saumya, a chemistry professor who yearns for more from life. Her energy and commitment to the role shine through, adding depth to the narrative.
One of the film’s strengths lies in its ability to tackle real-life issues in a light-hearted manner. The storyline revolves around the dreams and challenges faced by a young middle-class couple, resonating with audiences who have similar aspirations and struggles. Laxman Utekar’s direction, as seen in his previous work like Mimi, ensures that the film strikes a balance between entertainment and thought-provoking storytelling.
Moreover, ‘Zara Hatke Zara Bachke’ offers a glimpse into the world of Indore, a city that adds its own flavor to the narrative. The film beautifully captures the essence of small-town life, providing a unique backdrop for the characters and their journey.
What Could Have Been Better?
In my opinion, one thing that really felt odd to me was that the chemistry between Sara Ali Khan and Vicky Kaushal. It didn’t seem to have much chemistry on-screen.
Even though they are both talented actors with their own strengths, their pairing in the movie didn’t create the desired spark.
Sara Ali Khan
I was expecting a Sara Ali Khan from Atrangi Re, unfortunately, I only got that energy from her, not the natural demeanour. If Sara – Vicky chemistry had been stronger, it would have made Kapil’s & Soumya’s journey more interesting. Here audience may feel some disconnect with the story.
Plot of ‘Zara Hatke Zara Bachke’
Another important point to consider is that the plot of the movie. I felt it was stretched out. The pacing, especially in the second half, was not well done.
If the script had been tighter and repetitive elements had been eliminated, it would have created a more focused and engaging narrative.
Originality & Freshness
The story was highly relatable, but it lacked originality and seemed similar to other films like old Dinesh Vijan films or “Dum Laga Ke Haisha” style. If the filmmakers had strived for a more unique storytelling approach, it would have made the movie stand out from its predecessors.
Chemistry between Vicky Kaushal & Sara Ali Khan
As I said before, Vicky Kaushal’ portrayal of Kapil is excellent, but I felt that Sara Ali Khan’s efforts fell short compared to Vicky. It’s important for Khan to refine her acting approach, finding a balance between being authentic and avoiding being too theatrical.
Laxman Utekar’s approach
From an audience perspective, Laxman Utekar’s approach to ‘Zara Hatke Zara Bachke’ should be criticized for lacking energy and excitement. If he had incorporated more dynamic and innovative storytelling techniques, especially during crucial moments of the film, it would have injected more vitality into the overall viewing experience
Final Verdict
In conclusion, ‘Zara Hatke Zara Bachke’ remains an opportunity to immerse oneself in a light-hearted tale that resonates with the dreams and challenges faced by many. So, if you’re willing to overlook its flaws and embrace its relatable themes, this film has the potential to provide an entertaining and thought-provoking experience.
Bookmyshow offers a Buy one Get one offer for this movie (Only for June 2 Bookings I guess) considering that, it’s worth to give a try.
Asur season 1 presents a fascinating blend of mythological lore and modern-day crime. In this blog post, I will explain the reasons why Asur season 1 stands out, highlight the cast and performances, and provide a recap of the episode-wise plot points.This will serve as a refresher for those who are eagerly anticipating the release of Asur season 2.
Asur Season 1 trailer
The series has made a significant impact on the Indian web series scenario due to its unique concept and storytelling, which blends two very contrasting themes – ancient Indian mythology and modern forensic science – into a compelling narrative that keeps you on the edge of your seat.
What sets Asur apart is its innovative use of mythology in a crime thriller. The show introduces us to a serial killer who commits horrifying murders while drawing inspiration from ancient Hindu mythological texts.
The philosophical underpinnings in each episode, particularly the dichotomy of good and evil, add a deeper layer to the narrative. It’s not just about catching a criminal; it’s about understanding human nature and the inherent capacity for both good and evil within us all.
Asur season 1 Cast: Worth Applauding
The performances in Asur are top-notch. A notable digital debut is made by Arshad Warsi, known for his comedic roles, as a no-nonsense forensic expert. His portrayal of Dhananjay Rajpoot (DJ), an intense and egoistic senior forensic expert, is refreshing and showcases the versatility of the actor.
Barun Sobti impresses as Nikhil Nair, a forensic expert-turned-teacher, grappling with personal and professional conflicts. His performance successfully conveys the internal struggle and dedication of the character to his craft. The engaging narrative of the series is further elevated by the commendable performances of the ensemble cast, including Ridhi Dogra, Anupriya Goenka, Amey Wagh, and Sharib Hashmi.
Story of Asur Season 1
Asur Episode 1 – The Dead Can Talk
It’s 11 years ago in the holy city of Varanasi. A young boy, son of a priest, is being readied to take on his father’s role. But things take a strange turn. After a ritual by the river, the father asks his son for water. The next thing you know, the father’s lifeless body is sinking into the river. We see the son again, his face smeared with ashes by a group of Aghori saints, and in his hand, he holds a cut finger. Could this be his father’s finger? Did he…kill his father?
Episode 1 from Asur season 1
Now, let’s zoom out of this mystery and travel across continents to the present-day FBI Training Centre in the USA. Here, we meet Nikhil Nair, who left his CBI job to teach forensic science. “The dead can talk,” he tells his students, alluding to how the deceased provide enough evidence to catch their killer. He’s good at his job, his knack for deductions proved when his friend asks his opinion on a murder case. But his past still calls him back to the CBI, particularly through an incessant Shashank Awasthi.
The Horror begins
Meanwhile, a gruesome scene unfolds in Delhi. A woman’s body, assaulted and burnt, is discarded in a jungle, reduced to a gruesome spectacle. This news reaches Nikhil, causing distress at home. His wife, Naina, isn’t happy about him considering going back to CBI, a place he left for their family. This disagreement spirals into a full-blown argument, revealing the cracks in their relationship.
The next morning, a new crime scene is discovered in Delhi, a body left in a terrifying state. Dr. Dhananjay Rajpoot, also known as DJ, arrives at the CBI headquarters in New Delhi. An old photo of him and his wife, Sandhya, hints at some history. A surprising twist comes in the form of a mysterious audio file from the killer, taunting DJ.
Scene from Episode 1 of Asur season 1
As the episode concludes, we see Nikhil taking a painful decision, leaving his family in the USA to return to Delhi. At the same time, a terrifying discovery is made – the woman who was brutally killed was none other than DJ’s wife, Sandhya, a devastating revelation that leaves us gasping for more.
Asur Episode 2 – Rabbit Hole
In the second episode of Asur, we go back 18 years, to the ancient city of Varanasi. We meet Shubh, a curious child who has a unique approach to studying the Gita, leading his stern father to label him as ‘Asur ka avatar’. Shubh’s peculiarity is on full display, especially after a disturbing incident with a puppy.
In today’s time, the CBI team, still reeling from the gruesome murder of Sandhya, who was a renowned painter and DJ’s spouse, takes on the challenging task of uncovering the mystery.
This mystery leads them far away to Nagaland, where another person is found dead in the same creepy way. This is where Nikhil enter the scene.
Scene from Episode 2 of Asur season 1
Enter Nikhil, a seasoned investigator brought in to replace DJ in this complex case. Past friction between Nikhil and DJ add an undercurrent of tension to the proceedings. Nikhil, in collaboration with Nusrat, a forensic expert, starts to put together the chilling puzzle pieces, all seemingly leading back to DJ.
Hidden GPS systems, late-night autopsies, peculiar tattoos, and Sandhya’s secret abortion start to shape a troubling narrative, pointing towards DJ as the orchestrator of the grim deeds. As DJ is led away in cuffs, the audience is left pondering – is he truly guilty, or just a pawn in a more sinister game? The suspense thickens as the real killer watches the spectacle unfold.
Asur Episode 3 – Peek – a – boo
In the third episode of Asur, a flashback reveals Shubh’s childhood intelligence and anger issues.
In the present day, Nikhil receives coordinates and assembles his team to investigate. DJ is imprisoned while the killer strikes in Kolkata, causing a death by poisoning.
The Delhi coordinates lead to a coffin factory, but no suspicious activity is found. Nikhil suspects a buried victim and discovers DJ’s fingerprints on the money from a previous case. George, a shop owner, goes missing, and Nikhil finds him unconscious in a car near a graveyard.
Scene from Episode 3of Asur season 1
DJ warns Nikhil of imminent danger and reveals a personal connection. At the graveyard, the team discovers a coffin rigged with knives and gas, rendering them unconscious. A man in protective gear takes Nikhil to an unknown location, leaving the audience in suspense for the next episode.
Asur Episode 4 – Ashes from the Past
In the fourth episode of Asur, a flashback shows DJ’s presence during a havan(yagnam) ceremony where Shubh’s father is mysteriously poisoned.
Scene from Episode 4 of Asur season 1
In the present day, Nikhil goes missing, and his family arrives in India. Nikhil wakes up in a secluded place and communicates with the kidnapper through a landline phone.
Meanwhile, DJ receives old case files and analyzes them in jail. The kidnapper sends food to Nikhil but demands his cooperation to ensure his family’s safety. Nikhil observes the kidnapper’s characteristics and sees footage of his wife and daughter on television.
The kidnapper assigns Nikhil a task to suggest a method to murder Abhilasha Chandran, a woman involved in brain-mapping experiments. Nikhil proposes a plan involving a dental appointment and an MRI machine.
The kidnapper carries out the murder as instructed. CBI discovers another murder near a lake, prompting DJ to recall the suspicious incident in Varanasi. DJ joins the team at the underwater crime scene and suspects Nikhil’s involvement based on similarities to a past case. The episode leaves viewers questioning how Nikhil will communicate with DJ to escape the kidnapper’s clutches.
Asur Episode 5 – The Devil has a Face
In the sixth episode of Asur, a flashback reveals Shubh’s arrest for his father’s murder, with DJ working on the case.
Scene from Episode 5 of Asur season 1
In the present day, Naina learns about another victim and refuses to believe the theory that Nikhil might be the killer. Nikhil, disturbed by his actions, demands cigarettes from the kidnapper. Lolark seeks permission for DJ to work on the case from jail but is denied by Shashank Awasthi.
Nikhil watches the news about the neuroscientist’s body being found and becomes overwhelmed with guilt. Lolark visits Varanasi to gather information about Shubh and meets an ex-police officer. DJ attends a counseling session in jail led by Kesar Bhardwaj, where they discuss religion and karma. Awasthi finally permits DJ to work on the case, and a new team member, Samarth, joins. Lolark learns about Shubh’s peculiar behavior in jail before his alleged death in a fire.
The CBI team begins their investigation, and DJ realizes that the killer is using Nikhil’s family as leverage. Nikhil attempts to communicate by manipulating the television’s wiring. Samarth suggests studying the victims’ horoscopes, and Nikhil receives his second target, Aditya Jalan. Naina confronts DJ about the officers outside her home, and Lolark discovers Shubh’s records.
The episode ends with DJ recalling his interaction with Shubh during his arrest, hinting at a possible connection between Shubh and the killer.
Asur Episode 6 – The Firewall
Taking a different turn, the sixth episode of Asur begins with a flashback in Kolhapur, where a renowned painter narrates a story to his grandson about the defeat of the Asur Kali. However, the painter is brutally murdered by a masked man who claims to be sending a message to God.
In the present day, Nikhil plans to murder philanthropist Aditya Jalan, but struggles to breach his tight security. DJ contacts a Balinese mask instructor for information but learns that the instructor is blind. Nikhil battles with his past decisions and has an imaginary conversation with DJ for guidance.
Nusrat creates an age-progression photo of Shubh to see his current appearance. Lolark visits Shubh’s grandfather in Varanasi and discovers Shubh’s sketchbook filled with drawings of demons. DJ and Samarth consult a fake priest for horoscope analysis and later seek Kesar’s help. They learn that all the victims were born in the Delphinus constellation.
Another Hint & Hope
DJ realizes that the SIC database holds the required information and asks Rasul to breach its security. In a vision, Nikhil sees a way to murder Aditya using medicine. Rasul eventually hacks the SIC database with Naina’s assistance. Nikhil connects the television to a police walkie-talkie signal and continues studying forensic science books. DJ discusses Shubh’s story and sketchbook with Lolark.
The team suspects Aditya Jalan as the killer’s next target due to his charitable nature. The kidnapper calls DJ, confirming their suspicion and revealing the date of the planned murder. DJ wonders how the kidnapper obtained internal information. DJ and the team prepare for Aditya’s engagement with heightened security, but Aditya dismisses the threat. Rasul and Sajid attend the engagement, and DJ identifies a toy truck as a potential bomb.
The bomb detonates harmlessly in a freezer. However, the lights go out momentarily, and when they come back, Aditya is found dead, poisoned, with the killer’s Balinese mask nearby.
The episode leaves viewers intrigued about the aftermath of this incident.
Asur Episode 7 – Let There be Darkness
Straying from its usual path, the seventh episode of Asur, takes us back 10 years to Varanasi, where Nikhil visits Shubh in jail. Shubh refuses to admit his crime and blames DJ, leaving a cryptic message that they will meet soon.
The CBI struggles to recover from the failure to save Aditya Jalan. During Aditya’s autopsy, DJ and Nusrat discover that Nikhil used Aditya’s ulcer problem to poison him. Two additional non-toxic elements in Aditya’s bloodstream puzzle DJ, as they appear to be a message from Nikhil.
The kidnapper rewards Nikhil with cigarettes and hints at his omnipresence. DJ delves into Hindu mythology and consults Kesar for assistance. The team realizes that the killer targets achievers and believes himself to be the mythological devil Kali.
Nikhil has an imaginary conversation with Nusrat and recalls his past with Naina. DJ faces obstacles in the investigation, including a slow SIC server and the revelation that the podcast voice is not Kesar’s. Dhananjay(DJ) and Naina decipher Nikhil’s message, leading them to suspect Shubh’s involvement and an accomplice.
DJ decodes the meaning of two elements and sends teams to search corresponding coordinates in Delhi. Lolark suspects Kesar and provides DJ with a linguistic report. Naina tracks the killer’s search activity, and DJ requests Naina to add his name to the SIC database as bait.
The episode ends as the killer discovers DJ’s name in the database. The penultimate episode leaves viewers on the edge, anticipating the answers in the final installment.
Asur Episode 8 – End is The Beginning
The final episode of Asur takes us back 10 years to Varanasi, where DJ and Nikhil discuss Shubh’s case. DJ fabricates evidence against Shubh, leading to Nikhil’s resignation from the CBI.
In the present day, the search for Nikhil continues, and DJ anticipates the killer’s arrival at Central Jail to target him. The CBI discovers that Neeraj Jadhav, Radhika Venkatesh, and Umar Sayyed are missing, potentially the next targets. The kidnapper grows impatient, suspecting a trap set by DJ.
DJ becomes suspicious of Kesar and sends a team to his home. The three hostages are trapped in a chamber with limited oxygen, forced to fight for survival. DJ uncovers Kesar’s fake identity and his potential connection to Shubh. Rasul’s behavior raises doubt, especially when he attacks Lolark.
Scene from Episode 8 of Asur season 1
Nikhil escapes his confinement and collects crucial evidence from the kidnapper’s location.
A Big Revelation & A Twist
DJ manages to overpower the kidnapper in his room. However, during Shashank’s interrogation of Kesar, it is revealed that the kidnapper is part of Shubh’s cult.
The live broadcast shows the hostages’ desperate struggle for oxygen. DJ confesses his past fabrication to Shubh and takes pills in exchange for information.
Nikhil, Naina, and the backup team arrive at the chemical factory. Rasul challenges Nikhil to choose between his daughter and the hostages, resulting in a devastating choice. DJ’s condition worsens, and he is rushed to the hospital. Riya, Nikhil’s daughter, is poisoned by a member of the cult.
Lolark is killed by Rasul, and Radhika shoots Umar in a shocking turn of events. Naina and Nikhil find Riya dead, leading to an emotional outburst directed at DJ. Rasul, still hiding his true identity, takes Nikhil away.
Climax scene Asur season 1
The episode concludes with DJ’s suspension and the revelation that Rasul is the real Shubh.
Climax scene Asur season 1
Finally, the camera pans out as Shubh shares a chilling final gaze with DJ, leaving viewers on the edge of their seats and eagerly anticipating the next season.
Asur’s final episode delivers thrilling revelations and sets the stage for a potential second season, leaving viewers eagerly awaiting the future of the Shubh vs DJ and Nikhil conflict.
“Asur 2” is the much-awaited sequel of the critically acclaimed crime thriller series, “Asur.” Back for another intense ride into the murky realms of mythology and murder, the series takes us deeper into the chaotic life of forensic expert-turned-teacher, Nikhil Nair, played by Barun Sobti, and his former mentor Dhananjay Rajpoot, played by Arshad Warsi.
Why Should You Watch “Asur 2”?
If you enjoyed the gripping narrative of the first season of “Asur,” there’s every reason to look forward to its sequel. “Asur 2” promises a similar blend of crime, mythology, and thriller elements that made the first season a hit.
The sequel offers a chance to delve deeper into the complexities of the main characters, particularly Nikhil Nair and Dhananjay Rajpoot. Their quest to apprehend the devious ‘Asur’ promises to keep audiences glued to their screens. (Considering the first 2 episodes.)
Scoop (Netflix)
OTT Platform: Netflix Release Date: June 2, 2023 Directed by: Hansal Mehta Language: Hindi Cast: Deven Bhojani, Tannishtha Chatterjee, Tejasvini Kolhapure, Shikha Talsania, Tanmay Dhanania.
Among the riveting OTT releases this week, ‘Scoop’ stands out as an intense thriller drama series. The series, based on Jigna Vora’s memoir “Behind Bars in Byculla: My Days in Prison,” is set against the backdrop of a media hub and revolves around a crime reporter, Jagruti Pathak. Karishma Tanna plays Jagruti, a journalist whose life spirals out of control when she finds herself accused of the murder of a fellow journalist.
Scoop Trailer
The plot weaves a tale of ambition, power dynamics, and a fight for innocence, portraying the dark nexus between the police, underworld, and media.
Why Should You Watch “Scoop”?
“Scoop” is bound to intrigue you if you have a penchant for thrillers infused with real-world undercurrents. The series draws its premise from real-life events and presents a gripping narrative around the tough life of a journalist, her ambitious pursuits, and the dire consequences she faces.
Karishma Tanna brings the intricate character of Jagruti Pathak, a crime journalist, to life. She finds herself ensnared in a dangerous web of deceit and crime. The compelling trailer assures viewers of a series that delves deep into her struggle to clear her name, offering suspense, drama, and a strong dose of reality.
A Beautiful Life (Netflix)
OTT Platform: Netflix Release Date: June 1, 2023 Directed by: Mehdi Avaz Language: English Cast: Christopher, Inga Ibsdotter Lilleaas, Christine Albeck Borge
Adding to the variety of OTT releases this week, “A Beautiful Life” is an inspiring Danish musical drama movie from Netflix that follows the tale of a talented fisherman-turned-singer, played by singer Christopher.
Beautiful Life Trailer
The movie takes us through his journeyfrom an everyday fisherman to a singing sensation, after being discovered by a renowned music manager. As his life changes dramatically, the movie explores themes like love, passion, struggle, and the courage to chase dreams.
Why should you watch “A Beautiful Life”?
“A Beautiful Life” should be on your watchlist if you appreciate musical dramas that blend love, romance, and the inspiring journey of a character. It tells the story of a humble fisherman with an extraordinary voice, taking you on a captivating journey of transformation.
Additionally, the series skillfully portrays the challenges and obstacles that accompany newfound fame and personal exploration.
School Of Lies (Hotstar)
OTT Platform: Disney Plus Hotstar Release Date: June 2, 2023 Directed by: Avinash Arun Language: Hindi Cast: Nimrat Kaur, Varin Roopani, Divyansh Dwivedi, Aryan Singh Ahlawat, Hemant Kher, Parthiv Shetty, Adrija Sinha, and Aalekh Kapoor.
As you explore the OTT releases this week, don’t miss ‘School of Lies’, this is the one I was waiting for.
School Of Lies Trailer
Why should you watch “School of Lies”?
From the plot, I believe,”School of Lies” is a captivating suspense-drama series that deserves a spot on your watchlist. The series revolves around the mysterious disappearance of a 12-year-old boy named Shakti from his boarding school, uncovering dark secrets about the institution along the way.
What’s the plot of “School of Lies”?
The story is set in the fictional town of Dalton and primarily focuses on RISE, a private boarding school. When Shakti goes missing, Nandita Mehra, the school counselor played by Nimrat Kaur, takes it upon herself to investigate the case. As she digs deeper, she unravels unsettling truths about the school that were previously unknown. If you enjoy mysteries with gradual revelations, this series will undoubtedly captivate your interest.
Is “School of Lies” based on real events?
Yes, the creators of “School of Lies” have drawn inspiration from true events to craft their story. While they haven’t specifically referenced any real-life incidents, they assure viewers that the narrative reflects actual occurrences, adding an extra layer of realism to the suspenseful storyline. If you’re seeking a thrilling drama that draws from real-world events, this series is certainly worth exploring.
Hatyapuri (Zee5)
OTT Platform: Zee5 Release Date: June 2, 2023 Directed by: Sandip Ray Language: Hindi, Bengali Cast: Indraneil Sengupta, Abhijit Guha, Paran Bandyopadhyay, Supriyo Dutta
“Hatyapuri” revives the beloved detective character Feluda from the stories by the legendary Satyajit Ray. Directed by Sandip Ray, the son of Satyajit Ray, this film offers a modern interpretation of the classic detective story, set in contemporary times. The storyline revolves around a stolen ancient manuscript and a mysterious death, essentially presenting a thrilling whodunit narrative.
Hatyapuri Trailer
Why you should watch Hatyapuri
Classic Whodunit: If you enjoy engaging mysteries that keep you guessing until the end, “Hatyapuri” is a must-watch. Unlike some previous Feluda films that leaned more towards thrillers, this film stays true to the essence of a traditional whodunit, keeping the audience in suspense regarding the identity of the villain.
Nostalgia: For fans of Feluda, this film will evoke a sense of nostalgia. It successfully captures the essence of the original series while bringing it into a modern setting.
Strong Cast: Indraneil Sengupta’s portrayal of Feluda has received widespread acclaim. His fluency in Bangla and nuanced performance establish him as a worthy successor to the iconic role. Additionally, supporting performances, particularly from Paran Banerjee and Subhashish Bhattacharya, shine in the film. The impactful soundtrack, composed by Sandip Ray, enhances the emotional resonance of each scene.
Why you might want to skip Hatyapuri
Lack of Modernity: Despite its contemporary backdrop, some viewers may feel that the film’s script doesn’t fully reflect the modern times. While it maintains a period piece sensibility, it may not resonate with those seeking a truly contemporary story.
Less Thrilling: In contrast to some previous Feluda films that offered high levels of action and thrill, “Hatyapuri” relies more on Feluda’s intellect to solve the case. If you prefer action-packed thrillers, this might not be your cup of tea.
Ugram (Prime)
OTT Platform: Amazon Prime Release Date: June 2, 2023 Directed by: Vijay Kanakamedala Language: Telugu Cast: Allari Naresh, Mirnaa Menon
In ‘Ugram’, we meet K. Shivakumar (Allari Naresh), a principled yet aggressive police officer known for his strong stance against corruption and his willingness to resort to custodial torture in his pursuit of justice. However, the narrative takes a twist when Shivakumar’s wife and daughter mysteriously vanish.
The film then unfolds in two distinct halves, with the first focusing on the typical cop drama and the second delving into Shivakumar’s desperate search for his missing family.
Ugram Movie Official Trailer
Why You Should Watch Ugram
Allari Naresh’s Performance: Despite the fragmented narrative, Allari Naresh delivers a dedicated performance as a distressed cop. His physicality and action sequences are impressive, showcasing the passion and intensity of his character.
Action Sequences: Ugram stands out for its well-choreographed and executed action sequences. They are slick, intense, and provide a thrilling visual experience for viewers.
Realistic Cop Drama: If you are a fan of gritty and intense cop dramas with an investigative angle, Ugram offers a familiar yet captivating terrain to explore.
Why You Might Want to Skip Ugram
Ugram might not be a compelling OTT releases this week for you, because of the follwoing reasons.
Disjointed Narrative: The plot tends to lose its way due to the constant shifts between the cop drama and the personal tragedy thriller. This inconsistency makes it challenging to maintain a cohesive narrative flow, thereby diluting the overall intensity of the film.
Stereotypes & Misrepresentation: At times, Ugram resorts to harmful stereotypes, particularly in its portrayal of gender roles and women. These instances may be discouraging for some viewers seeking more progressive storytelling.
Lack of Emotional Depth: While Ugram presents well-executed action sequences, it falls short in terms of emotional depth. The film fails to establish a strong emotional connection with the audience, which could have made the action sequences more resonant and impactful.
Mumbaikar (Jio Cinema)
OTT Platform: Jio Cinema Release Date: June 2, 2023 Directed by: Santosh Sivan Language: Hindi, Tamil Dubbed Cast: Vikrant Massey, Vijay Sethupathi, Ranvir Shorey, Sachin Khedekar, Tanya Maniktala, Sanjay Mishra
https://www.youtube.com/watch?v=6-RpbvyLSDw
Mumbaikar Trailer
Mumbaikar, a remake of Lokesh Kanagaraj’s debut film Maanagaram, brings forth an intriguing narrative. The original film, Maanagaram, revolves around Sri, an engineering graduate from a small town, who unwittingly gets entangled in a complex web of criminal activities in Chennai. This includes the kidnapping of a gangster’s son. The original movie takes audiences on a thrilling journey filled with mistakes, mix-ups, and the harsh realities of urban life.
Though it’s remake of Lokesh Kanagaraj’s debut film, ‘Mumbaikar’ adds to this week’s exciting OTT releases beacuse of the star cast.
Vishwak (Zee5)
OTT Platform: Zee5 Release Date: June 2, 2023 Directed by: Venu Mulkala Language: Telugu & Tamil Cast: Ajay Kathurvar, Dimple K
Lastly, among this week’s OTT releases, we have ‘Vishwak’, a tale of a graduate’s struggle.
Vishwak Trailer
Vishwak, an innovative graduate, as he grapples with decisions regarding his future. Will he chase his entrepreneurial dreams in his hometown or bow down to societal pressure and move abroad?
How South Film Industries are different in their ideologies? Are they Promoting Anti-Hindu elements? Why are Brahmins often targeted in Tamil films? Why is Tamil Movies are anti-Hindu or anti-God 😀 ? Is it a threat for Hinduism?
In recent times, there has been a prevailing notion among certain fanatic cyber warriors that Tamil and Malayalam movies are anti-Hindu, while Telugu movies are considered more pro-Hindu.
However, if you look closer, you will get a different narrative altogether. In this article, we will try to see a different shade of Tamil cinema (Kollywood) and explore how it is different from other industries.
If you don’t have much time, this is a short and sweet answer.
Neo Wave Tamil Cinema: Breaking the Shackles of Casteism & Oppression.
Movie Posters
The Neo Wave Tamil cinema movement, led by directors like Vetri Maaran, Ram, and Mari Selvaraj, directly addresses the issue of casteism. These films aim to break down caste barriers and raise awareness about the oppressive nature of the power.
Dravidian Identity: A Counterbalance to Hindu Nationalism
Tamil cinema has a strong connection with promoting the Dravidian identity. Filmmakers like Karunanidhi and Pa. Ranjith have used their films to support the Dravidian movement, which challenges the dominance of Hindu nationalism promoted by right-wing ideologies. Regional parties in Tamil Nadu actively support and endorse this expression as it is closely tied to their existence.
Now, let’s see other industries, in south, and let’s understand, how they are diversified in their core.
Kannada Cinema: Celebrating Linguistic Pride and Ethnic Minorities
In Kannada cinema, there is a strong emphasis on celebrating the language and Kannadiga pride, especially in popular mainstream films featuring superstars.
Furthermore, the emerging neo-wave Kannada films (Shetty gang) embrace and highlight the cultural heritage of the region, including its ethnic minorities.
These films explore the conservative perspectives from the past, emphasising the significance of preserving one’s roots and heritage.
Malayalam Cinema: A Diversified Motives in Narratives
The Malayalam film industry can be categorized into three distinct genres.
Firstly, there are films that promote communism and align with left-liberal ideologies. These movies often reflect progressive and socially conscious narratives but heavily biased with communism.
Secondly, there are films that explore stories related to the Islamic faith, particularly centered around the Malabar region. These movies shed light on the unique cultural aspects and experiences of the Muslim community.
Lastly, there is a group of creators who address a range of social issues, including casteism, oppression, bureaucratic atrocities, conservative mindsets and body shaming.
They challenge prevailing neo-wave thoughts and contribute to a diverse cinematic landscape in Malayalam. Notable creators in this realm include Jithin Issac Thomas, Krishaand, Ratheesh Balakrishnan Poduval, Don Palathara, Lijo Jose Pellissery, Shyama Prasad and Arun Kumar Aravind.
One distinct feature of Mollywood compared to all other industries is, Mollywood won’t promote linguistic pride, rather it talks against regionalism.
Telugu Cinema: Multiple Shades of Saviours, United by a Common Goal: Profit
Telugu cinema presents a diverse range of narratives and ideologies but with a common root: Conservatism.
Tollywood’s inclination towards conservatism can be attributed to a significant diaspora audience residing abroad. Telugu movies often evoke a sense of nostalgia and cultural pride among this diaspora community, creating a strong connection and a feeling of pride in their heritage.
The Sukumar school of filmmaking strongly promotes native culture and conservative values rooted in the past. In contrast, the Balakrishna and NTR schools perpetuate the aura of royal lineage and uphold brahmanical racial purity.
Another significant aspect of Telugu cinema is its dedication to portraying Hindu mythology and its symbols. Directors like Trivikram, Rajamouli, Koratala Siva, and Boyapati Srinu lead the way in bringing these mythological narratives or symbols to life on the big screen.
Additionally, emerging talents in Telugu cinema are increasingly busy with promoting Telangana dialect and celebrating linguistic pride.
However, it is worth noting that Telugu films often do not explicitly address the social issues mentioned in other industries. Films like Viduthalai, Taramani, Kadaisi Vivasayi may be rare in the Telugu film industry.
Why Tollywood Is Not Getting A Renaissance
The Telugu film industry is largely governed by a few influential figures, and all of them belong to any of the 2-3 castes, either Kamma (NTR Family, ANR Family, Nani & Mahesh Babu) or Kapu (Mega Family) or Kshatriyas (Prabhas, Ravi Teja & Sunil).
Even the writers or lyricists belong to the same group, be it great lyricists or writers, like Aathreya, Aarudra, Sri Sri, Veturi, Sirivennela, Ramajogayya Sastry, Jonnavithula, Tanikella Bharani, Avasarala Srinivas, K Viswanath, or Trivikram (all are Brahmins, if I am not wrong, but that’s not the point; the point is representation and diversities of identities)…
Secondly, neo-producers often characterized as oligarchs, whose primary focus is on business profitability. Consequently, aspects beyond commercial considerations are often given secondary importance.
It is crucial to understand that Tamil cinema, alongside other regional film industries, is not anti-Hindu. On the contrary, it actively promotes social equality, addresses casteism, and incorporates Hindu philosophy in its unique way.
Do you remember the film “Arangetram” where a purohit’s daughter turns to prostitution to uplift her family’s fortunes?
K Balachander, Kamal Hassan in Arangetram
It’s been exactly fifty years since its release in 1973, directed by K. Balachander, a Tamil Iyer filmmaker often seen with holy ash on his forehead.
Being pro-Hindu or pro-any religion goes beyond blindly following orders or ideologies. It also entails the ability to criticize and refine, which is what makes Hinduism a liberal religion.
From Shankaracharya to K. Balachander, they all engaged in critiquing and fixing the system instead of blindly adhering to ancient manuscripts and commandments.
“Anti-Hindu” is a lens, if one holds extremely pro – Hindutva views, you will find any critic as a threat.
Now let me tell you a secret, that rarely people understands: It’s not only Telugu Films, Tamil Films are also great at promoting Hinduism. But both are not same.
How does Tamil cinema incorporate and promote Hindu philosophy?
For those interested in delving deeper, it’s worth noting that Tamil cinema is actually at the forefront of promoting Hinduism.
The term “anti-Hindu” is an ambiguous word, leaving us wondering what truly constitutes a film as anti-Hindu. Does it require explicit portrayal of Hinduism or Hindutva or its symbols to be considered pro-Hindu?
And who has the authority to determine these categorizations?
Before answering these questions and understanding the anti-Hindu or pro-Hindu elements in the Tamil film industry, let’s talk about Hinduism and its nuances.
Exploring the Nuances
Through conversations with a diverse range of individuals, including liberals and ultra right-wing fanatics, I’ve discovered that the true depth and adaptability of Hinduism often go unnoticed.
When compared to Abrahamic religions, Hinduism stands out with its tolerance and flexibility, offering a unique perspective. Hindusim doesn’t believe in Supremacy of one god and it help the followers to be tolerant to other religions & beliefs.
Now, let us see the essence of Hindusim, through the lens of a liberalist.
Hinduism: Beyond Religion
Hinduism transcends conventional religious boundaries and encompasses a way of life and a rich cultural framework. It move into profound existential questions, explores the purpose of life, and intricately examines the relationship between humanity and the divine.
At its core, Hinduism is way of life (just like Democracy), shaping a holistic worldview (Loka samstha sukhino bhavanathu).
Fundamental Philosphies
To understand how South movies, especially Tamil films, promote Hinduism, it is essential to explore some of the unique philosophies within the religion.
These philosophies form the very foundation of many Tamil films, resonating with audiences and communicating profound messages.
The Cycle of Rebirth
Reincarnation, a central belief in Hinduism, explores the concept of the soul’s successive rebirth in new bodies after death.This aligns with the idea of a cyclic theory of time, where the divine takes multiple incarnations to restore cosmic harmony.
Translation: “Whenever there is a decline in righteousness and an increase in unrighteousness, O Arjuna, I manifest Myself on earth.”
Awe, Nenjam Marapathilley, Maanadu, 24 Movie posters
From 1963 film “Nenjam Marappathillai” to Films like “Maanaadu,” or the bilingual film “Awe” directed by Prashanth Varma, or Suriya’s “24,” and Vishnu Vishal’s “Indru Netru Naalai” beautifully showcase this philosophy of reincarnation or cyclic theory of time.
Atman and Brahman
Hinduism introduces the concept of Atman, which refers to the individual self or soul. Hinduism believes that Atman is eternal and intricately connected to the god or divine power known as Brahman. Unlike the Abrahamic religions that view the soul as a distinct, separate entity created by God, Hinduism emphasizes the inseparability of the individual self (soul) from the divine.
“The self is never born nor does it ever die; nor having come to be will it ever cease to be. The self is unborn, eternal, ever-existing, undying, and primeval.” (Chapter 2, Verse 20)
This fundamental philosphy is different from the idea of resurrection.
While Abrahamic religions such as Christianity, Islam, and Judaism believe in the resurrection of the physical body in a transformed state, Hinduism presents a different perspective.
Tamil Films Promoting this Core Philosophies are many. Let’s explore a few remarkable examples:
Image credits: Amazon prime
Kamal Hassan’s “Anbe Sivam” (2003)
This thought-provoking film revolves around the concept of “Ayam Atma Brahma,” highlighting the belief that the divine essence resides within each of us. It celebrates the profound connection between individuals and the divine, fostering empathy, compassion, and spiritual growth.
Image credits: Amazon prime
Bala’s “Naan Kadavul” (2009)
Directed by Bala, “Naan Kadavul” embodies the essence of Hindu philosophies with its exploration of divine intervention, the paths of karma, and the transformative power of devotion. It delves into the complexities of human existence, while emphasizing the cosmic interconnectedness between mortals and the divine.
Naan Kadavul Poster with “Aham Brahmasmi” tagline.
“Karnan” by Mari Selvaraj
“Karnan” weaves a powerful narrative rooted in social justice and equality, drawing inspiration from ancient Hindu epics. It highlights the struggles of the marginalized and champions the notion of dharma (righteousness) against oppression, the hero is supported by the soul of his sister.
This list won’t ends here, it’s long.
Diverse Paths to Salvation
In Hinduism, individuals have the freedom to choose from multiple paths to attain spiritual liberation.This is in contrast to Abrahamic religions, which often advocate a more singular path to salvation
Karma Yoga
Karma Yoga advocates selfless service as a means to spiritual growth. It emphasizes performing actions with a sense of duty, without seeking personal gain. Tamil heroes often deliver dialogues that reflect this philosophy, inspiring audiences with the importance of altruistic heroism.
“Karmanye vadhikaraste Ma Phaleshu Kadachana, Ma Karma Phala Hetur Bhurmatey Sangostva Akarmani.” (Chapter 2, Verse 47)
Krishna advises Arjuna to focus on his duty without being attached to the outcomes or being driven by personal desires. He emphasizes the importance of selfless action.
Bhakti Yoga
Bhakti Yoga focuses on devotion and love for the divine. It involves cultivating a deep and personal relationship with a chosen deity or form of the divine. While this philosophy was more prominent in the 80s and 90s, its representation has become relatively rare in contemporary Tamil cinema.
Jnana Yoga
Jnana Yoga centers around knowledge and wisdom. It emphasizes the pursuit of self-realization and understanding the true nature of oneself and the universe. Modern Tamil heroes and heroines often embody this philosophy, celebrating personal freedom and intellectual introspections.
Tamil Films Showcasing Diverse Paths & Moksha
Films like “Oh My Kadavule” (2020), Thiagaraja Kumaraja’s “Super Deluxe,” Vikram’s “Anniyan,” Manikandan’s “Kadaisi Vivasayi” and Suriya’s “7 am Arivu” serve as noteworthy examples that showcase the philosophy of diverse paths to salvation and talks about Moksha. These films explore different aspects of the paths to liberation, offering audiences thought-provoking narratives that inspire introspection and self-discovery.
Hinduism introduces the profound concept of Karma, where the consequences of one’s actions and intentions shape their future experiences and circumstances. Even God can’t escape Karma.
In contrast, Abrahamic religions emphasize the concept of divine judgment, where individuals are held accountable for their actions and face rewards or punishments in an afterlife.
In simpler terms, irrespective of prayers, good deeds, or repentance, Karma remains as a nasty b**ch which follows individuals throughout their lives. Tamil cinema frequently explores these themes, offering thought-provoking narratives that showcase this nasty face of Karma.
Prominent Examples which explore Karma in Tamil Cinema
Tamil films have explored the depths of Karma, presenting captivating stories that reflect the consequences of one’s actions.
Let’s explore some noteworthy examples:
Nalan Kumarasamy’s “Andavan Kattalai” examines the struggles of two individuals as they face the repercussions of their choices, illustrating the complex workings of Karma.
Kamal Hassan’s iconic film “Nayagan” portrays the journey of a gangster grappling with the Karmic consequences of his actions, ultimately seeking redemption.
Manikandan’s “Kutrame Thandanai” delves into the life of a man caught in a web of events driven by Karma, highlighting the impact of past actions on the present.
Two scenes from Thiagaraja Kumaraja’s Super Deluxe
Films like “Dashavatharam,” “Super Deluxe,” and “Katradhu Tamizh” also explore the themes of Karma, inviting audiences to contemplate the interconnectedness of actions and their consequences.
Dharma: Morality and Ethical Duties
Hinduism embraces the concept of Dharma, encompassing moral and ethical duties. It recognizes that moral standards can vary based on circumstances, life stages, and social roles.
Abrahamic religions often adhere to a divine commandments and sins, where moral standards are considered fixed and rooted in the commands of God. In Hinduism it’s not black and white, rather it’s grey.
The conversation between Arjuna and Krishna during at Kuruskhetra is the proof for this.
“Better is one’s own dharma, though imperfectly performed, than the dharma of another well-performed. Better is death in one’s own dharma; the dharma of another is fraught with fear.” (Chapter 3, Verse 35)
Filmmaker Thiagaraja Kumaraja aptly captures this philosophy in his own words, “Yethu Thevaio Athu Dharamam” (What we need is Dharma).
Films like “Aaranya Kaandam” and “Super Deluxe” illustrate this philosophy, where the concepts of right and wrong become blurred. These works challenge viewers to navigate through the shades of gray, exploring the complexities of morality and the multifaceted nature of human actions.
A Scene from Super Deluxe
There is nothing absolute right or wrong; it’s all depending upon the lenses and the needs. Essentially, It’s about you and your survival.
Maya: The Illusion of the Material World:
Hinduism introduces the concept of Maya, acknowledging that the phenomenal world is an illusion, and true reality lies beyond the perceptions of the senses.
In contrast, Abrahamic religions generally consider the physical world as real, created by god and not inherently illusory.
“The wise mourn neither for the living nor for the dead.” (Chapter 2, Verse 11)
Once again, director Thiagaraja Kumaraja delves into the concept of maya in his recent film “Ninaivo Oru Paravai,” questioning the boundaries between reality and imagination.
Even Thiagaraja Kumaraja’s “Super Deluxe” talks about the same in the end with the characters alien and Gajji.
Vijay Sethupathi’s disappearing scene from Kadaisi Vivasayi
Films like “Bogan” by Lakshman, “Awe” by Prashanth Verma, “Kadaisi Vivasayi” (Vijay Sethupathi track) by Manikandan, “Diary” by Arulnithi, “Eeram” by Arivazhagan, “Karnan” by Mari Selvaraj, and “Deja Vu” by Arvind Srinivasan also touch upon the theme of Maya. One personal favorite is Nalan Kumarasami’s “Soodhu Kavvum.“
These films challenge our perception of reality, inviting us to contemplate the illusory nature of the material world and the deeper truths that lie beyond.
Panentheism: Divine Presence in Nature
One striking aspect of Hinduism is its belief in panentheism, acknowledging the divine presence within all aspects of the natural world.
This one is my personal favourite philosophy considering Hinduism as a way of life. All the ancient civilisations followed this.
This sets it apart from the monotheistic beliefs of Abrahamic religions, which emphasize the existence of a singular God or Supreme God.
Hinduism perceives the divine as immanent within nature and all living beings.
I remember when I was a child, I was scared of a centipede and tried to kill it. Then my grandma shouted at me, “Lakshmi Devi” will curse me if I kill a centipede. Because the centipede is Lakshmi Devi’s chariot. This might sound ridiculous, but there is a strong impact on nature. After that incident I never intentionally hurt any animals or reptiles, be they a snake, a spider, a lizard, or a dog. It’s a fear, for a good cause.
Everything in nature is related to God. From Ganges, Himalayas, Rats, Snakes to even Ashes.
This pantheistic approach fosters a deep sense of interconnectedness, reverence, and responsibility towards the nature..
Environmental Conservation and Sustainability
Hinduism’s panentheistic perspective aligns harmoniously with efforts towards environmental conservation and sustainability. By recognizing the divinity in nature, Hinduism instills a profound respect for and protection of the environment. It promotes the idea that humans have a sacred duty (dharma) to preserve and care for the natural world, perceiving it as an integral part of their spiritual journey.
The film “Kadaisi Vivasayi” directed by Manikandan, serves as a remarkable example that exemplifies these themes.
Hinduism’s panentheistic perspective
Kadaisi Vivasayi’s title card is shown with a shot of a peakcock on the rock and a song in the background, which translates to “Whether you are a figment of imaginations or an idol made by humans, Muruga, you have a boundless devotion.”
In the movie, later, the farmer asks the court, “How can I kill Murugan’s peacocks?” Will write another post on this soon.
Through the portrayal of peacocks, paddy fields, trees, and stones as divine entities, the movie beautifully captures the interconnectedness between humans and the natural world.
Farmer talking about his paddy fields
It emphasizes the significance of living in harmony with nature, showcasing the traditional practices of elderly farmers who deeply respect and protect the environment.
Personal Freedom and Fanaticism
It is essential to note that the philosophies discussed here aim to empower individuals rather than impose religious dogmas or the authority of a godman.
That is why I said, Hinduism is a way of life.
Unfortunately, some fanatics distort these philosophies in the name of culture and heritage, thereby disrupting the true essence of this “way of life” nature of Hinduism.
I have heard stories from my friends about the challenges they face when it comes to inter-religious marriages. They often share the consequences they encounter from church communities and religious dogmas.
In many cases, if they marry someone from another religion, the expectation is that the non-islamic partner must convert, or else the community may resort to ostracizing the family.
It’s disheartening to witness the impact of such rigid beliefs on personal choices and the potential for social exclusion.
Thankfully, as a Hindu, I have the freedom to marry a girl from any community without interference from temples or pandits. However, I am concerned that these fanatics may soon infringe upon this freedom of choice in the name of religion and culture.
In my opinion, those who attempt to confine this vast philosophy within rigid structures and commandments are the ones who are anti-Hindu.
On the other hand, those who promote the philosophy and question or criticise the evils in beliefs can be considered pro-Hindu.
Sirf Ek Bandaa Kaafi Hai Review: This is a powerful courtroom drama that tells the extraordinary story of an ordinary lawyer, P.C. Solanki, played by the talented Manoj Bajpayee.
Bandaa Title card
Plot: Sirf Ek Bandaa Kaafi Ha
The story unfolds in the heart of Delhi, where a brave young girl (Adrija Sinha) steps forward to accuse a highly influential godman, referred to as ‘Baba’, of sexual abuse.
P.C. Solanki, despite being a small-time lawyer, accepts the daunting task of representing the girl in court, fully aware of the serious dangers and challenges he will face. The girl’s parents hire him after their previous lawyer is exposed trying to take a bribe from Baba’s allies. Solanki faces bribery, witness intimidation, and even murder. But he never gives up. He fights for the girl and eventually wins her case.
How he wins the case against the odds, is what makes it interesting.
Outside the courtroom, Solanki, a devout Shiva worshipper, provides emotional and moral support to the victim, reinforcing her faith in justice. His firm belief in righteousness and his dedication to his profession helps him combat the threats that come his way.
P.C Solanki is a well-written character, you will understand that from the beginning itself.
The film “Sirf Ek Bandaa Kaafi Hai” showcases the tenacity of the common man and salutes the resilience of survivors of sexual abuse.
“Sirf Ek Bandaa Kaafi Hai” is inspired by the infamous 2013 case involving Asaram Bapu, a self-proclaimed godman in India. Asaram Bapu was convicted and sentenced to life imprisonment for sexually abusing a minor girl studying in one of his educational institutions. The character P.C. Solanki, played by Manoj Bajpayee in the film, is based on the real-life lawyer who took on the formidable task of legally challenging the influential godman.
Indeed, a significant and tragic element of the real-life case that parallels the movie is the intimidation and violence faced by witnesses, including multiple murder attempts and successful assassinations.
The Asaram Bapu case saw key witnesses facing extreme threats and violence for their willingness to testify against the godman. At least three key witnesses met their untimely death, with others surviving attacks or receiving death threats. These incidents appeared as clear attempts to intimidate other potential witnesses and obstruct the course of justice.
Similarly, in “Sirf Ek Bandaa Kaafi Hai,” there are scenes showing the escalating violence against those associated with the case, including attacks on the lawyer P.C. Solanki, played by Manoj Bajpayee.
While the movie does not explicitly name Asaram, the narrative follows a similar trajectory, building towards a climactic courtroom judgement.
Cast & Performances
“Sirf Ek Bandaa Kaafi Hai” showcases truly extraordinary performances, with standout acts by Manoj Bajpayee and Adrija Sinha significantly enhancing the film’s impact.
Manoj Bajpayee, playing the role of P.C. Solanki, personifies the heart and soul of the film. He is well-known for his intense roles, but in this film, he steps up his performance even more. His depiction of a small-town lawyer who dares to challenge the powerful godman is an eye-pleasing performance.
Manoj Bajpayee as P C Solanki
Manoj Bajpayee infuses authenticity and a quiet dignity into P.C. Solanki’s character, anchoring the film with his nuanced and heartfelt act. His exceptional talent illuminates every scene, further strengthening his status as one of India’s finest actors.
Adrija Sinha as Nu (Sirf Ek Bandaa Kaafi Hai)
Playing the role of the young victim, Nu, Adrija Sinha delivers a potent performance. Even as a newcomer in the industry, Adrija Sinha’s portrayal of Nu is touching and invites empathy. She convincingly depicts the character’s initial vulnerability and her subsequent evolution as she courageously confronts her trauma. Adrija Sinha’s sensitive performance leaves a deep impression on viewers and earmarks her as a promising talent for the future.
Furthermore, the entire cast of “Sirf Ek Bandaa Kaafi Hai” excel in their roles, enriching the film with depth and complexity. Each character comes to life through dedicated portrayal, creating a believable world where the story unravels.
Writer Deepak Kingrani & Director Apoorv Singh Karki
Deepak Kingrani’s writing in “Sirf Ek Bandaa Kaafi Hai” combines simplicity with depth and substance. He brilliantly exposes the complexities of a legal battle and the mental fortitude required for a victim to withstand such a dreadful experience.
His characters, from the firm lawyer, P.C. Solanki, to the brave young victim, exhibit a balance between strength and vulnerability.
These characters appear as highly respected legal minds in the film, their expertise and the respect they command depicted with striking authenticity.
Apoorv Singh Karki’s direction matches Kingrani’s writing perfectly. Karki treats the subject with great care, guaranteeing the film’s respectfulness and authenticity.
He doesn’t sensationalize the courtroom scenes; he paints them as crucial and intense, yet avoids excessive drama. Karki subtly enhances the atmosphere of danger and fear surrounding the main character. The scene where two men on a motorcycle follow P.C. Solanki illustrates this – it creates suspense and fear without relying on over-the-top action or dialogue.
Is It Worth Watching?
Powerful Performances from our very own Family Man & Adrija Sinha
Intriguing Storyline: How a common man ace against the odds, How a 16 year old set the mindset for fighting against the evil minds in the society, how a lawyer setting victim’s mindset.
Adrija Sinha as Nu
Trust me, it’s worth watching this.
Social Relevance: The film tackles important social issues, focusing on the real struggles faced by victims of sexual assault, their fight for justice, and societal prejudices.
Especially, there is a conversation between Manoj Bajpayee & Victim’s father during their first meeting at his office. It’s an eye-opening narration for every parent.
Some small disappointments are: Though the storytelling is quite compelling, the film could benefit from more dynamic cinematography.
Using more varied camera angles and innovative lighting techniques could add visual layers to the narrative, making certain scenes more impactful.
Similalrly, more investment in the set design and understanding the nuances of court proceedings could have helped build a stronger environment.
The title of the movie Kathal (2023), which translates to ‘Jackfruit’ in English, is a curious choice.
It is this curiosity which makes me give a try for this comedy-thriller from Netflix this week. Maybe, we can consider it as an answer to Amazon Prime’s Dahaad, which released last week, considering the core plot.
Yashowardhan Mishra’s direction takes us through an eventful narrative, highlighting the socio-political dynamics, caste prejudices, and gender biases in an Indian semi-urban setting.
Kathal Movie, Image credits: Netflix
Plot of Kathal (2023)
The plot revolves around a bizarre case of missing jackfruits that propels the story into unexpected territory.
The jackfruits aren’t your regular type; they’re a rare breed from Malaysia, owned by a local MLA (Vijay Raaz) who values them highly, not for their taste, but for their role in his political ambitions.
These jackfruits, when pickled, are his secret recipe to win over political allies. One day, the jackfruits mysteriously vanish from his garden, throwing the town into a frenzy.
Here comes our heroine, Inspector Mahima Basor(Sanya Malhotra). She’s a dedicated and diligent police officer, driven by her commitment to solve crimes and bring justice.
When this peculiar case of the missing jackfruits falls into her lap, she doesn’t shy away. Instead, she dives right into the heart of the mystery, unafraid of the oddities and absurdities it brings.
But just as she begins to unravel the enigma of the missing jackfruits, she stumbles upon an even darker secret lurking beneath the town’s surface.
This unexpected twist takes her on a path that is far removed from her initial assignment.
Find The Answers by Watching Kathal(2023)
So, what does Inspector Mahima find?
What does the missing jackfruit case have to do with the darker mystery she uncovers?
And can she manage to solve these intertwined cases while dealing with the complexities of her personal life and the societal biases of her small town?
Well, to get these answers, you’ll have to dive into the vibrant world of “Kathal”
Trust me, it’s a ride filled with comedy, intrigue, and a dose of social satire you wouldn’t want to miss!
Perfect Casting With Poor Costumes
The performance of the “Kathal” cast is truly one of the highlights of the movie, bringing depth and authenticity to the storyline.
The lead role of Inspector Mahima Basor is played by the versatile Sanya Malhotra, who has already proven her acting prowess in several previous roles. I believe she is the new Radhika Apte of Netflix.
In “Kathal,” she continues to impress, beautifully balancing her character’s charm and firmness. She delivers a performance that’s both compelling and endearing, offering a fresh portrayal of a diligent police officer.
Sanya Malhotra & AnanatVijay in Kathal
Supporting Sanya is the talented Anantvijay Joshi. His portrayal of a junior police officer brings a dynamic element to the film, contributing to its overall charm and depth.
Neha Saraf, known for her excellent comic timing, also joins the “Kathal” cast, portraying the challenges of a professional woman balancing work and domestic duties. Her performance adds another layer of relatability to the story.
Veteran actors Vijay Raaz and Rajpal Yadav bring their trademark humor and style to their roles as a manipulative MLA and an enthusiastic local journalist, respectively. Despite the peculiar choice of wigs for their characters, they manage to deliver performances that are both enjoyable and memorable.
Rajpal Yadav and Vijay Raaz in Kathal
Why Should You Watch Kathal Movie ?
The “Kathal” movie is a perfect blend of social commentary, humor, and excellent performances.
A shot from Kathal Movie, Image credits: Netflix
It sets itself apart by using a unique storyline – the mysterious disappearance of two prized jackfruits – to highlight deeper issues prevalent in society.
One of the key reasons to watch the “Kathal” movie is its successful portrayal of the socio-political landscape of small-town in North India.
It doesn’t resort to preaching or making lofty statements. Instead, it nudges viewers gently towards acknowledging and understanding the biases and loopholes in our society.
The nuanced performances of the “Kathal” cast further enrich the film. Sanya Malhotra’s character, Inspector Mahima, is particularly noteworthy. She is not just a police officer on a mission, but a woman striving for respect and equality in a male-dominated world.
The movie also benefits from its balance of serious themes with light-hearted moments. The injection of humor keeps the tone enjoyable, ensuring that the audience stays engaged while absorbing the film’s key messages.
In conclusion, if you appreciate cinema that makes you laugh while also making you think, the “Kathal” movie is a must-watch.
“Ninaivo Oru Paravai,” directed by Thiagarajan Kumararaja as part of Amazon’s Modern Love: Chennai, will share a similar aesthetic experience with films like Eternal Sunshine of the Spotless Mind and Wong Kar Wai’s In the Mood for Love.
In these films, characters are often framed by the rectangle of the film frame, as well as by smaller internal shapes. This create a sense of separation and isolation or a sense of mystery and intrigue.
Frames from ‘In The Mood For Love” & “Ninaivo oru Paravai”
As suggested by the title, “Ninaivo Oru Paravai” (Memory is just a bird), memories are ephemeral, free-spirited, and mutable.
I hope you might have seen, 2000’s Memento or if you are a film enthusiast, you might have seen 1975 “The Mirror”.
Just as Nolan manipulates our perception in “Memento,” Kumaraja crafts an immersive experience, challenging the viewer to distinguish the boundary between hallucination, film inside the film, and reality.
Like a complex maze with a thousand doors, each revealing a new riddle, “Ninaivo Oru Paravai” presents an intricate puzzle.
Let’s Open The Door: Ninaivo Oru Paravai Explained
Here is one possible interpretation from my side:
Our main character, K, scripts a story about a couple going through three breakups, one patch-up, and three intimate moments, filled with scenes that connect these elements into a coherent narrative.
Sam, who read K’s script, starts experiencing hallucinations about incidents mentioned in the script after their breakup.
Let’s see what’s in K‘s film.
The story begins with an intimate moment between Hero and Heroine, the only elements of their identity that we know is that hero is an aspiring film maker. The leftover dialogues suggest they’ve chosen to separate, marking their first breakup.
Ninaivo oru Paravai opening scene
What led to this?
They met on a film set in July, when they were both junior actors. They fell in love fast and became intimate.
Notes by K & Messages from Sam’s mobile
Six months later, they made the decision to live together. We see them enjoying their time together.
Six Months reference: Ninaivo Oru Paravai
One rainy night, an astrologer warns them about an upcoming separation.
Jyosya Scene from Ninaivo Oru Paravai
This makes the heroine worry and feel insecure, and she becomes possessive.
Sam’s Possessiveness from Ninaivo Oru Paravai
This might have caused a rift between them.
We then see their second (or maybe first) break-up, which is tougher to bear. After this, the hero leaves the house, and the heroine watches him from the balcony. This time, she moves from right to left on the screen, with an infinity loop in the background.
After this, the hero might have had an accident, causing him to lose his memory.
The hero’s sister asks the heroine to help him recover his memory. He still remembers the heroine’s name. The heroine visits the hero, writes down their beautiful memories, and shares them with him. The hero reads each note, embedding these memories in his mind.
There is a rain scene, it’s a beautiful memory that heroine written in the note for hero.
If you look closely, you will get some hints from those frames.
Sign Board & the notice on the tea-stall which says “2000 Cats are missing in Chennai”
A Hidden Revenge Story
At this point, you might see it as a revenge story, where the heroine tells him to believe everything she says, whether it’s true or false. He lives with the uncertainty of his memories, unsure if they’re lies or the truth. It’s like a Thursdayism philosophy that K used to talk about in the past.
There is no Tatto visible, and it;s part of the script written by K: Ninaivo oru Paravai
I see it as a form of revenge because the heroine was dealing with the same feelings after their break-up. She couldn’t tell what was real and what was an illusion.
Now, she’s passing the same feelings on to the hero, telling him,
“Anything you remember won’t be the truth but a figment of your imagination. I’m the only one who can tell you if it’s real or just your imagination.“
But she promises him that she never cheated and that they’ll never see each other again. She gives him back the script that he wrote.
Wamiqa Gabbi in Ninaivo oru Paravai
As she leaves, she repeats the hero’s words from their first break-up, “Avvulo thaana (That’s it?)” “I guess so.”
You can see this as the third break-up in the script.
A Happy Ending
The heroine then comes home in the rain, with the hero following her. She closes the door on him when he begs for her love.
She asks why she should love him.
He replies that even though he’s lost all his memories, he still remembers her. This shows his love for her.
Sam opens the door, and they get back together. She says they’re going to live happily ever after, just like the characters in the movie.
Climax scene written by K : Ninaivo Oru Paravai
She then comes back in, possibly after making love, closes the door, and the title card “A film by K” appears.
This is K’s film.
Let’s Now Explore, What is Reality?
After her breakup, Sam seeks help from a psychiatrist to cope with her emotional distress, and she starts improving with treatment.
During her visit to the doctor, bird tattoos are visible on her neck (in the present or real). These bird tattoos might serve as symbolic keys, resembling a love bite, possibly representing the painful remnants of love and memory.
This tattoo plays a pivotal role in this film. It helps us distinguish between the real and imaginary worlds (or events from K’s scripts) in the film.
Let’s Pick Some More Hints
On reaching home and starting to clean, the tattoo on Sam’s neck is visible.
When she picks up the ashtray, it reminds her of the couple’s habit of smoking together after making love.
Sam holding Ash Tray: Ninanivo Oru Paravai
While Sam is holding the ash tray, you can see that cactus in the background is dry. But, when she see K’s sister, cactus is green. Sam’s hallucinations are vivid and colourful.
Cactus in the background (One is dry, but the very next moment it’s green)
She begins to hallucinate again. K’s sister’s arrival and the entire hospital sequence seem copied from the script. While Sam converses with K’s sister or during her time at the hospital, her tattoos are not visible.
While searching for toilet paper, we see tablets on the shelf, but she doesn’t use them. Sam starts to hallucinate the entire script (written by K) as her own memories or present experiences.
In the climax, when they meet for the last time at the bar, Sam’s tattoo is initially not visible, which suggests it’s a hallucination influenced by the script.
And this scene is there in the script or K already discussed this with Sam (So first part of the meeting is a hallucination).
From Hallucination to Painful Reality(In the Climax)
But when she says, “We won’t meet again; I came to give you back the script,” her tattoo becomes visible, suggesting that the event actually occurred in their real lives. So, this is her real memory. This might have been there last meet and after this K might have met with an accident.
or else, That painful breakup scene in the script was their last meet and here nobody is there opposite to Sam, and she is hallucinating K is there oposite to her and leaving the script saying “This was one last thing I had kept in your memory”.
To make it more concrete, she is raising glass and leaving the table by keeping 500 rupees( can be going Dutch as well). There are no dialogues from K, once the tattoo appears. It’s a hallucination, she is leaving the script on empty table.
Even those orange lights are some hint, you can see the shades of orange in all her hallucinations.
K is Dead!!
Following that painful break-up, K might have met with an accident and slipped into a coma or might have died. Why?
In the subsequent scene, Sam’s tattoo is visible, and she is walking back home with a clear sky. The doctor calls her and warns her about hallucinations. She mentions a journal written by Sam (which contains what we’ve seen as hallucinations, which she might have written in reality as well).
When Sam mentions meeting K, the doctor reacts with surprise, uttering “K?” in a tone indicating impossibility. Hence, K might be dead or incapable of meeting Sam. The doctor shows shock when Sam mentions rain, suggesting there is actually no rain.
In the next scene, Sam is shown talking to K at their home, and it’s raining. It’s a hallucination.
There’s a dialogue from Sam: “We are going to be like those characters in the movie, we are going to live happily ever after from here.“
However, after this, Sam comes and closes the door. Her tattoos are visible; it’s actually real. She hallucinates that K is with her and sleeping inside. She returns to her loop which ends happily. The door closes. She is going to live like that.
Now doctor (In the film) is the only one who knows K is dead or what happened to him other than Sam. If you look closely, you can see that Doctor and Josya are same.
Doctor Character & Josya Character
Ninaivo Oru Paravai: Ending Explained
I’ve another theory about the break-up scenes in the film.
I think Sam has been through a similar experience before, and the Psychiatrist helped her escape this cycle.
In the first break-up scene, Sam walks from the left to the right of the screen. But in the second break-up, which is more painful, she walks from right to left, with an infinity loop showing in the background.
It’s possible that Sam might have experienced the entire events again and again as hallucinations, undergoing the same series of pain and happiness.
Even the song’s lyrics playing in the background highlight this: “Will time stagnate at anyone’s behest?” and “Fish that swims in the mirage.” (song after their second break-up scene)
Like a pendulum, Sam oscillates from left to right and right to left through her memories (her real memories might be).
After her appointment with the psychiatrist, we observe her returning home and revisiting the pain while gathering objects linked to her memories of K.
A Redemption
And when she picks up the ash tray, she starts hallucinating again. At this point, she is disrupting the cycle, striving to create a happier ending.
Cigarette packet name is Cancer: Ninaivo Oru Paravai
She hallucinates about K’s sister and her meetings with K. She finds a solution, just like in the movie; she hallucinates and reunites with K on that rainy night.
A song plays in the background while she stores the memories (notes) in the jar: “Till the summer skies burst, and rain pours forth, will your eternal suffering persist.”
In that rainy night, she is seeding a happy ending for that eternal suffering.
One Last Theory
Let’s shift our perspective by 180 degrees and consider that the actual director or writer could be Sam, not K.
In real, Sam is the one who wrote the script, drawing from her own memories. She wrote the script and in the end she left is at the bar assuming K is there and it’s his script (Like in her movie script, in the present she is living like the chaarcter in the movie, so she believes, K wrote the script).
The doctor has been working to erase K from her mind. It’s no coincidence that Josya in her script ( who predict the break-up or being a reason for a rift in their relation) and the doctor bear a striking resemblance. There’s even a scene where the doctor discusses Sam’s journal, reinforcing the idea that Sam is the writer.
Notes from Ninaivo Oru Paravai: Analyse the Handwriting
If you observe closely, the notes written by Sam and the notes on the script have the same handwriting. Look at the ‘S’ written on notes and script. But the notes on the toilet paper, which were written by K, are in a different handwriting.The notes written by K on the toilet paper display a distinct handwriting style
Conclusion
This all reminds me of Kim Ki Duk’s movie ‘3 Iron.’ In the end, the hero returns to the heroine’s house and lives there unnoticed by the heroine’s husband. It implies that three people are living in the house, but the husband is unaware. This raises the question: “Is the world we live in reality or a dream?“
3 – Iron Movie climax: Directed by Kim Ki Duk
In a similar situation, K might be living with Sam, but no one else knows. It’s hard to discern the reality.
Thiagaraja Kumaraja made this movie as a distorted jigsaw puzzle, by watching it multiple times, you will be able to fix it in order. But he removed one piece from the jigsaw: “Why They Broke Up?” this is the trigger to ACT 2 of the movie ( or even K’s script).
Maybe there might be more clues to reveal that #WhatHappened moment. Please share as a comment if you find any.
Modern Love Chennai- As a review, I would say Thyagarajan Kumaraja version of modern love, is a perfect weekend watch if you love to see the shades of romance.
This webseries is a challenge to the mainstream love stories that we are used to.
What’s striking is that each episode is a beautifully narrated tale from a woman’s perspective.
As a guy, it’s really nice to see love from a woman’s point of view. What’s really beautiful is how these stories grow, just like a flower blooming, and at the end, they spread the fragrance and make you smile.
The nostalgic background scores and music by Ilayaraja serve as a soulful thread, and keep you connected to Modern Love Chennai, making sure you feel a part of their world.
Lalagunda Bommaigal: A Tale of Trust, Love, and Betrayal
“Lalagunda Bommaigal” narrates the story of Shobha, a resident of multicultural suburban Chennai. The film, directed by Rajumurugan and featuring Sri Gouri Priya, Vasudevan Murali, and Vasundhara, begins with an abortion and then navigates waves of trust, love, and betrayal, sprinkled with a dash of dark humour.
Rajumurugan’s handling of the sensitive, dark subject, blending in dark humour without diminishing the pain and struggle of a woman, is commendable.
Nirav Shah’s exemplar Cinematography
In the first act of the movie, there is a dialogue: “You cannot live with men, but, you cannot live without men either”, and, in the climax, there is another dialogue “You cannot live with women, but, you cannot live without women either”. This summarises it.
One of the things that I loved most about the film was the cinematography by Nirav Shah. The empty roads, night shots, and transitions all reflected what Shobha was going through. Even the ending shot of the film was beautiful. It showed us the fulfilment that Shobha had finally found. Frames act like a shadow for Shobha’s emotions.
A frame Lalagunda Bommaigal: Modern Love Chennai
The music composed by Sean Roldan also helps us to empathise with Shobha. It was subtle yet pleasing.
Imaigal: Love Amidst Fear and Loss
“Imaigal,” navigates the life of Devi, who’s in love with Nithya while facing the fear of a retinal degenerative disease. Directed by Balaji Sakthivel and penned by Balaji Tharaneetharan, this episode stands out for its short-sweet yet meaningful narrative.
The episode focuses on Nithya’s fear of losing her sight and her love life. It beautifully captures the moments when Nithya and Devi support each other through their struggles. The episode is emotionally resonant and is a reminder of the fragile yet resilient nature of love in the face of adversity.
T.J BHanu & Yuvan Shankar Raja
Although the episode’s pace may seem a bit quick, it’s effective due to its well-written script and sincere performances by Ashok Selvan and T.J. Bhanu.
T J Bhanu as Divya: Imaigal
But I felt that he struggled to portray the character of a middle-class man as convincingly as T.J. Bhanu. This may be because Ashok Selvan is not typically cast in these types of roles, and he may not have had as much experience with the struggles of the middle class 😉
As a result, in the second half, there was a slight disconnect between him and the role, which made the couple appear somewhat mismatched on screen.
The music by Yuvan Shankar Raja fills in the silence with a depth of emotion, while the cinematography by Jeeva Sankar expertly catches subtle emotions with close-up shots. It’s a worthwhile watch, reminding viewers about the fragile yet resilient nature of love in the face of adversity.
Kaadhal Enbadhu Kannula Heart Irukkura Emoji: A 90s Love Mashup
“Kaadhal Enbadhu Kannula Heart Irukkura Emoji” is all about the romantic adventures revolving around Mallika, who is desperate for love. If you’ve seen the Malayalam movie “June,” you may find some familiar plot elements, as this episode feels like a condensed version of the same.
Directed by Krishnakumar Ramakumar and featuring a star-studded cast including Ritu Varma, Samyuktha Viswanathan, Pawan Alex, Aniiruth Kanakarajan, and Vaibhav Reddy, this episode is a sweet nod to 90s nostalgia. However, the writing by Reshma Ghatala comes across as average, with several scenes evoking a sense of déjà vu.
The story is about Mallika, a teenager who loves 90s romantic movies. She is obsessed with the scenes and dialogue, and she is eager to experience love for herself. She falls in love with different people at different stages of her life. Through these experiences, how her character arc changes and her perspectives about love evolve is the rest of the story.
A surprising Cameo and a Striking Dialogue
There is a cameo by Bhradwaj Rangan and it was hilarious and interesting. What makes this episode special is the reference of all those 90’s kids favourite romantic songs and multiple Maniratnam & Gautham Menon movie references. I felt like it’s a 1990-2000 love mashup.
Ritu Varma as Mallika: Modern Love Chennai
One intriguing dialogue from Mallika caught my attention. She states, “there are no breakup songs for women in Tamil cinema.”
This line served as a humorous yet sharp commentary on a stark reality in the film industry.
Margazhi: A tale that Blooms Like Jasmine
Margazhi, is a heartfelt teenage love story directed by Akshay Sundher and penned by Balaji Tharaneetharan,and this is one of my favourites in recent times.
You can see Balaji’s signature in the dialogues and character development. The narration reminds me of European classics, with its slow pace, steady frames, poetic moments, and close-up shots.
A scene from Margazhi
The story is about Jazmine, who is depressed after her parents’ divorce. Her father suggests that she join the church choir to help her feel better. Despite being in the choir, she finds comfort in her earphones and the music of Ilayaraja. However, a silver line arrives in the form of a summer romance that dramatically alters Jazmine’s path.
Everything changes along Jazmine’s character arc – the backgrounds, landscapes, objects, and even color shades. I was truly amazed by the depiction of this transformation.
Sanjula Sarathi’s Spring, Summer, Fall..
In her debut role, Sanjula Sarathi is simply spectacular as Jazmine. Her performance shines in the close shots, She is so expressive in her close-ups. Particularly in one striking scene where she questions, “Why do you love me?” Her portrayal of the reflections and self-fulfilment is impeccable.
Ilaiyaraaja’s musical score adds an extra layer of depth to the story, reminiscent of the “En Iniya Pon Nilave” vibes.
However, the real star of the show, beyond Balaji’s writing, is the cinematography by Vikas Vasudevan. The frames evolve like the seasons – winter, summer, spring, finally blooming into a beautiful cinematic experience.
Don’t miss Margazhi, it’s a beautiful teenage romantic film. It is a must-watch for anyone who loves teenage love stories.
Paravai Kootil Vaazhum Maangal (Gazelles living in a bird’s nest): A Forbidden Love
Do you recall the 1993 classic Marupadiyum by Balu Mahendra, featuring Rohini, Nizhalgal Ravi & Revathi? Or perhaps the iconic song “Aasai Athigam vachu“ by Ilayaraja from the same era?
Well, Paravai Kootil Vaazhum Maangal feels like a more compact, updated version of Marupadiyum. Directed by BharatiRaja, it’s steeped in the same intense emotions.
Pratheep Kumar’s dialogues might seem a tad dramatic, but they’re also poetic, adding depth to moments of character introspection.
The tale kicks off with Ilayaraja’s classic “En iniya Pon Nilave” song, setting the stage for the unfolding forbidden love between Rohini & Ravi amidst the Chennai metro station.
Kishore, Ramya Nambeesan and Vijayalaskhmi: Modern Love
Kishore, Ramya Nambessan, and Vijayalakshmi deliver some standout performances in this episode. They beautifully fill the shoes of Ravi, Revathi, and Rohini, bringing these characters to life. Another shining star is the cinematography by Jeeva Sankar. The way he frames scenes set in the metro, at night, or within a room is captivating. The team’s use of darkness and night shades adds another layer to the storytelling.
Exploring the Labyrinth of Love
In Kishore’s (Ravi) own words, the theme of the episode can be summed up as, “It’s hard to discern when love will happen, or with whom, or even why. We never understood our hearts.”
Vijaya;ashmi as Rohini: Modern Love Chennai
The episode ends with a dialogue from Revathi about emptiness, which reminds me of Thulasi from Marupadiyum. It would be unnatural to find gazelles living in a bird’s nest. Rohini and Ravi are the gazelles here.
Ninaivo Oru Paravai (Memory is Just a Bird): A Modern Love
This episode is a real modern love story filled with all the required ingredients: pubs, smoking, wild sex, post-breakup traumas, and high-end philosophical talks.
Ninaivo Oru Paravai, directed by Thiagarajan Kumararaja and starring Wamiqa Gabbi and PB, presents the tale of Sam & K. They’re a couple who subscribe to a “caveman” style relationship: “You are mine, I am yours, no god, no marriage, no rules”.
The episode opens with the soft melodies of “mella mella ennai thottu”, an Ilayaraja composition later used in Sarvam by Yuvan. As the couple stirs from sleep following a passionate night, the soft music, subdued room lighting, and red tones set the tone for the film and tell you to get ready for something dark, wild, and passionate, infused with both the sweetness of love and the bitterness of tears.
In a thought-provoking scene, K questions the fate of film characters after the movie ends, which feels like the director is posing these queries to the viewers. It reminds me of the character Mugil (Fahad Fasil) from Super Deluxe.
Philosophical Brilliance of Thiagarajan Kumararaja
This film talks about idealism (what we perceive as the “real world” is essentially a product of our mind) and direct realism. The brilliance of Thiagarajan Kumararaja is that he lets you experience the same (like Nolan’s Memento, where you feel what the character is going through). The storytelling method is so unique and blends beautifully with idealism.
A Scene from Ninaivo Oru Paravai: Wamiqa Gabbi as Sam
In simple terms, Thyagaraja Kumaraja is playing a mind game with you, blurring the lines between a movie within a movie and two real-life characters.
The cinematography by Nirav Shah and Jeeva Sankar brilliantly enhances the film’s ambience, helping us to dig into the deeper layers of the scenes. The corridor shots in the hospital, the indoor shots of unfinished rooms, the close-ups of cigarette packs, the rain shots tinged with pink and yellow, all signal that this is a work by Thiagarajan Kumararaja. The pervasive darkness and red colour tones echo the episode’s underlying themes around idealism & realism.
Memory is just a bird, It is free and unbounded. It flits around, sometimes coming close and at times flying away, but it’s always a part of our world.
Modern Love Chennai Review: Final Word
Overall, considering a review of Modern Love Chennai, I would say it excels in execution and casting, even though not all episodes are great in their vision.
While many episodes were acclaimed for their dialogue and storytelling, some might have seemed cliché or overly familiar. More innovative and nuanced writing could have made these episodes stand out. For example, Ritu Varma’s episode, climax of first episode.
For more movie reviews and suggestions, click here.
“Crouching Tiger, Hidden Dragon,”is a must watch movie, directed by Ang Lee and released in 2000. It is a cinematic masterpiece that beautifully fuses martial arts action with a deeply emotional narrative.
This movie won four Oscar Awards, for score, cinematography, art direction, and also Best Foreign Language Film.
What is this chinese movie “Crouching Tiger, Hidden Dragon,” about? Why it’s a must watch Movie?
Where can I watch this “Crouching Tiger, Hidden Dragon” with subtitles ?
What its climax is so special?
In this post, we will cover all this.
Crouching Tiger, Hidden Dragon Movie Poster & The team at Oscars
Crouching Tiger, Hidden Dragon plot
During the Qing Dynasty period (1644-1912), in China, there was a young woman named Jen who was a kung fu master. She was so good at kung fu that she could beat any man in a fight.
But Jen was not happy. She was restless and searching for something more in her life. Jen felt trapped by her gender and her family’s expectations. She wanted to be free to live her own life.
We then meet Li Mu Bai, a famous swordsman who is retiring from the martial arts world. Li Mu Bai is entrusted with the Green Destiny, a powerful sword that is said to be cursed.
One day, Jen stole this sword from Li Mu Bai. She knew that Li Mu Bai would come after her, and he did. But instead of fighting him, Jen ran away.
Jen is hoping to use the sword to escape her arranged marriage and find her own freedom.
Will Jen be able to escape her arranged marriage? What will happen to the Green Destiny? Will Jen be able to find her own freedom? Will Jen be able to come to terms with her past and her future? What does it mean to be a woman in 19th-century China? How does the movie depict the power of love and redemption? What is the meaning of the title Crouching Tiger, Hidden Dragon?
Find the answers by watching the film.
Where to Watch “Crouching Tiger, Hidden Dragon” With Subtitles?
“Crouching Tiger, Hidden Dragon” is readily available for streaming on platforms such asSony Liv andZee5.
Additionally, if you’re interested in owning a digital copy, the movie can be purchased on Apple TV, Google Play Movies, and YouTube.
For those preferring short-term access, or don’t have any subscription, try watching it herewith subtitles, since, it’s free, make sure you have an ad-blocker with your browser.
6 Reasons Why “Crouching Tiger, Hidden Dragon” is a Must Watch Chinese Movie!
1. Super Cool Fight Scenes
“Crouching Tiger, Hidden Dragon” has some of the most exciting fight scenes you’ve ever seen! People don’t just battle on the ground, they even fly through the air! These aren’t just fights, they’re like beautiful dances that make your heart pound.
2. Symbols & Inner Layers
“Crouching Tiger, Hidden Dragon” is filled with symbols that represent deeper meanings.
For example, the ‘Green Destiny’ sword isn’t just a weapon, it symbolizes power, responsibility, and the weight of tradition.
The characters’ ability to fly represents freedom and the longing for transcendence.
The film delves into the exploration of one’s inner self. Each character, particularly Jen, undergoes a journey of self-discovery and identity formation.
This film invites you to ponder upon your own self, your desires, and your fears.
The movie shows us the importance of personal growth, forgiveness, and redemption. It also portrays the consequences of ego, arrogance, and unchecked ambition.
3. Feminism
The film is a strong advocate for female empowerment. It breaks the stereotype of submissive women and presents us with strong, independent female characters who challenge the norms and fight for their beliefs.
“A woman should be able to do whatever she wants, as long as she is not hurting anyone.” – Jen Yu
It’s a bold statement about gender roles and equality.
It beautifully captures the struggles of unrequited love, the tragedy of forbidden love, and the sacrifice of true love through a strong female character.
4. Awesome Cinematography & Amazing Locations
Director, Ang Lee, and cinematographer, Peter Pau, created an enthralling visual experience that captivates the audience.
The film’s cinematography often leans on a rich and vibrant color palette, designed to represent the emotional state of the characters and the atmosphere of the scenes.
The intricate use of light and shadow, as well as different color tones, helps to enhance the mood and the narrative of the story.
The movie was filmed in various locations across China, which significantly contributed to its breathtaking cinematography. The film showcases the rich and diverse landscapes of China, from the dense bamboo forests of Anji County in Zhejiang Province to the majestic deserts of Xinjiang. The locations chosen encapsulate the rural and urban landscapes of China, painting a vivid picture of the country’s natural beauty and architectural grandeur.
One of the most iconic scenes is set in the ancient city of Pingyao, where the stone-paved streets and historic architecture transport you back to a time long gone. The Jade Fox fight scene in this setting is a blend of meticulous choreography and historical authenticity.
The serene and mysterious Wudang Mountains also play a crucial part in the film. Known as the spiritual home of Taoism and considered sacred, the mountains provide a perfect backdrop for Li Mu Bai’s spiritual journey and his quest for enlightenment.
In simple words, “Crouching Tiger, Hidden Dragon” is a visual feast.
Scenes from Crouching tiger, hidden dragon
5. Excellent Casting & Exemplar Performance
Chow Yun-fat, an internationally acclaimed actor. He portrays the role of Li Mu Bai, a master warrior seeking peace. His performance brilliantly blends strength, wisdom, and restraint. Notably, he carries an unspoken love for Shu Lien, which adds a layer of depth to his character.
Secondly, Michelle Yeohcaptivates as Yu Shu Lien, a strong and independent woman who is also a skilled warrior. She skillfully displays the complexities of love, loyalty, and strength, both in her martial arts skills and in her relationships with others. Throughout the film, Yeoh’s performance remains utterly mesmerizing. Her recent Oscar win for her role in Everything Everywhere All at Once is a testament to her talent and her ability to connect with audiences on a deep level.
Next, we encounter Zhang Ziyi as Jen Yu. This character goes through a significant transformation, from a sheltered aristocratic girl to a rebellious woman yearning for freedom. Zhang’s impassioned acting brings this character journey to life, making her performance a standout in the film.
Lastly, the supporting cast, including Chang Chen’s portrayal of Lo, or “Dark Cloud,” and Cheng Pei-pei as Jade Fox, also delivers strong performances.
Spoilers Ahead
6. Layered Themes & Deep Emotional Connections
Firstly, one of the film’s key themes is the struggle for personal freedom against societal expectations.
It shows us the conflict between societal expectations and personal desires. It also explores the theme of redemption, showcasing that it’s never too late to correct one’s mistakes and find the right path.
“Redemption is possible. It is never too late to find forgiveness and start over.” – Li Mu Bai
Secondly, the theme of unrequited love permeates the story. Both Li Mu Bai and Shu Lien share a deep, unspoken love for each other, but their duties and societal positions prevent them from expressing it. This creates a deep emotional connection with the audience, as many can relate to the pain of love left unexpressed.
“When it comes to the affairs of the heart, even the greatest warriors can be consummate idiots.” – Sir Te
Lastly, “Crouching Tiger, Hidden Dragon” uses the theme of mentorship and the master-student relationship. Li Mu Bai, as a seasoned warrior, tries to guide Jen, a representation of raw, untamed talent. The dynamic between them provides an insightful look into the traditional Eastern philosophy of learning and discipline.
“A sword by itself rules nothing. It only comes alive in skilled hands.” – Sir Te
Crouching Tiger, Hidden Dragon: Ending Explained
Climax Scenes from Crouching tiger, hidden dragon
In the final scene, Jen jumps off a mountaintop following a conversation with Lo, her bandit lover, about a legend where a man made a wish and jumped off a cliff, and instead of falling, he flew. She tells Lo to make a wish and jumps off the mountain, leaving the outcome ambiguous.
This ending can be interpreted in various ways, reflecting the multifaceted “Crouching Tiger, Hidden Dragon” meaning. Some may perceive it as Jen’s wish to start anew, to be free from societal constraints, expressing the theme of freedom that runs throughout the film. Others may see it as a symbolic death, with Jen letting go of her old self to embrace a new identity.
Moreover, Jen’s leap can also represent her ultimate defiance of societal norms and her decision to forge her own path, reflecting the movie’s underlying feminist themes. The cliff could symbolize the insurmountable societal expectations, and Jen’s leap could be seen as a courageous act of breaking free from these restrictions.
Finally, the jump may also symbolize Jen’s leap of faith, the ultimate act of trust and surrender, showing her growth and acceptance of her life’s journey, highlighting the theme of self-discovery and personal transformation.
No matter how you understand the ending, the deep symbolism and meaning of “Crouching Tiger, Hidden Dragon” still have a big impact on people, leaving them with a lot to think about long after the movie ends.
